The Movie Hero

This is a concept film that explores the role of movies as metaphors for our lives.

I personally thought it was brilliant. While never said explicitly (that would have ruined the metaphor), I liked the implied parallel of Blake's "audience" as "God" or whatever spiritual force connects people to each other.

Do movies have a role in our lives other than being our "chocolate-covered treats," something we give ourselves only when we feel we deserve a reward for all our work and hardships? Can movies in fact be nourishing? Can they inspire us to live more fulfilling, more productive lives? "The Movie Hero" addresses these questions beautifully. I completely loved it.

The very talented Jeremy Sisto let his hair grow long in 2003 to play the pleasant but delusional hero of THE MOVIE HERO. Sisto imagines he is constantly performing before an audience that only he can see, and he imagines he is a hero looking for a villain to defeat. He finds his nemesis in the versatile Peter Stormare as an apparent serial killer. Along the way, he also picks up a sidekick (Antoin Thompson). The one problem is, he is an unemployed 20-something whose parents are always hoping for better from him. He eventually ends up in the office of a therapist (Dina Meyer of STARSHIP TROOPERS) whom he imagines is his "love interest." Some of this stuff is very funny, but most of the film is a series of closeups of the actors speaking directly into the camera, and they clearly were working with no budget to speak of. It shows. Worth a look by the cineaste, not the mainstream viewer.

The fourth wall is broken in this funny, romantic and well-acted and -directed film for all -- especially people who love movies.

At the start, movie lover Blake shares with us -- his own personal, omnipresent audience -- his plan to do what all movie heroes do: battle a "suspicious character" and save the day. But first, he must find the requisite funny "sidekick" (he chooses young, black Antoine, whom Blake likes immediately despite his fear of the cliche their relationship creates). Blake also discovers the lovely, perfectly imperfect woman who must surely be his "love interest" -- and who is, naturally, already attached. Though everyone in his life questions his sanity, Blake believes his ability to see "his" audience is a gift. What's so great is the clever way the movie makes us, the audience, question his sanity at times, too.

Jeremy Sisto easily, breezily carries the film. He plays Blake as warm and likable, with just enough innocence to make us believe in him despite the underlying sadness and desperation in some of Blake's actions. I've been a fan of the actor for ages now, and here he has a role to showcase his full range of talent. He also has chemistry galore with Dina Meyer, who's pretty and smart and whom we want to be happy, just like our hero.

The rest of the cast is also terrific. The always-interesting Peter Stormare is creepy, yes, but it's also apparent he's having a great time, so he's never really threatening. Alexis Arquette has a funny cameo, Frances Bay a heartbreaking one, and Marcia Strassman and Eric Pierpoint (as Blake's mom and dad) are the kind of supportive, funny parents you'd hope to have if the world didn't understand you. Brian White nicely fleshes out Antoine.

Director Brad Gottfred shows a real maturity and confidence in both the script and direction. It wasn't until about halfway through that I realized just how complicated the camera work must have been. He's confronted with a similar challenge as M. Night Shyamalan probably had in presenting certain key scenes in the Sixth Sense. And yet he, DP Samuel Ameen and editor Ryan Rothmaier pull it off flawlessly.

During a Q&A after the screening in Cleveland, Gottfred said as of yet there is no distribution deal. I hope it gets one. Until then, if you have the chance to see this at a film festival, be sure to. I'm already looking forward to seeing it again in the theater, on cable, or DVD.

most of the critical explanations of this movie i have read are way off...this movie is brilliant and has nothing to do with being overtly charming or endearing... the dialog is complete genius as well as the underlying message..

hope

psycotic

i hate movies, yet i live in an uscripted version of dillusion and surreal reality...the film that all indie films wish it could be when they are through being pretentious and for lack of better words, boring..(from someone who respects indie films in a creative and cinematic way) learn how to script the unscripted and feed off of tragedy...

I just saw "The Movie Hero" today at the Cleveland International Film Festival. I was pleased.

"The Movie Hero" is hilarious, for one, and also really makes you think about your laughter. The main character keeps talking to his "audience" (us, in a way), but everyone thinks he's crazy for that. He then goes and gets a side-kick, love interest, all the stuff for his movie. The premise is unique and the way it plays with its ideas are just fun. The acting is great and makes it a wonderful, light-hearted film about finding your inner "audience".

We got to talk to the director of this movie after it was shown and he pointed out that he wrote in a week. As a writer, I was amazed. Stupid movies, yeah, maybe, but something like this should take way longer. Kudos to him on that.

"The Movie Hero" is so smart about movies, too, that I even thought about the wonderful film "Adaptation" during the movie. That should tell you enough.