Kaena: La prophétie
- 2003
- Tous publics
- 1h 32m
On the distant planet Axis, rebellious, high-spirited teenage girl Kaena defies the High Priest and her people's ancestral beliefs to take a perilous journey and discover what dark secrets l... Read allOn the distant planet Axis, rebellious, high-spirited teenage girl Kaena defies the High Priest and her people's ancestral beliefs to take a perilous journey and discover what dark secrets lie beyond the clouds.On the distant planet Axis, rebellious, high-spirited teenage girl Kaena defies the High Priest and her people's ancestral beliefs to take a perilous journey and discover what dark secrets lie beyond the clouds.
- Awards
- 2 nominations total
- Kaena
- (English version)
- (voice)
- Queen of the Selenites
- (English version)
- (voice)
- Opaz
- (English version)
- (voice)
- Kaena
- (voice)
- (as Cécile De France)
- Opaz
- (voice)
- La Reine
- (voice)
- Voxem
- (voice)
- Assad
- (voice)
- Gommy
- (voice)
- (as Raymond Aquaviva)
- Le Grand Prêtre
- (voice)
- Voxem
- (English version)
- (voice)
- Assad
- (English version)
- (voice)
- Gommy
- (English version)
- (voice)
- Essy
- (English version)
- (voice)
- Ilpo
- (English version)
- (voice)
- The Priest
- (English version)
- (voice)
- Enode
- (English version)
- (voice)
Featured reviews
So what's good about the movie? First, the graphics. This is the natural evolution of French animation, of which there isn't nearly enough. Rene' Laloux's "Fantastic Planet" is one of the all-time animated psychotropic classics, and there is much in this film that pays homage to it: the visuals of the Axis "forest", the xenomorphic life forms, the conflict between master and slave races, etcetera. At the same time, the animation technique is the sort of hyper-real CGI used in Final Fantasy/Spirits Within, where each hair follicle is individually rendered. Like these two sibling films, Kaena abounds with brilliant bong hit graphics and mind-bending action sequences.
One common pitfall for animated features, particularly those of foreign origin, is the voice acting. To its immense credit, Kaena has a fairly decent dub, and I felt none of the accustomed grumpiness that comes with de-synced speech for any of the characters. The main characters were all well voiced. The IMDb cast list doesn't appear to mention all the voice actors, and I'm pretty sure the little kid was voiced by the same person who plays Shippo on Inuyasha (Jillian Michaels?). Sounds that way, at least.
However, while the voice acting is fine, the same cannot be said for the dialog. Long in exposition and short in character development, I get the feeling that this was an editor's nightmare. The balance between ensuring that people understand events and helping them care about the consequences of those events can be a difficult one to achieve. This has been the bane of science fiction films since the genre's inception. Unfortunately, dialog in Kaena finds a way to fail on both sides of the equation -- albeit at different times.
Without revealing any more details, I will say this much. The story tries to operate on a grand scale, but is undercut by the uneven development, jerky scene transitions, mediocre dialog, and the aforementioned plot-holes.
This is a film to be enjoyed as a raw sensory experience, not as a total cinematic product. It's not going to end up on any top-20-all-time lists and its pretensions to epic film status are undercut by its many weaknesses.
The overall effect, however, is extraordinary; it merits viewing as an exploration of what can now be accomplished with CGI. I enjoyed it immensely from this perspective, to the point where I was quite distracted from the numerous shortcomings.
While a little lacking in plot, Kaena mostly succeeds as pure eye-candy. Since the representation of realistic humans is still out of reach for computer graphics (Cf. the mixed results in Final Fantasy), the authors have chosen a half-comic-book style (like in Ice Age) which is quite pleasant, at least if you like people with really big eyes. The movie creatures are quite nice, particularly the talkative worms with their tired faces and their walking and flying devices. But it's the sets which are the most beautiful, with a particular attention to lighting, colouring and texturing: many scenes are shot in a golden light, slightly overexposed with lens flares and other atmospheric effects. The mixture of quasi-photorealism and more traditional CG style works quite well. The vine forest, the village and the spaceship scenes are exceptionally rendered, and among the most beautiful seen in a CG-rendered movie so far. The world of the gods, by contrast, has a dark, liquid and sticky feel (the gods themselves are liquid, gigeresque creatures) with bright shining reflections, and is truly original. Sometimes, there's a little too much of everything, as if the movie was a demo for CG effects (hair, particle systems, volumetrics.), not unlike the first Technicolor movies where everything had to be brightly coloured. But that doesn't detract from the WOW! Factor of the movie.
All in all, Kaena is a very recommendable movie, and one can hope that the authors will follow with a bolder script.
