User reviews

After Shrek (Mike Myers) marries Princess Fiona (Cameron Diaz) in the first movie. Donkey (Eddie Murphy) has been watching the hovel while they're on their honeymoon. Then they get a summons from Fiona's parents (Julie Andrews, John Cleese) in Far, Far Away. The trio goes to Fiona's home to find an uneasy acceptance of what has happened. Prince Charming (Rupert Everett) returns after not finding Fiona in the tower. He and his mother Fairy Godmother (Jennifer Saunders) try to split Shrek away from Fiona. They threaten the King who in turn hires Puss In Boots (Antonio Banderas) to kill Shrek.

There are some great additions to the cast of characters in the Shrek world. The main trio's chemistry is maintained while Puss form a new trio with Shrek and Donkey. It is just as good as the first one. It takes the situation and spins it into a family drama. The main idea of acceptance is expanded as the parents try to accept the Ogre into the family. It's a perfectly fitting sequel after the happily ever after.

I do think the first Shrek is better, but this is a delightful film that is just as funny and imaginative than its predecessor. Here we are introduced to new characters, such as Puss In Boots, marvellously voiced by Antonio Banderras. (Puss's look of innocence with the eyes was so sweet) The original voice cast return and are given fresh and very well-done material that they make the most of. Eddie Murphy mayn't be to everyone's taste, but I personally thought he was very funny, especially when he keeps saying "Are we there yet?" The new characters are well done, though I am not hugely fond of Jennifer Saunders as the Fairy Godmother, though I really did like John Cleese, Julie Andrews and Rupert Everett. The animation is just as lovely as it was in the first. The only other criticism I have of the movie, is that the plot isn't always as involving as the one in the original. But it is still rock-solid entertainment, for everyone to enjoy. 8/10 Bethany Cox.

Ok, I have to admit that the surprise is gone. The original Shrek was irreverent and made fun of all the children stories known to man... The second one is on the same line but by now you expect it. Still it's been a long time since I've seen an entire theater laugh from the start till the end of a movie. Wonderful new characters (you have to love the pussy in boots), superb animation and a all-round well made movie for everyone to enjoy. But please, whatever you do DO NOT read any comments (like this one) before you go see the movie, it can ruin it for you... And watch the credits until the end, there are surprises... Enough said, just enjoy the film, it's guaranteed to make any blues just fade away!

One of the greatest treasures humanity has come across. Breathtaking imagery, intelligent dialogue and well-thought-out characters. A tale of bravery, betrayal, murder and redemption. Shrek as a character is directly influenced by Jesus Christ. He is willing to take all the weight on his shoulders to make save the world from trouble. Shrek 2 is a great movie for family and drinking buddies alike. The "Pixels" of my generation. Shrek 2 is a gift sent by god to reward us for keeping faith. Checkmate, Atheists.

Shrek 2 has as much humor, talent, and fun as the original classic, and almost as much heart. The film picks up where Shrek left off, with Fiona and Shrek celebrating their marriage, but they are immediately cast into a new adventure when summoned to the land of Far Far Away (a clever parody of Hollywood), to the court of Fiona's mother and father, for a surprise royal wedding ball. The only problem, as it turns out, is that Fiona has married the wrong guy - according to everybody but Shrek, Fiona, and their friends.

The plot, revolving around this central problem, is helped along by nearly constant allusions to virtually every fairy tale in the English canon, and satirical references to many recent popular films. Unsatisfied with the combination of romantic comedy, Hollywood satire and self-parody, the film-makers' also went all out with a clever original soundtrack, making Shrek 2 as much of a musical as anything else.

The voice talent is just as essential as it was in the first film, and there's more of it, with John Cleese and Antonio Banderas giving very memorable performances. And the animation is, unsurprisingly, lovely.

