Children on Their Birthdays

eh, no sex, no profanity, no violence without being too syrupy...that's a pretty good accomplishment. How in the hell did they get this thing funded? Although often overstated and painfully slow at times,I have to say that the young actors-particularly joe pichler and tania raymonde-made the movie emotionally charged,interesting and real. Amazingly enough as young as they are, they're carrying the movie. The adults' side stories although anchored by sheryll lee, chris mcdonald and tom arnold fall a little short and are pretty pointless and not so exciting. This period piece is surely worth seeing and you'll enjoy the cutest innocent love triangle- should I dare to say- you've ever seen set in a picturesque Alabama village of the late 40s during a steaming hot summer.

Watching a movie like this that turns out to be a disaster is a strange experience. It's "based" on one of Truman Capote's early short stories. Well, it has the title and characters and setting. The story? Bits and pieces of it.

What's good= If there were an Oscar given for Best Location Scout, this would have won it. The houses and stores are amazing and there are lots of old cars. There's also some great (with the exception of a Celine Dion song that comes out of nowhere) music, using lots of songs from the Big Band era. Ditto costumes and hairstyles.

What's bad= Almost everything else. There are too many situations that had me and Mrs. Bear simply rolling our eyes. But the worst thing is the heavy "Southern" accents the actors have. On stage, they could have gotten away with this. But film is a terribly unforgiving medium in that you've got actors standing on real streets in front of real houses. Director Mark Medoff is a hugely talented writer, having won a Tony Award for CHILDREN OF A LESSER GOD. What possessed a writer from Illinois, shooting in great locations in his home state, to think he could handle the speech patterns of the rural South? I recently saw an independent film called NOBLE THINGS, which was set and filmed in the Beaumont, Texas, area. Because its director couldn't afford a lot of Hollywood actors he hired actors from Houston and Beaumont and their speech patterns were natural and unaffected.

At best, CHILDREN ON THEIR BIRTHDAYS is a noble effort gone bad. At worst, its abject financial failure (less than $60 thousand returned on a $10 million investment, although it made some more return on investment through DVD and cable)gives Hollywood an excuse to pump out more sequels, more unwanted remakes, and more ultra violent comic book movies. Maybe I should go back and reduce that rating of 3 even lower.

It's hard to say what any deceased writer would do, but this very much alive viewer felt the movie was beautifully made with simple style and gentle awareness towards its subjects. I loved watching this movie and escaping into the world of Lilly Jane Bobbitt. After seeing this movie, I re-read the short story by Capote and enjoyed remembering what I had seen recreated by the producers and director. Hollywood thinks if you blow it up they'll come. But, I believe if you make a wonderful film, they'll not only come, but they will leave wanting more - and that's how I felt about Mark Medoff's movie "Children on Their Birthdays."

My wife and I saw this film at a private showing in Edinburgh during the Edinburgh Festival. We thoroughly enjoyed it. It is a delightful, amusing and entertaining movie with a hard edge to it which gives added depth to the story and the period setting. We thought that it was extremely well acted - and special praise must go to the children themselves - very well directed with fine camera work which enriched to period atmosphere. We think audiences will enjoy it greatly.

This sweet and touching adaptation of Truman Capote's coming-of-age short story takes place in 1947 Alabama. The cinematography, locations, and music skillfully help set the stage for a time when reading books or listening to the radio were a major source of entertainment. World War II veterans were attempting to return to their former lives, war-widows were still dealing with their losses, and Jim Crow was a legal reality. Into this setting steps Lily Jane Bobbit, a 13-year old with ideas of her own as to how the world should work.

The story includes the blush of first love, friendships that see no colors, and actions and words that come from the heart. In this era of movies relying heavily on violence, profanity, car chases, and sex to hold your interest, this movie is a refreshing change of pace. It's a lovingly crafted film that's a treat for the whole family.