With the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign... Read allWith the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign.With the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign.
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- Stars
- Awards
- 1 win & 2 nominations total
- Skip Franklin
- (as Ian Kessler)
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The story is told in the form of a rather obnoxious reporter interviewing Henry, the senator's son. As he describes the events leading up to his outing, we fade in & out of the scenes. This format has been used successfully several times in the past. It doesn't work this time. By the end of the film I felt as thought I'd watched a bad documentary, just witnessing the events, feeling nothing for the people involved. The other problem is the main characters seem almost schizophrenic in their personalities. One moment Henry is throwing the suit & tie clad Young Republican into the pool; the next moment he's bonding with him and hiring him a hooker when he learns he's still a virgin. We first meet Anthony as an "out there" Act Up! activist; we next see him a sensitive best friend of an AIDS-stricken woman. Next he's telling her that he also had sex with her boyfriend that gave her AIDS; we next see him caring about Henry, whom he had vowed to "out".
By the time Henry is outed, I was looking at my watch and waiting for the ending credits. Too bad. Good plot done wrong in about every detail. Better luck next time.
The best aspect of the film is the acting. The core cast are all fantastic. What didn't work so well for me was the cinematography, editing and the general low budget approach. The cinematography is mostly (or maybe all) hand-held, with a lot of shaky cam shots and a lot of blurriness. The film is loaded with overexposed shots and a dominance of white. While that may have been so for metaphorical reasons, it's not the most pleasant thing to watch aesthetically if it's relentless--and that's also not the best way to get the metaphorical aspects across. The editing is frequently frenetic. In combination with the locations, sets and general lack of music, Poster Boy has the feel of a 100-thousand dollar art house drama made by a director who is way too obsessed with The Blair Witch Project.
Fortunately, the story is better than that would suggest, although it's not perfect. This would have been far more on-target and controversial 15 years ago (given our present knowledge and overall lack of reaction to the sexuality of some political offspring), but it's still engaging enough, especially given the performances, and at any rate, it deals with important issues that are still far from resolved in our culture.
Enter Anthony, a 28 but younger looking gay man, who's been a member of Act Up but who is now more interested in spending his time with affluent gal pal Izzie and perhaps getting into the pants of some college boy when they crash a campus party.
Despite being 28 Anthony can easily pass for a college guy and quickly meets several guys willing to show him a good time including Henry. Unaware of Henry's name Anthony hooks up with him and spends a fun evening on the floor of the school's darkened gymnasium. Only in the morning, after Henry has left him alone on the floor, does Anthony find out Henry's full identity.
Looking for any chance to take a shot at the conservative government that he detests Anthony decides to take this opportunity for political action. Only problem is that he finds himself beginning to care very deeply for Henry and he must decide if he can use someone he cares for in this way.
Spent the first part of the movie trying to figure out what kind of film I was watching. The film is obviously set up to be a "worlds collide" situation. Perhaps I was expecting that those 2 worlds, or their separateness, would have been better defined from the beginning.
The whole project comes off like an amateur attempt judging by the lack of polish. The lighting is crap. The camera work is distracting. The casting is good. The dialogue is effective but the plot jumped around too much for me to follow. Makes me feel like I have A.D.D.
The technical flaws kept me out of the film and I was left with an overpowering sense of watching a film rather than experiencing it.
Some other users have commented on the movie not being multi dimensional, but I think that the way that the characters reacted are pretty realistic, and most people (generally) are multi dimensional but may only show one side of their selves for one reason or another, and don't forget that this movie is focused from the point of view of Henry Kray. It also has many plot twists, and though it has be commented upon that it is too predictable, I thought nothing of the sort. The characters are oddly unpredictable, and are like multi layered onions, many people might just look it and observe that is it just another gay movie, but it is not, it is so much more than that.
Did you know
- GoofsWhen Henry and Anthony are walking through the campus, Henry points out one of the girls walking ahead of them. Seconds later, you can clearly see her as an extra in the background.
- Quotes
Henry Kray: [to Jack] What am I part of, Jack? An issue? Don't you get it? Issues are what they use to divide us. Sexual orientation, race, gender... All issues that don't actually pertain to anyone except those being cut out and thrown away by the issue. Does it really matter to some farmer in Kansas whether or not two men get married in Vermont? But see, they need us to choose sides. They create these issues for us to cling to, to grasp at. You know they separate us into these divisions: Black, White, Gay, Straight, Rich, Poor. Blame it Christian, Liberal, Democrat, Conservative. Split. Different. Opposed. How can a cause be just if it puts people against each other?
- ConnectionsReferences Le Magicien d'Oz (1939)
- How long is Poster Boy?Powered by Alexa
Details
Box office
- Gross US & Canada
- $62,062
- Opening weekend US & Canada
- $3,806
- Aug 13, 2006
- Gross worldwide
- $62,062