To their credit, Dreamworks kept the core talent in place, but created a somewhat different formula for this film. Even though I expect most fans of the first film to adore the second, I am not sure Shrek 2 is going to make the franchise any new fans. Though more clearly made for adult audiences than the original, Shrek 2 is still warm-hearted family fare. As much as I DO recommend this film, and as entertaining as I think it will be for just about anybody, I don't consider Shrek 2 to be quite the classic Shrek was. It's touching and goofy, to be sure, but it's much more of a Hollywood film than the original, and it doesn't quite reach the same levels. Nevertheless, it is one of the better sequels I have seen, and it was definitely worth both the price of admission and a third or fourth viewing of the DVD.

As much as I enjoyed the first Shrek, I honestly almost died laughing and loving Shrek 2. The first Shrek was sweet and innocent, but the second took us to a different edge with terrific animation and just drop on the floor laughable jokes. Antonio Bandares as the cat was just such a great addition to the cast, he just killed me! I don't understand why Shrek 2 wasn't on the top 250, how could someone not enjoy this Shrek?

Shrek and Fiona are now married and happy ogres, that is until Fiona's parents wish to see her and her new hubby. Fiona was supposed to marry Prince Charming, which ruined her fairy godmother and dad's plans, so her dad hires a hit-cat to slay Shrek, but fails, but since Shrek spars his life, the cat stays with Donkey and Shrek. Shrek wants so badly for Fiona to live happily ever after, so he and Donkey take a potion from the fairy godmother and have little time to make sure it stays permanent.

Like I said, the Cat was my favorite character, especially when he and Donkey since Livin' La Vida Loca, I thought that it was so cute. Also when he stops the guards in the palace and gives them the cute kitty look. I just don't understand why no one got into the sequel as much as I did, otherwise this would be higher on the rating, and probably above the first Shrek.

10/10

Shrek the Ogre, Pincess Fiona, and Donkey are back in the sequel to the modern day fairy tale classic in this lesser, but still magical sequel. Shrek and Fiona are returning from their honeymoon, only to find a dejected Donkey who broke things off with Dragon apparently and the King's noblemen inviting them to Fiona's parents castle in Faf Far Away. Naturally the anti-social Shrek wants nothing to do with the invitation, but gives in to Fiona and Donkey's insistence. Needless to say the King is quite upset to find his daughter an Ogre and married to Shrek. Add the dastardly vain Prince Charming, a not so good Fairy Godmother and the delightful new addition of Antonio Banderas as Puss In Boots, and you get a fun, but ultimately unneeded sequel that treads to closely to the first plot-wise. However children will still love it. Parents will still chuckle every now and then, and it's still one of the better sequel's that I've seen.

My Grade: B-

Where i saw it: Cinemax on Demand (available till September 9th, 2005)

Shrek has now vanquished the fire-breathing dragon, eradicated the evil Lord Farquaad and married his Princess Fiona. But now he is facing his biggest challenge yet – meeting Fiona's parents in the Land of Far, Far Away. Dreamworks' second animated installment in the Shrek series was the surprise of the year for me, because it really is every bit as funny as its predecessor – but perhaps not as original or novel, and therefore not as memorable.

The animation, on the other hand, is perfected this time around. Dreamworks always go all the way in this aspect and the result is top-notch and easily exceeds that of its peers (Pixar, Blue Skye Studios). The greatest showcase for this manifests itself in the beginning of the film as Shrek, Fiona and Donkey set out to the Land of Far, Far Away in a horse-driven carriage and travel across mountains, fields, woods and passes – this journey features such gorgeously striking visuals of its scenery that it just touches me. It is downright aesthetically intoxicating.

Its wide-ranging gallery of eccentric characters have also been paid great attention to – this time gloriously supported by A-list actors (John Cleese, Julie Andrews, Rupert Everett) – both in animation and in story. Although Shrek and Fiona are still largely central to the story they now occasionally take a backseat to the new sparkling creatures like Puss-in-Boots, Fairy Godmother, Fiona's parents and yet more of Pinnocchio, Gingie and their crew in the swamp. The film is having a lot of self-referential fun in navigating its many story lines and inside-jokes and it makes no pretense about it. Shrek 2 is therefore positively peppered with rapid-fire dialogue, deadpan humour, pop-culture references and homages (to Ghost Busters, Blazing Saddles, The Lord of the Rings and MORE). It's a little more brave, and a little less serious.

