Détour mortel

I probably hadn't seen this movie since it first came out over 20 years ago. It's a rainy summer Sunday evening and I could not think of a better movie to follow-up the classic National Lampoon's Vacation!

Wrong Turn is your standard backwoods, hillbilly, cannibal slasher that has been done several times over. The movie really doesn't add anything new, but it does provide some good kills, some good gore, and just good times! It's a fun ride with some suspensful moments that leave you as the viewer wondering what exactly you would do in situations such as this.

The bottom line is that if you are a fan of this sub-genre of horror, or if you have never seen it before, give Wrong Turn a shot, I don't think that you will be disappointed.

I went into the screener of WRONG TURN not expecting much. After the film was over, I was pleasantly surprised. The plot has been recycled a few times, but this version of the "kids stranded in the woods" scenario has some good points. We have seen this before in Texas Chainsaw Massacre, and more recently in X-Files Episode "Home". A group of young adults are stranded deep in the woods of West Virginia, and are hunted by a "family of cannibalistic freaks. Wrong Turn is very predictable, and the gore is abundant, but the film is delivered in an in-your-face style, which kept me interested. The acting is on par with most slasher flicks, which is good enough to get the point across. All in all, it was a good waste of a boring thursday evening.

I do want to spoil much, but the tree top chase is very well done. Any fan of the genre might be surprised by Wrong Turn...I was.

Wrong Turn tells the story of Chris Flynn (Desmond Harrington), a doctor who gets stranded in the middle of nowhere after being late for an important meeting. In hopes of getting to his final destination in time, Chris takes a back road through the woods of West Virginia to avoid the traffic jam and accidentally crashes into a car which belongs to a group of friends led by the somewhat bitchy heroine, Jessie Burlingame (Eliza Dushku). Having two wrecked cars, the group decides to wander through the woods in hopes of getting help, unaware that they are about to get stalked and killed off one-by-one by a group of hideously deformed inbred family who has been living and feeding with human flesh in that area for more than 30 years.

Having seen the film countless times before, I was always strangely fascinated by it, but I never truly understood why. I did always love it, but there was always something about it I just really dug. Having seen the film again now, I've finally realized what, and the reason is very simple - the film is just a very well-done homage to all those bad-ass 70s Horror films, and just combines the highlights of those flicks in one simple and highly-enjoyable Slasher film.

Another reason why I probably like this movie so much is because of its fantastic and unique eerie atmosphere. Throughout the whole movie you repeatedly get that uncomfortable feeling of being watched by someone, and the scares which constantly appear through the movie just add to the atmosphere. The tension and the special effects are very well done too thanks to Stan Winston who creates a really disgusting and menacing inbred family, but he does it so good you don't even look at them in that way; sure they are scary as hell and look horribly deformed, but beneath that all you still do realize they are all just a bunch of humans, well at least sort of.

The cast is really good too. The two leads, Desmond Harrington and the lovely and talented Eliza Dushku, do an amazing job here and since they both play likable, strong characters, you really root for them and want to see them live. The other cast members, Jeremy Sisto, Lindy Booth and Kevin Zegers, are all great actors, but they don't have really much to work with here since their characters are basically wasted, though Emanuelle Chriqui really stands out and plays the supporting female lead role very good and convincing. Even though you already know from the start who is going to survive, there's still plenty of tension and scares present throughout the whole movie, so if you think this is just another typical, gory Slasher flick - think again.

One thing I'm very impressed with here is the directing. Schmidt does a terrific job, and you can say he's a horror geek by just watching several clips from the movie. We get some "Deliverance" references now and then, a little bit of "Last House on the Left", "The Hills Have Eyes", "The Texas Chain Saw Massacre", and loads more. The kills are very effective and absolutely gory too, so if you are a fan of brutal death scenes, you will almost definitely dig the deaths.

The film does have some weak points though. Some of the dialog is a bit cheesy in parts, and the ending is really predictable, clichéd, and a bit rushed if you ask me, but the film still really impressed me and is definitely one of my favorite movies now.

So in short - Wrong Turn is a movie you either love or hate. I definitely belong to the first group for a couple of reasons, and even though I do realize Wrong Turn is not the best film ever, I love every second of it for one simple reason - it's a simple, highly enjoyable and scary no-brain throwback to 70s Horror movies, so if you're just looking for a fun and gory Horror film, Wrong Turn is then definitely a right turn, and an amazing film you should definitely not miss! Highly recommended.

