A reporter attempts to figure out why there has been an energy crisis in the United States. Complicating matters are a series of aftershocks from a powerful earthquake, strangers firing weap... Read allA reporter attempts to figure out why there has been an energy crisis in the United States. Complicating matters are a series of aftershocks from a powerful earthquake, strangers firing weapons at him, and the disappearance of some workers attempting to investigate businesses who... Read allA reporter attempts to figure out why there has been an energy crisis in the United States. Complicating matters are a series of aftershocks from a powerful earthquake, strangers firing weapons at him, and the disappearance of some workers attempting to investigate businesses who have harmed the environment.
- Sara Rose
- (as Boti Ann Bliss)
- Pallbearer
- (as Mauricio Guerios)
Featured reviews
From the first scene, one had to wonder just what sort of production this was going to be. Thank goodness the bad guys shot that hysterical shrieking greenie - her acting was just too much to bear. I think we were all wanting to do that ourselves.
The earthquake scenes were so drawn out and repetitive, and the props so fake.
As for the first car chase, since when has every car involved in every car smash burst into flames?? (I think the German APCs did in Eagles Dare). The second car chase, when every car in LA was immobilized by the quake our second shrieker was able to talk on her mobile, avoid all the wrecks, and the pursuer was equally immune from the chaos. Like the first scene, it was a mercy when the poor girl perished.
Now, the ultimate destruction of the power plant was about as awful as the earthquake scenes.
Overall, perhaps the worst movie I have ever seen.
Then it became like having a loose tooth that you can't leave alone with your tongue and just have to keep playing with - I became obsessed with watching it to the bitter end, no matter what the cost to my psyche or my HMO for Therapy afterward. I HAD to find out if there was anything remotely redeeming about this film, but I was sadly disappointed.
The main characters were insipid and disappointing, with Dylan Walsh looking like he was on Quaaludes most of the time, and Alison Eastwood appearing uncomfortable delivering hackneyed lines to their uncaring cast-members on sets that must have cost all of $9 (Nine Dollars) to build.
In future years, this film may achieve cult-status alongside the likes of "Plan 9 From Outer-Space" or "Santa Claus Conquers The Martians", but all-in-all, your time may be better spent laying under a bright light having root-canal.
From the get-go, this movie seemed like an overdone soap opera, and that's about all I can comment on. There were a few interesting scenes, such as the "Big one" that hit during the middle of the movie, but, wait, what's that? The earthquake *gasp*, wait a minute! That's Dante's Peak! Well, parts of it butchered and slapped in. I can't believe how poorly this movie was done, "borrowing" scenes from other, much better films. One wonders what director thought that viewers are dumb enough to believe large wooded mountain-esque backdrops exist in downtown LA, ala Dante's Peak.
My advise, forget the Bond Wanna-be, Nash, in this film and go for the real thing (again, someone from Dante's Peak coincidentally.)
Did you know
- GoofsDuring the car chase, two cars hit head to head and the bad guy's 4x4 hits them, is thrown in the air, and is clearly seen to come down hard on the front end. We see the front right wheel buckle and break off the axle. Moments later it's chasing our hero.
- ConnectionsEdited from Le Pic de Dante (1997)
Details
- Runtime
- 1h 40m(100 min)
- Color