The most credit is however due to its score. I'll admit that I don't know much about subtle musical scores in films, nor is it something that I always pick up on, but in Shrek is becomes the film. Eels make a great appearance in the soundtrack, as does alternative rock songs and classic songs (Funkytown - Lipps, Inc.) – it's amazingly catchy and thanks to its continuous scoring (music in some form in nearly every scene) it invests the film in a sort of lyrical flow. It all fits perfectly and smoothly with the fluid animation and the fairytale setting. It's a dream world beautifully captured by Dreamworks.

Although its key plot outline of Shrek meeting Fiona's parents and feeling inadequate is well-sketched, it suffers numerous diversions that take the form of jokes, detours and supporting characters, massively straying from the template – all of which you cannot help but feel do not quite belong in the story, and serve only the purpose of blatant humour and homages. There is nothing wrong with that per se, but the film occasionally feels a bit disjointed because of it. Its disorganisation is its fatal flaw but there is another woeful mistake in Shrek 2 – its final, cheesy song-and-dancer number at the end. WHY or WHY do so many films fall prey to this horrible device?!

Granted, the latter is not enough to ruin a film on its own but it does remind me of a rather nasty approach that you occasionally feel it takes. Letting its actors shine. Parts of Shrek 2 thereby acts more as an elaborate excuse to parade the 'fun, quirky' actors behind the characters (Antonio Banderas' Hispanic accent seems to be an endless source of amusement as far as the film is concerned). This approach, combined with its slight disorganisation makes this sequel slightly inferior to Shrek I. It is, however, a very funny film that caters to all ages.

7 out of 10

Shrek 2 is a fun movie to watch for the whole family and it improves over the original. Shrek 2 continues the story with Shrek (voiced by Mike Myers) going with his new wife, Fiona (Cameron Diaz), to meet his in-laws, the King and Queen of the Kingdom of Far Far Away, which bears more than a resemblance to Beverly Hills. But are they ready for their new ogre son-in-law and their daughter's new look? The King (voiced by John Cleese) seems to have his own plans and he enlists the aid of the Fairy Godmother and Puss in Boots to get what he wants. They plot is good and the execution is pretty good considering that most animated sequels are pretty cheap. I thought the first Shrek was okay nothing special but this one was a lot more funnier. I think what makes this movie work better then the first is the additional characters. Puss In Boots voiced by Antonio Banderas is hilarious and I thought he was a good addition to the cast. Of course having Mike Myers as Shrek was funny too and Eddie Murphy is still to annoying and he was the only reason why I didn't give this movie a ten. Cameron Diaz is good too but I felt she didn't really do anything special. Rupert Everett, Julie Andrews, Jennifer Saunders and John Cleese are all great additions to the cast and make this movie charming. The movie is quick and short but is able to leave so many funny moments you wonder why other comedies don't try this hard. Shrek 2 is the best kids movie I have seen this year and proves that even with a simplistic plot you can still let adults enjoy it. The story, the characters, the direction and the dialog are all smart and funny. Rating 8/10 perfect movie except for Eddie Murphy and everyone should watch.

I much preferred this sequel, even though I also liked the original, too, as millions of other viewers - kids and adults - did. This second edition, to me, was better than the first one for the following reasons:

1 - A faster-paced story; 2 - Better colors, just gorgeous with a 3-D effect in spots; 3 - another great combination of humor, adventure and romance; 4 - no one segment of the story overstayed its welcome; 5 - Eddie Murphy's character wasn't played up as much, meaning less abrasive shouting in this film; 6 - a genuine touching ending which left the viewer very satisfied.

Some of these qualities were all there in abundance in first Shrek, too, but the package was more complete here. It was softer, kindler, gentler Shrek film than the first. Murphy is a funny guy but his incessant talking can get on anyone's nerves, but with less to say, that didn't happen in this sequel.

Shrek 2 keeps the wining trio of Mike Myers, Cameron Diaz and Eddie Murphy, and it throws in the comic genius of John Cleese and Jennifer Saunders as well. The freshness of the first film has gone, but that is not to say that this sequel is stale, far from it! It still has plenty of new gags and parody's, and it successfully plays on a few 'in jokes' from Shrek's first outing.