8/10

I usually don't find horror movies to be very scary. I've seen enough of them to know pretty much what's going to happen and when it will happen. They're generally so predictable that they just fail to illicit any kind of emotional response in me whatsoever. "Wrong Turn" is an exception, however. It's one of the rare horror movies that was actually as scary and disturbing to me as it was meant to be.

The plot, which involves six attractive young people being hunted by a family of cannibalistic mountain men, is very straightforward and offers no real surprises to fans of horror movies. As is the case in most of these movies, however, the plot quickly becomes besides the point, and the movie becomes more concerned with trying to frighten and disturb the viewer.

Needless to say, it succeeds. The mountain men prove to be some of the scariest movie killers that I've seen in a long time, probably because the film wastes no time in showing us exactly what they plan to do with their victims (we see this about a half-hour into the movie in a scene that is guaranteed to make at least half of the people who watch it really, really sick). They also manage to be more relentless and even more beyond reason than most horror movie killers; they behave more like wild animals than people.

The acting is considerably better than most movies in this genre. Granted, that's not saying much, but I actually felt more than a little sympathy for the two main characters (Eliza Dushku and the Ray Liotta-looking med student). They behave just like anyone else would in that situation, and they're likable enough and believable enough to make us root for them. I didn't find myself feeling much sympathy for the rest of the cast (they often act like typical slasher movie fodder, especially the two kids who get high and have sex shortly before being murdered), but they're at least more believable than the characters who usually appear in these movies.

Overall, I would have to say that this movie was better than most of the horror movies that have come out lately. I wouldn't recommend it to everyone, but any fan of horror movies should definitely check it out.

I used to disdain Wrong Turn as a hollow derivative of The Hills Have Eyes and for some time actually preferred the sequel, until checking it out again recently and rather changing my tune. It is still derivative of The Hills Have Eyes to an extent, Wrong Turn being among the earliest of the newer rash of inbred cannibal against resourceful prey films and The Hills Have Eyes being if not the earliest then certainly the first definitive entry in the genre. But the two differ crucially, the earlier film comes from a critical eye, a director who has watched society and sentenced it, while Wrong Turn is simply a fun horror film. And its a whole lot of fun, with some rather wonderful traits that do not seem to often appear among later films in the genre or even mainstream horror in general. The key to it all comes in the very first scene as scaling a rock face becomes a terse nightmare for a couple of cannon fodder youths. The girl falls enough to incur broken ribs and likely unconsciousness, maybe even broken legs and back but still manages to get up and keep moving. The entertaining fusion of tension and silliness seen here informs the rest of the film and it really works, especially since things never aim for truly gruelling nastiness, just engagement and fear. Thus the car crash that brings the protagonists together yields less angry recrimination than instead cooperation and good vibes and in the films barmiest moment characters perform feats similar to that which nearly killed Jackie Chan on Armour of God, one of them even with a gunshot wound to the leg. And the inbred villains of the piece can wield a bow and arrow like Robin Hood, as well as climbing trees like the most fearless of gymnasts. Its all thoroughly silly but great fun at the same time, and it never really jars with the more frightening moments (there's one real winner of a suspense sequence here), unlike say The Hills Have Eyes '06 with its ill fitted marriage of brutality and cheesy action. The gore here is almost well judged as the silliness, there isn't a whole lot of grue but whats there is mostly short, sharp and effectively savage without any appearance of trying to make the audience sick with realism. A smidgen more would definitely have been beneficial though, particularly when the villains are buying the farm. Acting is generally reasonable, a stone faced Desmond Harrington bears little charisma, but Emmanuelle Chriqui emotes to good effect, Kevin Zegers and Lindy Booth make for amusing stoners and in the best written part Jeremy Sisto has chilled out but ultimately heroic ball. And Eliza Dushku delivers mondo hotness which is a big plus. The handiest thing about the characters though is that they are all written sympathetic rather than obnoxious and self absorbed or resolutely vapid, there's a sense that the writer cares about them rather than just treating them as cannon fodder and it makes for a much more involving experience. I'm not sure I have any serious complaints about the whole film actually, it really rubbed me the right way. Actually I have one, it needed nudity. In a fun trashy horror film, nudity is virtually an essential and there ain't none here. Still righteous stuff though, strong 7/10 from me.