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Bomnaleun ganda

  • 2001
  • 1h 46m
IMDb RATING
7.0/10
2K
YOUR RATING
Bomnaleun ganda (2001)
DramaRomance

A sound engineer falls in love with a radio show host after they work together on a project capturing natural sounds.A sound engineer falls in love with a radio show host after they work together on a project capturing natural sounds.A sound engineer falls in love with a radio show host after they work together on a project capturing natural sounds.

  • Director
    • Hur Jin-ho
  • Writer
    • Hur Jin-ho
  • Stars
    • Lee Yeong-ae
    • Yoo Ji-tae
    • Sang-hui Baek
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    2K
    YOUR RATING
    • Director
      • Hur Jin-ho
    • Writer
      • Hur Jin-ho
    • Stars
      • Lee Yeong-ae
      • Yoo Ji-tae
      • Sang-hui Baek
    • 15User reviews
    • 11Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 10 wins & 9 nominations total

    Photos15

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    Top cast8

    Edit
    Lee Yeong-ae
    Lee Yeong-ae
    • Eun-su
    Yoo Ji-tae
    Yoo Ji-tae
    • Sang-woo
    Sang-hui Baek
    • Grandmother
    Park In-hwan
    Park In-hwan
    • Father
    Eom Hyo-Seob
    Eom Hyo-Seob
    • Soon-kyeong
    Baek Jong-hak
    • Invited Guest
    Yôko Moriguchi
    Yôko Moriguchi
    • Eun-su
    • (voice)
    Lee Mun-shik
    Lee Mun-shik
    • Recording room senior
    • Director
      • Hur Jin-ho
    • Writer
      • Hur Jin-ho
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews15

    7.01.9K
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    10

    Featured reviews

    7alireza-akhlaghi84

    Alireza.Akhlaghi.Official

    You might expect that this movie, like all the other common consumer movies, that would be like stereotypical features, but that's not the case. Always the audience makes a general definition of the melodrama genre in his mentality, and in front of his default, he is directed to a film that is not far from its presuppositions. But the creation of a romantic film that can literally deal with the petitions of an emotional relationship is praiseworthy. Joining and separating two verbs is an inseparable part of relationship in the cinema, but setting to these two is not attractive alone. Romance movie needs some kind of subject writing. In this context, it is a more successful film that set to detail. I saw a good spring day movie on a good spring day, the first day of the spring of 2018. Without exaggeration, the other romantic films I had seen, was in far space. The culmination of the story is a fascinating reminder of a collapsing and annihilating relationship in which both conflict different behaviors in spite of their psychological and internal reaction, despite the emotion they are involved with. The point to be considered here is that the problem that originally causes conflict and heterogeneity in their relationship is precisely where the one is willing to agree, and the other does not want to, and this position is changing. Eventually, in the end of our film, we face an approach that is not happy end at all and confirm the signature of the modern structure of the film. This movie should be seen because of its state of affairs and suitable for today.
    8oggsmoggs

    One Fine Spring Day

    Although I didn't like April Snow, I have to admit that I got curious about it's clinical, meditative, and almost Ozu-like approach to start searching out its director's previous films. One Fine Spring Day is Hur Jin-Ho's second feature film. Surprisingly though, the film feels like it's been crafted by a master who's been making films for decades. One Fine Spring Day evokes a certain sense of maturity and control that deflects the low points of its spare plot. Sang-woo (Yu Ji-tae) is a sound engineer who lives with his father and his senile grandmother. He gets a job to record certain sounds of nature with beautiful radio DJ Eun-su (Lee Young-ae). Sang-woo, who seems to be an extrovert and Eun-su, who is more outgoing and openminded, get along very well and start a relationship. Their relationship, however, is not the type that would last forever as both characters are very different and both have issues that need to be resolved. Those seeking something that will provide for a fuzzy joyous romantic feeling would easily get disappointed with One Fine Spring Day. One Fine Spring Day, despite its rather light atmosphere, holds a bittersweet conclusion that feels all too real for comfort. It matches the joys of falling in love with the pangs of an unexplained break up. The beauty of the film doesn't emanate from the plot, or the characterizations, or even the technical merits, but from Hur's surehanded direction that never seems to stray from its melancholic tone. Hur doesn't waste time in dealing with heartwarming moments or scenes of melodramatic intensity. He satisfies himself with sincere moments of silence that somehow evoke great emotional weight. One Fine Spring Day is a lovely film. I loved the fact that it never breaks into serious drama or comedy. It stays right there, comfortable in the middle, chronicling in a very sure manner the failing relationship of the couple. It's very different from April Snow which I thought tried too hard to build up its setup with a more ominous atmosphere that bogs down whatever talent and effort Hur and the rest of his crew put in entirely.
    9chengt