The only problem i can see here, is this, the magic has worn off a little, (despite the introduction of the fairy god-mother) and it does leave the movie just a shade behind the original.

A Good sequel, and i can't wait for Shrek 3, but i suspect it may disappoint (lets hope not)

7/10

I am baffled. How can viewers say this is better than the original?! Its plot is thin, twists slow and few, characters hollow and underused... And most of the funnier moments come from the indispensable visual quoting of blockbusters (Alien, Lord of the Rings, etc., prompting a pathetic "did you spot them all" quest), in a poor display of cinema under-literacy. The only positive point is the technical improvement, but who cares about this? Shrek managed to be much, much funnier despite its matchstick people. The welcome infusion of new characters is a wasted effort, as none of them offer more than an inconsistent set of one-liners: the fairy godmother and Puss in boots are particularly disappointing, with only a couple of interesting scenes each, lost in a sea of contradicting and threadbare interaction. Key scenes are embarrassingly low on laughs (come on!, 5 minutes into the movie, the "are we there yet?/no" sequence felt like half an hour! I stopped laughing at such jokes when I was 3!). All in all, I'm very sorry to say that the few amusing moments are not worth the hour-and-a-half session. The original featured complex fun that made it very enjoyable for kids and grown-ups alike; I doubt children will even like this one (too slow, not exciting enough), and adults will hate it. I did. 3/10

The first time I watched this movie was in my living room with my husband, daughter, and mom. We all laughed so hard we had to watch it again to see what we missed (which turned out to be a lot!). Antonio as Puss was genius! As was Jennifer Saunders as the fairy godmother. Kudos to the casting director. Once again Eddie Murphy as the annoying and talkative donkey was perfect and even much more lovable. And Mike Myers as Shrek, what can I say? A perfect grumpy ogre. Cameron Diaz once again lets her personality shine through even in animation. Oh, and Rupert! With that voice being the narcissistic Prince Charming. I could go on and on about the characters in this movie but instead I implore you to watch it for yourself. I loved this movie as did my entire family. The jokes in this movie were absolutely delicious! For those naysayers who hated this movie, I say go buy a sense of humor!

I was not very impressed by the first "Shrek" film and was expecting the same sort of sentiments for the second film. But when I saw it (only yesterday as a matter of fact), I was pleasantly surprised to find it was better. As usual, Eddie Murphy is great as Donkey, but the show is completely stolen by Puss in Boots who is brought alive by the voice of Antonio Banderas. John Cleese, Julie Andrews, Rupert Everett and Jenniffer Saunders are among the new cast. There are some great gags and some wonderful spoofs of a number of films, one of the best spoofs being one of "Mission Impossible". But this film is no masterpiece; it suffers a bit from the same problems as "Shrek (1)": after a while it gets boring watching the two ogres farting and burping continuously. Still, it is worth seeing, even just for Puss in Boots. Enjoy. 7/10

I know what you're expecting me to say. "If you liked Shrek ..." And it's so true. Fans of the first will be ga-ga over the second. The gang at Dreamworks was smart enough not to monkey around with a winning formula, so you have all the wit and charm of Shrek (Mike Myers), Fiona (Cameron Diaz), Donkey (Eddie Murphy), and all the fantastic fairy-tale creatures.

At the beginning of 2, Shrek and Fiona have been invited by Fiona's parents (John Cleese and Julie Andrews) to the family castle. Imagine their surprise when the honeymooning ogres show up! Seems the king and queen haven't heard that a) Fiona's an ogre and b) that her husband is one, too. Naturally, this doesn't sit particularly well with the king, and soon he's hired a hit man - Puss in Boots, no less, voiced by Antonio Banderas - to bump off his new son in law. Meanwhile, a Fairy Godmother (Jennifer Saunders) offers help to Fiona. And quickly, the main question of the film - conveniently, it was the main question of the first film - is whether love conquers all. Oh, perhaps it's a bit more complex than that - perhaps it's whether Fiona would love Shrek, no matter what he looked like. Come to think of it, that was the theme of the first one as well.

