Le club des empereurs

Klein was superb as the bookish teacher intent on molding boys' characters' as well as teaching them. When he went out of his way to aid a troubled student he wound up depriving another causing some concerns for his conscience. The boy he felt he should help was the son of a bigshot politico who had no clue as to the needs of his son. Too busy being a power broker this ass arrogantly claimed he would mold his son's character. How? He's seldom around and when he is there is no communication between himself and his offspring. Like so many fathers, I wonder why they even want children knowing there is no inclination to interact with them. Brings to mind the Harry Chapin song "Cat's in the Cradle" which speaks to many, many dads. The Emma Willard School provided a nice backdrop for a very good film. 4 stars.

I can see exactly why comparisons to Dead Poets' Society abound. Having attended boarding school and developed an irrational attachment to that film at the time, I have since discarded it like an overworn leisure suit, and tried to move on to more interesting fare. But honestly, this film made me think -- in all the ways that school should have, and the DPSociety didn't even try to.

Robin Williams has never starred in a thinking man's film, which is why, in the end, the comparison between the two movies doesn't hold up. To get The Emperor's Club, you have to actually grasp why someone might be inspired by history -- by a time when men could truly fail, or conquer, or establish a foothold in eternity. The fact that we know Socrates existed is astounding. It is luck. If James Carville goes down in history it will be an accident, if a likely one. The point of this film is that difference -- the difference between men whose character demands to be remembered, and men whose character demands to be forgotten. It is also the story of two systems of reward and recognition -- one that produced Plato and one that produced Jerry Springer. That is why we study history, as the movie says. To learn from and be inspired by the great leaders who came before us, and to overcome the moral mediocrity of the modern world.

But, as the film concludes, great men are no longer chosen to lead. The Emperor's Club, while cloaked in the guise of a charming elitist flick, is actually a tale of profound disappointment and disillusionment regarding human society. The few great men who are left exist in the shadows, while the ignorant grandstanders wield political power. We elect them; we are in their hands. And it is all because of a lack of awareness, a lack of knowledge, and a lack of history. People don't vote for principle -- they vote for rhetoric. And it shows.

I was not expecting too much from this movie, other than the always pleasurable experience of watching Kevin Kline. But, wrapped up in the sentimental moralizing, there was the story of a great man doing the only great thing left: trying to bring others out the darkness. His success or failure is as immaterial as the execution of Socrates -- it really is the thought that counts.

Perhaps teacher movies should be judged on their own merits, but it's human nature to compare. Although I also love Dead Poet's Society, I consider The Emperor's Club one of the most compelling movies I have ever seen. The two are actually worlds apart, with Emperor's Club definitely a more cerebral film. Dead Poets seems more student oriented (students shun conformity as a result of teacher impact) and Emperor's Club more teacher focused (teacher struggles to inspire challenging student and is faced with difficult choices). Also, they have very distinct themes, with Dead Poets focusing more on individuality and 'seizing the day', while Emperor's Club revolves around character and ethics. Unlike Dead Poets (and also Mona Lisa Smile), the Emperor's Club teacher has no controversial subject matter or approaches, just relatively traditional (though passionate & effective) teaching methods.

The story depicts Mr. Hundert, a highly respected and idealistic Classics professor at an ivy covered, prestigious boys' prep school, St. Benedict's. He tries to impart a passion for Greek & Roman history to his relatively motivated students, while also conveying the importance of principles and contribution to society. All passes smoothly until the arrival of Sedgewick Bell, the obnoxious and rebellious son of a slimy Senator (who neglects his 'nuisance' offspring and exhibits an unfortunate tendency to profanity). A battle of wills ensues between teacher and student, as Sedgewick not only disrupts the class himself but inspires rowdy disrespect among his classmates. Mr. Hundert sees the vast potential in this antagonistic student and makes every effort to motivate Sedgewick to apply himself to his studies and also to exhibit personal integrity. In the process, Mr. Hundert, himself a dedicated teacher with great integrity, neglects his other students to focus on the one. He illegitimately enables Sedgewick to participate as a finalist in the school's annual Mr. Julius Caesar Contest, secretly passing over the truly deserving student, Martin Blythe. A reunion 25 years later will depict the impact of this teacher's flawed choices on his former student's character and whether or not past injustices can finally be righted.

