La ferme se rebelle

Having only just moved to her new home, Maggie the cow is shocked to learn that it is to be shut down and auctioned off – more than likely meaning the chop for all the animals. With cows Mrs Caloway and Grace in tow, she sets out to try and save the farm by claiming the reward for bringing in an infamous cattle rustler. Ignoring the sheer improbability of this, they set off only to find that several other parties (animals and humans) have similar ideas.

I came to this film as one of many animated films on during the Christmas period and given the genre perhaps had reasons for looking forward to the usual star cast, kiddie friendly laughs, subversive adult humour and solid plot with a moral at the base of it. Sadly though this genre is no longer one that can be judged based on your Shrek's, Toy Story's and so on but now needs to be approached with caution given how many weak copies there now are out there. It is a shame to have to point the finger at a Disney product for this crime but I couldn't shake the feeling that the planning for this film involved watching the good Pixar films and saying "let's make one of those but without the effort or cost".

And so the film was born and it appears the effort and cost has been removed, perhaps making a more profitable film due to lower overheads and a "look kids it's another animated film" marketing strategy that writes itself, but what it doesn't produce is a good film which is what Home on the Range stands as testimony to. The story is a very simple adventure that doesn't really have much to it beyond the basic description above and I was surprised by how plodding most of it was. The laughs are few and far between and the delivery generally seemed to lack energy. The animation is pretty basic looking and seems to have been made by a rather lacklustre committee, which is ironic when you think about what the significance the film holds within the legacy of Disney.

The voice cast has names but it feels more like actors being "the voice of" rather than playing characters. As a result they tend to just play on their voice rather than develop characters. Roseanne is Roseanne but with weak material (meaning she is just loud and not funny). Dench takes her money and I doubt very much if this film will ever be mentioned when discussing her body of work, and nor should it be. Tilly at least plays up her part and has quite a "fun" voice. Quaid, Gooding Jnr and Warburton are so-so even if small turns from Buscemi and Weaver are quite fun.

Overall then a pretty lacklustre product across the board that seems to be content to just take the success that simply being in a genre that we had gotten used to being good. It might amuse young children with its big bright shapes and loud noises but older children and certainly adults will find little to entertain.

So, it wasn't too bad. The kids, 4, 7 and 11, loved it. It was a bit jumpy and confusing, but we got some laughs out of it and the kids left smiling. That's pretty much the goal of going to a Disney film anyhow, even though it reminded me more of Warner Bros. and Looney Toons. And its not so terrible for Disney to try something different. It just takes some getting used to. Frankly, I just forgot that it was Disney and watched the show.

But nobody has mentioned the violence. Just like Looney Toons cartoons that we grew up on, this movie was so full of violent acts that I lost count early on. It disturbs me to see cartoon characters suffer such debilitating injuries and the next thing you see they have completely recovered and carry on. What kind of message does this send the kids? "Go ahead and jump off that cliff, you'll walk away"....."Isn't it funny how that man's teeth are falling out of his mouth....."

But if you don't mind Looney Toon violence, the rest of the movie is OK. Hokey, but it's supposed to be. We, the adults, did wish there had been a bit more character development, especially around Pearl, the owner of Little Patch of Heaven, and Buck, the ridiculously macho horse. Loved the voice of the Buffalo and agree that the horse that Buck encouraged to run away was also a great voice. Liked the music too, although it was a bit overwhelming at times.

So enjoy, and remember: its for the kids, not you.

where did it all go because it certainly wasn't spent on the animation. It was just your regular Saturday morning cartoon animation. I guess most of the money must have been spent on the stars who played the voices. Since Rosanne's been out of work lately, she probably asked for a pretty penny to do this.

It didn't have any fun songs that stand out in my mind. Plus, the plot was very generic. And it needed more animals. The main animals were cows, a rabbit, and a horse. There's also a goat, pigs, buffalo, and chickens, but they weren't shown a lot. One of the reasons people liked the story of Finding Nemo so much was all the different animals used to tell the story.

FINAL VERDICT: I guess 5 year olds will like it, but I didn't think it was too great.

The trailers - especially the trailer on the Finding Nemo DVD - suggested comedy to rival "The Emperor's New Groove," etc. The movie WAS amusing, but not what we've come to expect from recent animated films targeting adult audiences. However, my kids LOVED it, and the theater was full of hearty laughter from all the other kids as well.

"Home on the Range" is full of slapstick humor aimed at a young audience - THIS is a cartoon that remembers what cartoons are supposed to be. And there are plenty of amusing one-liners to keep mom and dad from being bored.

A good, old-fashioned cartoon... "You know, for kids!"

Disney's animation studio, immediately after 'Lilo & Stitch', experienced a major financial loss. Competitors such as the soon to be acquired Pixar, DreamWorks and even Blue Sky Studios were dominating the earlier part of the twenty first century. Disney's features, the once leading studio, were broken. Productions enduring extensive lengths, costly visualised conversions and downsizing of employees. Home on the Range, rather unfortunately, was a misfired product from a studio encountering corporate instability. A western styled tale involving three mismatched dairy cows attempting to capture an infamous cattle rustler to receive a generous bounty that will pay off their farm from foreclosure.

Finn and Sanford's hearts were in the right place, just bordering the rustic picket fences of Patch of Heaven. The trio of dairy protagonists, comprising of brash show-cow Maggie, sophisticated Mrs. Caloway and the stupendously ditzy Grace, garnered sufficient interactions with each other that prolonged their brief characterisations. The rivalry between Maggie and Mrs. Caloway was earnest and provided moo-ments (I promise, no more cow puns...) of friendship during times of great need. The plot itself was punctual and cohesive, with functional albeit predictable beats found in any other Disney animation. Voice acting was solid for the most part, particularly Dench, Tilly and Gooding Jr., whom all suited their characters. Barr was too bullish, and lacked the subtlety required to tenderise Maggie's emotional conflicts. However, the biggest asset Home on the Range withholds, is the throwback to the classic cartoon style. The humour is refreshingly slapstick and acquitted itself with nothing more than a fun adventure. It'll keep children entertained, adults not so much.

As I said previously, this feature was produced during a rough period of time for the studio, and consequently resulted in a functional yet unmemorable tale. Despite the modesty of the leading "three maids are milking", their journey is hugely unmemorable, lacking the originality and timelessness of previous productions. Yes, questing across the dusty Grand Canyon, encountering perilous flash floods and traversing exhilarating mines, should've made for an exciting comedic adventure. Alas, the milk in these cows had expired. The narrative lacked innovation, the dialogue lacked energy and the animation itself lacked charm. Even Menken's original composition, featuring "all-time favourites" including *cough* "Will the Sun Ever Shine Again" and the painful antagonist's theme tune "Yodel-Adle-Eedle-Idle-Oo" resembled outdated traits that Disney failed to avoid. Hypnotising cows into an LSD trip by expressively yodeling at them, should've been one of the most unforgettable scenes the studio had pumped out. Sadly, not the case. Everything was shoved into a minuscule runtime, and the breezy pace emphasised the one-dimensional aesthetic.

Home on the Range is, undoubtedly, formulaic. Whether the formula for this dairy goodness is to your taste, is clearly down to personal preference. Undeniably though, the sour aftertaste of a studio no longer caring was beginning to present itself. A feature with the consistency of semi-skimmed milk, avoiding the delectability of full fat wholesomeness. Udderly disappointing.