Shrek and Fiona journey to the land of Far, Far Away, where the stuffy king and the queen mum live. Far, Far Away is a clear knockoff of Hollywood itself (complete with the sign on the mountain), and the journey includes a pass through what looks like Beverly Hills. The attention to detail is marvelous, as always.

As with 1, 2 drops all sorts of Disney references, most resulting in full-out belly laughter. I was in stitches, although perhaps - just perhaps - some of the humor will zoom over your tiny tot's tiny head.

Shrek 2 is a beautifully done movie, perhaps even more entertaining than the original. Sure, at the end you know your emotions have been manipulated somewhat, but in the end you really don't care. Outstanding voice performances, flawless animation, and a crisp, moderately adult (but not mature, definitely not mature) script reign supreme.

One of the things that I love about this film was its authenticity. It was good from start to finish. The writing was superb, and the animation was amazing as always. The voiceovers were flawless, the story plausible. The scenes, though a bit cliché, were funny enough. What I also liked about this franchise was that the clarity of the continuity of the story. They really were perfect for kids and adults alike because the stories were too simple and not difficult to follow. And this particular film has its own charisma and charm among the other films in the franchise as well among its contemporaries.

This movie is an absolute masterpiece...nothing more that has to be said

The Disney/Fairy Tale Satire continues, this time turning its attention to the theme parks, rather than the movies: Shrek accompanies princess Fiona to meet her parents, the rulers of "Far Far Away," which is basically a mock Disneyland/LA/Hollywood. Most of the humor is based on the Meet the Crazy In-Laws theme, a worthy one of course, but without much precedent in mythology or folklore (except for the would-be father-in-law who kills unsuccessful suitors, I guess). I was surprised to see that this is one of the top several most financially successful animated films of all time-the kiddos and I all thought this was the worst one in the series, and most notable for being the first (Dreamworks) appearance of the lovable if maddening Puss-In-Boots, a very non-Disney character, in many ways the opposite of Mickey Mouse.

'Shrek 2' features stunning animation! Recently married Shrek and Fiona are going to Far Far Away to meet her parents. Expecting their beautiful princess daughter and handsome husband, her parents are - needless to say - disappointed to see her as an Ogre, with an Ogre husband!

What follows is a hilarious and emotional ride filled with action, adventure and magic. Life in the magnificent castle sure is very different to Shrek's swamp, but the film proves so well wealth does not buy happiness. Donkey once again steals the show. He's hilarious! We also meet Puss in Boots, who soon befriends Shrek to Donkey's dismay. Together, the three go on a quest to find a potion for happiness - but what they find instead is a potion to change Shrek and Fiona's appearances. Wow, Shrek, the handsome stud!!

I loved the soundtrack, the clever script, the witty dialogue, the fantastic animation, and the premise in general... 'Shrek 2' is completely and utterly stunning. In fact, I think this is a rare example of a sequel surpassing the original.

This first Shrek sequel loses none of that high and mighty but exceedingly mirth-inducing attitude with which it has in regards to fairy tales; nursery rhymes and mythical tales. Indeed, the film opens in the vein of the first as if beginning with a fanciful fairytale we've all heard before when it establishes one character: "Rode. For days and nights on end. Through scorching deserts and across mountain ranges. To a far off locale, and all in the name of true love".......but then at the end of it all, complains about the blisters he got in doing it after having been more than disgruntled at what awaited him in the bed housing his damsel. When we begin, the titular Shrek (Myers) and his new wife Fiona (Diaz) are living the dream; the uppity old ogre from the first film has found somebody he doesn't mind within the radius of about fifty miles of the locale that is his secluded swamp, whereas Fiona has, in her own mind, found that true love-cum-happiness she always wished for - albeit under a differing guise to what she first presumed. Their co-existence is established via an array of popular movie moments, one romantic instance of which calls to mind that of 2004's other seasonal blockbuster Spider-Man 2; a semiotically driven instance bringing to mind the intense ties those predominant characters shared in said film and utilising that to act as an extension to where Shrek and Fiona are in relation to each other here. As was in the first film, Eddie Murhpy's character Donkey is still knocking about and as was in the first film, he's remains both overstaying his welcome in the company of the protagonists and annoying them with his chatter.