I don't want to give the outcome away, but this reunion provides a fascinating portrait of Mr. Hundert's students as grown men. We can examine the world's view of their success versus our own, witnessing their career choices, their wives & families, and especially their character traits...whether contributory and noble or self absorbed and dishonourable. Compelling glimpses of two of these student's offspring, Robert Bell and Martin Blythe IV, prove to be incredibly revealing.

Kevin Kline, an under rated actor, is masterfully convincing in the role of the scholarly, dignified, and conflicted Mr. Hundert, and his 25 year aging process seems well depicted. Also, the roles of the boys Martin, Louis, Deepak, and of course the unpleasant Sedgewick are all well cast, as well as their older versions.

This is not simply another great film about an extraordinary teacher who has a profound impact upon his students. What distinguishes this movie from the rest is that Mr. Hundert, though a wonderfully dedicated and moral teacher, is himself flawed and compromises his own principles. In some respects, this actually makes him a much more three dimensional, realistic, and compelling character than such previous exemplary teachers as Mr. Chips (Good Bye, Mr. Chips), Mr. Keating (Dead Poets Society), and Mr. Holland (Mr. Holland's Opus). The theme here revolves not only around Mr. Hundert's impact on the boys but also his inner conflict, actually more significant than any external struggle with the rabble rousing Sedgewick or the misguided system that focuses more on fund raising than academic excellence. The film makes the point that sometimes the moral choice is not always clear cut, that crossing an unethical boundary can appear all too justifiable, and that one unprincipled decision may lead to another. There is a subtly conveyed sense as to the extent that Mr. Hundert's unethical decisions have haunted him during the intervening decades and possibly even affected his subsequent career path, as he is passed over for the Headmaster's position and begins to question his own value as an educator.

The little sub plot is actually quite engaging (not irrelevant, as some claim) that portrays the potential romance between Mr. Hundert and Elizabeth, a lovely but married fellow teacher. Its purpose is to give another indication of Mr. Hundert's character and integrity, this time revealed through his personal life. Although these two are obviously close kindred spirits with a mutual attraction, he makes no attempt to move beyond platonic friendship. His emotional but restrained response is well conveyed when Elizabeth announces that she is moving to England with her husband, who has obtained a position at Oxford.

Personally, I found all the Greek & Roman History class scenes quite engaging and enjoyed the competition with its trio of toga clad contestants. It all made me wish I was a student myself in Mr. Hundert's Classics class, surrounded by all those busts of Cicero, Socrates, Plato, and Caesar.

The Emperor's Club is a unique, intelligent, and thought provoking film that contrasts society's misguided values with the truly meaningful and important. Very few movies today deal with ethical issues, but this one explores such moral matters as teacher favouritism, bending the rules, and cheating. It prompts discussion, encouraging the viewer to question his own views of right and wrong in these situations. The movie also challenges our thinking as to exactly what does constitute teacher success, as we watch Mr Hundert come to grips with his own personal definition. The quiet ending may be less intense and dramatic than Dead Poets Society, but is equally moving and powerful. As a former teacher myself, my hat goes off to Mr. Hundert. Although very human and with some lessons to learn himself, this dedicated teacher serves as an inspirational role model for viewers of this film as well as for his students.

I thoroughly enjoyed this movie. I don't care if others think it was predictable - so what? Wasn't Jaws predictable? How about Alien? Once in a while a movie has a lesson in it - like this one. Even if it is a lesson that gets played over and over.

I really didn't care for the mildly romantic banter between Kline's character and his female interest. Maybe the purpose of the character was to show Dr. Hundert was not gay - but that seems awfully shallow to me. If this movie was not about a gay teacher, why did the writer feel obligate to prove the reverse? All in all though, this was a GOOD movie - very good.

There is no doubt that Kevin Kline is both a funny man and a fine comedic actor. However, as he has proved yet again, anything other than dramatic roles is a waste of his acting talent.

In the finest film he has made, he is superb in his role as school teacher and mentor to a generation of boys -- including one particular bad egg.

Excellently cast, scripted and acted, this is a must see.