On Golden Pond

Christopher Plummer is always worth watching, so I sat through this whole production Not for the first time, I kept wishing that "On Golden Pond" was less of a glossed over, wishy-washy, happy-ending sort of show. Both the play and the film, and this version, too, gloss over the fact that Norman Thayer is truly a cruel person who was deliberately unkind to his daughter all her life. He seems to have been unkind, sarcastic, and verbally abusive to a great many people. I wouldn't want to be his daughter and I wouldn't want to be his wife. He's embittered and negative, and there seems to be no reason for his embitteredness as his life, as we are shown it, seems to have been a fortunate one. He and his wife appear to have no money troubles, he was successful in his career, his wife sticks by him and loves him -- what the he** is his problem? Every version of On Golden Pond presents Norman as a sort of curmudgeon, an old "poop." But he's not just an old curmudgeon. He's nasty. He hurt Chelsea. There's no reason to believe he won't continue to hurt Chelsea, even after their little confrontation/reconciliation. Consider how he refuses to tell her on the phone that he and Ethel will visit Chelsea and Bill in January? He later says it to the boy. But not to Chelsea. No, he's got to leave her hanging. He can't say they'll come. He can't give her that satisfaction or even allow her to plan. It's creepy.

I've never understood why On Golden Pond is considered a sweet, love story. I just don't get it.

This TV version is okay. Just okay. Plummer and Andrews turn in professional performances. They have chemistry together, that's obvious. Headly, playing the daughter, is less believable and seems nervous even when Norman isn't in the room. Sam Robards as Bill seems twitchy, too. The boy's role is downplayed in this version and he doesn't really get a chance to register. The set is excellent. There's some strikingly bad camera work here and there, more than I think is acceptable, even in a live production.

The best part of the whole production is the promo at the beginning when the camera zooms in on Plummer and Andrews in a private room. They're supposedly rehearsing, but are actually playing Go Fish. It was cute. If you listen, you can hear the difference between Plummer's actual, strong voice in that promo, and his strained, weaker voice as Norman.

I also love the bit when Plummer is on the phone with the boy, and says that Dumas, author of The Three Musketeers, is not pronounced Dumb-A**. Whenever I see Alexandre Dumas' name from now on, I'm going to think of that :-).

Chris and Julie... together again. And Julie is still as beautiful as ever. This movie was very cute! It was done live and there were FEW mistakes! The movie had the odd boring patches, but all in all was pretty wonderful. I recommend it if it comes on TV again. Out of 10, I rate is 7.

On Golden Pond is a timeless classic and the 1981 movie is one of the greatest films ever made. So it was very difficult for this version to come close to the movie. Andrews and Plummer are fantastic together and I can't believe they waited 36 years to do something together again. They are brillant as usual but the rest of the cast is way out of their league and look very unconfortable. This is a good try but it comes nowhere near the emotional resonance of the movie. Henry Fonda and Katherine Hepburn and Jane Fonda are unforgetable in these roles and it's hard to picture anyone else comparing to them.

This live production of Ernest Thompson's classic "On Golden Pond" was a refreshing experience. Its good to see culture on network television again. That being said,I must say that although billed as a live version of the play,its not quite a correct statement to make. Act II features several changes in the material (I.E. Bill returning with Chelsea to the lake,an absurd altercation between Bill and Charlie).

The changes do not, for the most part, effect the plot all that greatly,however. The only exception(although the actor is talented) is the treatment of Charlie the mail man..he becomes too obsessed and less fun.

As performances go...Plummer leads the pack..he gives a completely sincere performance and stays clear of any hint of Fonda's famous screen portrayal. Andrews is also fine as Ethel,equally acerbic and loving...again,not a hint of Hepburn.

The only supporting actor I though weak was Glenn Headley as daughter Chelsea,she seemed to lack any sense of fire or assertiveness.She should be as the character says 'In Charge in Los Angeles" but feeling like the little fat girl at home...we only glimpse the fat girl..even with Bill.

Over all OGP was a strong production. Hopefully the Networks will show more live on stage productions of classic plays in the future.

It's great to see a live play on television again...especially this play, with theatre/movie/TV legends Julie Andrews and Christopher Plummer. And Julie even gets to sing. . .Personally, the couple reminds me of my 60ish parents. . .but beyond that, this is a wonderful treat for us baby-boomers who sort of grew up with live/live-on-tape TV, who also love live theatre. Julie is beautiful and emotional and real. Plummer is morbid and hateful and opinionated. . .and how many times have we heard "bull-s**t" on network TV. . .at last, TV has grown up.