Ma femme est un gangster

What makes Korean comedy so great? The Koreans possess the quality of humility. They laugh at themselves: their weaknesses, their vanity, their shortcomings. They laugh at their own humanity; and thusly, overcome it; to show us something more than merely human. Maybe it is a glimpse of the divine. Best scenes: the wedding, the recitation of the American (!) author.

Separated during childhood both "Cha Eun-Jin" (Eun-Kyung Shin) and her older sister Yu-Jin (Eung-Kyung Lee) have tried to find each other ever since. Unfortunately, when Eun-Jin finally does find her sister she discovers that Yu-Jin has an advanced form of cancer and doesn't have long to live. Wanting to keep her sister's spirits up Eun-Jin hastily agrees to getting married despite the fact that she is an assassin for a local mob and has no interest in anything except her chosen profession. Since time is of the essence she pretty much has to settle for whoever will have her and in that regard she ends up marrying a man named "Kang Su-Il" (Sang-Myeon Park) who at first sight doesn't appear to be much of a catch. However, Yu-Jin sees him for the good man that he is and then as a dying request asks Eun-Jin to try to get pregnant. Yet Eun-Jin still has her profession to think of and the last thing she needs is a husband and a child. Now rather than reveal any more of this movie I will just say that this action film could just as easily be listed as a comedy because there are several hilarious scenes throughout the movie. On that note some of the comedy is a little raunchy but all things considered it wasn't too bad overall. In any case, I rate this movie as slightly above average.

"My Wife is a Gangster" (aka "Jopog manura") is an entertaining movie, as it has a good amount of action and a good amount of offbeat humor in it. And it is also spiced up with a good, wholeheartedly storyline.

The story in the movie is about Cha Eun-jin, a female gangster boss, whom is forced to live out her dying sisters last wish; that being to see her married. And while having no suitable romances, her henchmen are sent out to find a man for her to marry. She ends up tying the knot with a man unknowing of her true nature and line of work.

There is a good amount of action throughout the movie, with the fight sequences being quite nicely choreographed. And the action part of "My Wife is a Gangster" is a necessary aspect to the movie, as this is a gangster movie, after all.

And there is also a good amount of comedy throughout the course of the movie, especially in the parts where Cha Eun-jin has to become feminine and let go of her rugged, masculine, gangster mentality. And the situation with the gangster wife and the unsuspecting husband also does incur some hilarious moments.

What works in favor of the movie is the characters, as they are detailed, memorable and outstanding; and that goes from the main characters and right down to the goons in the gangster family. Lots of nice details and colorful characters throughout the movie. And actress Eun-Kyung Shin does a good job in the lead role.

"My Wife is a Gangster" is a good movie for an introduction to the wonderful world of the South Korean cinema, if you are not already familiar with it. It is an entertaining movie and can actually been watched more than once. I have seen it three times by now, since I stumbled upon the movie somewhere back in the mid-2000's.

A commercial hit back in its home market, Korea. From the looks of the sold out crowd in its early release here in Singapore, "My Wife is a Gangster" looks set to become a regional box office hit as well.

Take my word for it. Go into this film and have a great 2 hours of entertainment.

MWIAG is an action comedy, based I believe on a Korean comic series. The blend is biased a little towards the comedy side, but what quantity the action might like is more than made up for by quality.

Backdrop: Cha Eun-Jin has been raised as a Jopog (gangster) since childhood, and has risen through the ranks to 'Big Brother', no. 2 in the organisation. She also happens to be a female, but this is a detail that is largely considered to be irrelevant - especially by her. She's smart, confident, ruthless, and as luck would have it a fantastic fighter. The movie begins with a fight, filmed in the rain with dark shadows and slow motion creating a very artful effect. Two gangster are up against a group of many, and about to get killed when their savior appears - Eun-Jin silhouetted against the light looking full on comic-book cool before she somersaults into the ground and spins, kicks, twists, rolls and slashes her way through all comers. The dark lighting, rain and camerawork create a wonderful look and mood for this, and the choreography is easily up to anything Hong Kong has offered us for years. Short, but very sweet.

Eun-Jin would possibly carry on like this happily for the rest of her life, but the discovery of her sister whom she hasn't seen since childhood introduces new complexity. Her sister has cancer, and may not live much longer. Her one wish is to see Eun-Jin get married before she dies.

Eun-Jin's sudden need to address her feminine side, and the fact that she wants the husband she chooses to remain unaware of her profession, is the basic dynamic from which any number of comic situations are derived. The transplanting of her gangster persona & gangster cronies into totally non-gangster circumstances is a cool 'fish out of water' scenario, and very effectively spoofs the gangster attitudes and conventions.

The main backbone of the movie, as with most strong movies, is the characters. Eun-Jin is a wonderful character, and the performance by Shin Eun-Gyeong is absolutely spot on. Tough, cool, mean and thoroughly hilarious. The supporting cast are all just as well developed too.

The movie is paced quite gently, shifting from amusing situation to amusing situation without feeling the need to hurry the plot along too fast. Action scenes break out quite frequently, but there is a marked difference between the 3 scenes in which Eun-Jin fights (beginning, middle and end) and the remainder of the action. Her men, the thugs, fight street - grappling, stumbling, beating with whatever they can reach. Sometimes this is played for laughs, sometimes not. Realistic, but not massively exciting. When Eun-Jin fights however... it is a thing of beauty. Clearly modelled on HK action, with a little Samurai thrown in too, these scenes are amazingly choreographed and filmed. Between this and Bichunmoo (which MWIAG easily surpasses), and hopefully Musa when it arrives, it looks like Korea is making a very strong bid for Hong Kong's action crown.

If you buy the movie just for the action, doubtless you'll love it - but really it's not the strongest part of the movie. The characters, the performances and the humour are all equally well developed and fill more screen time. If you buy it for these... doubtless you will love it also. Can't really lose out on this one in fact :)