The characters are partially developed, so we know who they are, and when conflict occurs, we care somewhat about the outcome. However, the story was a definite drag on the movie. Perhaps it's my own pet peeves about names of things and people that are simply slung into the middle of a sequence, with no real explanation or background to accompany it. I know I prefer to understand what the characters are talking about, rather than have a new name dropped in "hey, look at this cool name for a person/character/device/planet I thought up." I don't mind if a character doesn't understand everything that's going on -- but I at least like to have a clue about what they're talking about.
That, plus the very stylized, heavy cgi presentation will probably limits the films wider appeal. Shots of flowing liquid and aspects of things that are difficult to tell whether they are liquid or solid are interesting up to a point -- but I know I have a low threshold for them.
Kirsten Dunst did a good job, since although I knew she did the voice of Kaena, it didn't make me think of her, as some voice actors do. The late Richard Harris' work was fine, but his voice was so distinctive I did think of him rather than the character at times. Much of the deficiencies in the writing are in his character's lines (since his character understands more).
Also for a movie that added "The Prophecy" to its title -- I expected more of a formal prophecy in the storyline.
So, overall, not terrible. CG-lovers will like it of course, but I wouldn't see people going in droves to see it.
The movie takes place in a planet (or plant i should say) called Axis. The people of Axis live their lives according to the "Gods". The movie centers around a teenage outcast named Kaena. Kaena is an explorer and dreamer who believes greater things exist outside the small land of Axis. As the resources of the land start to drain out, the Gods become angrier and more demanding. Kaena, doubting the existence of the Gods, is sent away. On her journey, she searches for the answers she's always dreamed of. Maybe there is life out there in the "great oblivion"...
I'm really not sure why this movie received such bad reviews. It may not be the most complex story in the world, but it's still enough to capture the viewer's interest. It also has surprising good voice acting performed by Kirsten Dunst (who voices Kaena) and the late Richard Hariss. Even Greg Proops makes a decent comedic performance as a worm. Not to mention, the animation is spectacular, especially the scenery. Overall, I really enjoyed this movie.
Recommend if: *you enjoy anime/animation *you like fantasy/science fiction
Avoid if: *you have younger children (they may find some of the creatures scary)
Looking at the "Special Features" and the Making-Of featurette on the DVD before watching the movie, I learned quite a lot about why and how it was made. The majority of the CG artists who worked on this film were, at first, all novices, most of whom had some minor experience in doing CG game work. When they first started on "Kaena", the 3D software darling of Hollywood, Maya, hadn't even come out on the market. These CGI animators were all using, basically, a freeware 3D modeling/animation suite. They worked on a shoestring budget, I might add, which is one of the reasons why all of their animators were so inexperienced and were learning as they went along.
Their animation/CG crew began as a five-man team and eventually grew to 50 persons at any given time. At a few key points they had up to 100 people working on the entire project, but most of the time they had a fairly core group of people all working in the same office building. Looking at the scenes individually, I can definitely see where they gave certain scenes to certain teams- as a 3D artist myself, I've gotten quite adept at picking out different styles and techniques used. MOST of the biggest differences between the scenes can be found in the lighting setups, which in some spots are breath-takingly exquisite and at other times amateurish at best.
Due to the original intention for this project to be a video game rather than a feature-length film, I can totally understand why the storyline would have some plot holes here and there- I expect that those gaps would have been filled in during gameplay. So taking that into account, I can honestly say that this film has a pretty solid storyline and some fairly well fleshed-out characters, all things considered. It is also good to keep in mind that this story wasn't written by "professional" sci-fi writers- it was written, in part, by the director who hadn't done anything like this before in his life.
Looking at the entire project with the trained eye of someone who's been involved with the business for a couple years now, I think that "Kaena" is not only a superb film, but it is a testament to what is possible when enough people throw themselves into a project like this. No major studio backing, no major software endorsement, no real experience in this field whatsoever... it's amazing that it even got rendered, let alone having been edited, scored, printed and distributed worldwide.
This movie is similar to "Final Fantasy" only in the sense that it was done completely with CGI. In every other way, however, this one stands alone and it SHOULD be given the proper credit that is due.
Did you know
- TriviaFirst French CGI film.
- Quotes
Voxem: And if something were to happen to you, all our race would be extinguished forever: as Queen; you must protect your future...
Queen of the Selenites: I know what you want Voxem; I know you are the last male and you crave fusion with me!
- ConnectionsFeatured in Troldspejlet: Episode #39.7 (2008)
- How long is Kaena: The Prophecy?Powered by Alexa
Details
Box office
- Gross US & Canada
- $8,593
- Opening weekend US & Canada
- $2,173
- Jun 27, 2004
- Gross worldwide
- $465,618