    "I needed that"

    When I finished watching this film, I was reminded of what poet Lord Tennyson said about love: 'Tis better to have loved and lost than never to have loved at all.

    And I agree with others who have commented here on the film that it s only if you have loved and had been loved that you fully appreciate the film.

    One aspect of the film that I found most interesting was that Eun-su (Lee Yoeng-Ae) and Sang-woo (Jit-taeYue) met and fell in love because of sound but yet the acting was mostly silent. A simple gesture or a grimace here and there conveyed with clarity the powerful emotions and inner turmoil of these two main characters.

    I am grateful that I saw the film. It was so refreshing and so different that it was sort of a catharsis and I actually said to myself, "I needed that" when it was over.
    10mcw1138

    Very good film, excellent cinematography

    I saw this film at the 2002 San Francisco International film festival and it was, by far, the best film of the ten I saw. Some of the others were so bad, that if it hadn't been for this one film, I would have considered my ten ticket pass to be a waste of time (if not money).

    This is a romantic film with a very cute and unique story line that alone, would make it worth seeing. But the sound editing and the cinematography really put it over the top in my opinion. One sound and visual sequence in a bamboo forest will stand out in my memory forever.

    Unfortunately, for those of us who would love to see it again, or those who have never seen it, this film did not get released in the US and is not available on DVD or video.
    KeisukeY

    keep passing each other

    From the very beginning, this film reminds me of a Japanese filmmaker Ozu. Well, there are few lines for characters and little music, they exchange their feeling by their facial expression. The film has a stereoscope effect owing to describe the vast nature image. It is all the more interesting that the subtle movement of love is contrasted with that immense spring nature.

    I guess the impression of this film is dependent on each person because the film leaves room for thinking more deeply about their relationship and their character. Superficially, Eun-su looks a little wicked since she leaves him suddenly, but I think there is something about her. She was divorced once and she may need someone to rely on. Also, Sang-woo lost his mother and is seeking for maternity in Eun-su. Both want someone to depend on but what they want in their partner is different. So they keep passing each other.

    Like August in Christmas(the previous film of Jin-ho Hur), their love is one way. Namely, an young pure innocent person loves an elder person. And the elder one leaves him or her at the end. The film makes me wonder how and what the young learn through love. Do you think he can recover from the loss?

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    Storyline

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    Did you know

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    • Trivia
      Yoo Ji-tae's character Sang-woo is a sound engineer. Because of lack of prior experience, he had to spend 3 months to learn how to use the machines shown in the film.
    • Connections
      Featured in Tu es mon destin (2005)

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    FAQ17

    • How long is One Fine Spring Day?Powered by Alexa

    Details

    Edit
    • Release date
      • September 29, 2001 (South Korea)
    • Countries of origin
      • South Korea
      • Japan
      • Hong Kong
    • Language
      • Korean
    • Also known as
      • One Fine Spring Day
    • Filming locations
      • Gangwon-do, South Korea
    • Production companies
      • Applause Pictures
      • Shochiku
      • Sidus
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $2,000,000 (estimated)
    • Gross worldwide
      • $86,366
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 46m(106 min)
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.85 : 1

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