Wicked Game

This Movie has great fight scenes. Now its true that the acting is a little rough. But If I wanted to see a movie based on acting skills I would watch a Cheesy movie Like American Beauty. But If you want to see a movie with true martial arts in it and with Amazing stunts WITHOUT the use of wires and flying threw the air like so many movies around now which are over killing the matrix. Then Watch this. Now it's true the two main stars in the show where in the kid show the power rangers and another cast member of that show has a bit part in this movie. But hey the fight scenes are enough to make Jet Li p**s his pants. And the stunts are worthy enough for Jackie Chan to sit threw and admire.

Okay, let's get this out of the way early – this movie is terrible. It features horrible acting, annoying characters, a clichéd script and shoddy shot-on-video cinematography. So why on earth would I recommend this to anyone? Because of the amazing fight scenes. Co-directors Koichi Sakamoto and Makoto Yokoyama may not be immediately recognizable names to action genre enthusiasts, but chances are you have seen their work. Both supply the action choreography for the US versions of the POWER RANGERS. However, Koichi's main claim to fame is that he was the stunt coordinator on Steve Wang's THE GUYVER 2 and DRIVE. Anyone familiar with those films will know what I am talking about. With this film, both Koichi and Makoto's stunt teams (Alpha Stunt and AAC respectively) combine to create some strong stunt work.

Whereas celebrated HK veteran Yuen Woo Ping's Hollywood efforts have become increasingly airborne and unrealistic (THE MATRIX films are a perfect example), this team's style is reality based and hard-hitting. Some of the stunts in this one are absolutely amazing. Fights break out every 10 minutes or so and they are flawlessly choreographed. Major set pieces include a fight on top of moving cars, a skydiving gun/fist fight and the obligatory warehouse fight where guys bump off the equipment as if it were rubber. Lead Johnny Yong Bosch (formerly the Black Ranger on the POWER RANGERS) does a majority of his own stunts and is amazingly agile. One wishes he would get more work to showcase his martial arts talent. There are also three instances of stunts gone wrong that made it into the final film (you will know them when you see them).

Were it not for the amazing stunt work in this film there would be very little to recommend it. Shot on a minuscule budget, as evidenced by the use of disused warehouses and wide-open spaces for the majority of the shooting, Extreme Heist aka Wiked Game is essentially a show reel for two stunt teams. The production quality may be poor and the narrative weak, but the creativity and expertise of the Alpha Stunt Team and AAC is certainly adequate compensation. Following a formula similar to the far superior Drive (Steve Wang, 1996) this is something of a companion piece, co-directed as it is by that film's choreographer Koichi Sakamoto. He and Makato Yokoyama (director of the awesome Shadow Fury (2002)) have had steady careers working on the Power Rangers franchise (still going since 1993) but have never made the action hit fans have always longed for. Sakamoto and Yokoyama obviously made Extreme Heist in between Power Rangers episodes and even roped in Johnny Yong Bosch (The Black Ranger) and Jason Narvy (bad guy Skull), to star in their venture. Like Marc Dacascos before him, Bosch demonstrates skill and agility that screams out for more elaborate and high profile work. Sadly Bosch's career hasn't hit the heights of Dacascos's. The action scenes which make up the majority of the film are superb, a testament to the way talented filmmakers can produce something from nothing. Action seems to have been choreographed from whatever was affordable, with shoddy shacks and cars serving as both locations and props for the performers. The stunts are both physical and vehicular, with many sequences bringing the two into close contact. Bosch fights off hordes of minions and has a showdown with the tall villain at the climax, but even in the quieter moments he adds impressively unnecessary flourishes to his actions. Not content to sell the film solely on fights and vehicular stunts, Sakamoto and Yokoyama injected the theme of extreme sports into the story by opening and closing the film with impressive skydiving sequences. The ending is especially notable, including an interesting attempt at gunplay as they plummet to earth.

I worked on this film. Another viewer had this comment on the stunts: (I'm pretty sure there's no safe way to land directly on your head, or be forced to head butt a wooden roof by a speeding car!?). Neither of these stunts was planned this way. Tatsuro had no idea his head was going to hit the support beam and Tadahiro was not necessarily supposed to land directly on his head. There is another shot just before Tadahiro lands on his head where Luke gets side-swiped by a car and thrown 15-20 feet. Another miscalculation. This stuff looks great on film (actually miniDV), but this type of flagrant disregard for the safety of the crew should not be tolerated in any country.

Let me tell you, I buy and watch movies based on good fight scenes and dont really mind a bad story if the action is good. Well when I found out that Koichi Sakamoto of Drive fame was the action director, I had to get this movie. I was not dissapointed by the action and stunts ( you can see how painful some of them would have been for sure),what I was dissapointed in was the screen quality, it was not shot on a normal movie camera and looks like it was done on home video camera which was tough to watch. Also some of the dialogue should have been written better ( as Guile always calls Billy Ray, Billy Ray where he could just call him Billy instead) But all in all if you are a martial arts fan and enjoy good fight choreography and entertaining stunts, you could do alot worse