Ever Since the World Ended

Nothing great, but this interesting faux documentary of a future 12 years after a virus kills offs most of the population does have some intriguing ideas and is done in total sincerity without an ounce of the silliness that usually accompany films of this nature. It all takes place in San Francisco where there are only 186 people left alive and the most interesting parts to me were the careful and civilized planning of procreation for the future and the opinions of the young who never experienced the world that we know and their ideas and interpretations of just what we were, how we behaved and what we did as a society. The acting is realistic by just about everyone and this is obviously cheaply made, but nevertheless, it is a slightly unusual experience that is helped by its short length.

"Ever Since the World Ended" doesn't illuminate itself with flashing bulbs and overly artistic camera work, nor does the film degrade itself by venturing into the over-dramatic and quasi-philosophic. Rather, the movie succeeds at what it intends to be: realistic.

The comparison between older characters longing for the pre-plague past and younger characters acknowledging cynicism for the materialistic life we find ourselves in now provides an interesting scenario in itself. Where the film truly shines is during the small and almost subtle moments of humanity: shots of San Francisco completely devoid of activity and life. Simple footage of an area known for its population suddenly vacant make for simple yet profound imagery; to actually imagine such a transformation is, in itself, rather difficult.

Additionally, any viewer with any sort of historic appreciation can participate in the following scenario: Even now, people marvel at the innovations, art, engineering and lifestyles of ancient civilizations. Perhaps inadvertently, "Ever Since the World Ended" sets its future generations up with this scenario. What existed before was a civilization of skyscrapers and vivid imagery; what exists now (in the film) is a world of close-knit personalization and a general worldly-innocence. Although generations immediately following the events in the film would probably not 'appreciate' (for lack of a better term), the past that was, the generations in the future conceivably would (like we do today with the Greeks, Egyptians, and so on).

Although this movie lacks a certain flash that certain film-goers demand, it still provides an interesting view into the hypothetical future of mankind. Post-apocalyptical stories may not be uncommon, but certain stories seem more tangible than others; this is one of them.

I teach a upper-level class on The Apocalypse at a Long Island College. This film was one that I chose, first for its brevity--75 minutes--but also for its totally thought-provoking exploration of humanity. Of course, one could quibble over some of the unexplainable aspects--for example, how do most of the characters remain so smartly dressed if there haven't been department stores in 12 years? But overall, it's important to see this film as an allegory, not unlike the Medieval play "Everyman," in which every character represents a "type," a "concept," or an "ideal." The acting is so absolutely natural that the viewer completely forgets that this is a scripted film. More than anything, it raises profound questions about the human condition for days after a viewing--always a good sign. I strongly recommend this film to anyone interested in stretching themselves philosophically. Good story, fine editing, terrific acting.

I wasted my time watching this piece and now I'm wasting reviewing. But I feel that people should be warned. If you are ideologically blinded hippie then this movie is for you. Otherwise it is not for you. Simple. It is an incredibly boring ode to hippies' view of the society, their utopian idea how the world would look like if they got rid of the government and the whole mankind. They create a new society filled with "professions" that don't serve any practical purpose, that wouldn't let this society survive for longer than a few weeks. If they're lucky. I don't want to put any spoilers here so I will leave it like that. Be warned though. If you expect some fascinating vision of a post-apocalyptic world - don't get your hopes too high.

I really wanted to like this movie, and I think the concept is a great one. I also think a fair amount of the footage is good, but there were just too many things wrong with it to give an above average rating.

The biggest thing I got out of it was, the more things change, the more they stay the same. Society is supposedly gone, yet these people are still trying to fit into old stereotypical groups. You've got your rationalists, scientists, slackers, conspiracy theorists, the feminist coven, crazy people, violent people, my way or the highway people and just about every other group that exists today. And teenagers still thing they know more then the adults.

I just couldn't buy into it 100% for several reasons. I won't go into some of the massive plot holes (the whole "Mad Mark" story) and just stick to some of the small things. First of all, the Golden Gate Bridge falls apart in 12 years (which I can maybe accept) but everyone is very well groomed, and the women still wear makeup? Not only that but everyone's clothes are in perfect condition. And people still dye their hair? This is really glaring with the character who has been living in the tree tops for several years, by himself, yet he has a perfect haircut, sideburns, a soul patch, but otherwise cleanly shaved? If those kind of things don't bother you, you'll probably like this film much more then I did. It does have potential and I like the documentary style, but there were too many things that didn't seem right too me.

Of course, perhaps the virus that killed most of the people had a weird side effect for the living in that it stopped all hair growth. After all, this is sci-fi.

Not a complete waste of time, but it is flawed.