This domestic bliss is broken by the arrival of a royal troupe of trumpeters and their messenger, a statement of which arrives with him informing Fiona that she must, at once, report home to her parents in a place known as The Kingdom of Far Far Away which they rule. Gripes aside, the threesome push off; once there, the kingdom being a very different locale to that of what a sheltered existence in a tower for most of one's life or the living in a swamp off of the land is like. Arriving to a track entitled "Funky Town", instilling a sense of niche, corporate credibility about proceedings, the trio uncover a place steeped in materialism; capitalism; supply; demand and a place which actually contains streets, roads, laws and an order - Shrek and the crew have their work cut out. The fact these fish are out of their proverbial waters are the least of their worries, Shrek's clashing with the John Cleese voiced King Harold, Fiona's father, the result of initial coming-togethers going awry; the expansive first dinner they all have together seeing Shrek positioned in front of a stuffed hawk mounted on the wall up and behind him as the proverbial vultures circle. Harold and Shrek's clashing carries with it an amusing undercurrent of class distinction, the fact Harold et al. are humans and Shrek is an ogre (running on how we all know human's react to such) are surface binary oppositions to that of Shrek's humble, essentially farm based background, up against that of the king and queen's rich, expansive and affluent lifestyle in this consumerist driven Dystopia.

Things are complicated further when a hideous creation in the form of The Fairy Godmother (Saunders) arrives, a sort of grotesque extension of this world's ideologies; a celebrity in these parts whom whips crowds into frenzies and plays up to a kindred, spirited surface persona but is internally morally decrepit. Here is a creature whose idea of happiness is in the form of a tonic designed to gloss over all of life's problems, before quick-marching to a designated point in one's existence which encompasses artificially photogenic partners; lots of clothes and labels on top of rich, faux-rewarding surroundings – much rather than a conclusion someone may have reached naturally with somebody else for what it is they are.

The film gleefully covers Shrek's exposure to such a world, threatening to contaminate his own beliefs and question his own position on such things in relation to Fiona, with whom his life was perfect before any of this even arrived. Oddly, however, it is Harold's own sub-plot which is arguably more affecting; a trip to a dingy tavern in a disguise the bouncer easily sees through not only implies a prior history of turning to these means to sort out a problem, but allows somewhat of a show-stealing turn to arrive in the form of a mercenary named Puss (spoofed from the centuries old Perrault "Booted Cat" novel) and voiced by Antonio Banderas in a send up of his Zorro role long enough after 1998's The Mask of Zorro but too prematurely in regards to said film's 2005 sequel.

If anything, Shrek 2 is better than the first; a more involving effort, a film taking the politics and overall study with which was imbued in the first and advancing it a step further in what is a more exciting and substantial piece. Its narrative is additionally far more interesting; it makes better use of its antagonist on top of the film just having more of an immediacy to it and its attention to character is not limited to that of its leads, thus resulting in a better and more rounded piece. Some of Shrek 2's scenes of great drama hinge on instances such as an internal conflict of morals an elderly king has regarding his daughter's future; in the first, needlessly extended scene of an escape tidbit from a dragon's lair or sub-Graduate "must stop the wedding" sequences were utilised as more spectacle driven incidences of drama and peril. Smart, wry and devilishly funny, Shrek 2 is a more than substantial animation.

This movie would have gone straight to video except for the fact that the producers knew that people would spend millions in the theater to make it a huge hit. Viewers beware. You're wasting your money.

This sequel has none of the original's charm, wit or warmth. Puss N Boots was the only funny part of the film. The rest of it was just plain boring. I'm also sick of the pop culture references at every turn. It's lame. Changing the name "Burger King" to "Burger Prince"? What a stroke of genius! Those writers at Dreamworks must have spent weeks coming up with that bit of comic gold.