L'homme de la Riviera

There isn't much one can, or for that matter should say about Neil Jordan's "The Good Thief". Fun and stylish heist movie that drags a bit in the middle but gets back on track by the end. Along for the ride with a weathered thief/drug addict/bon vivant named Bob (Nick Nolte) is a motley crew of characters with varying degrees of fashionable zaniness. The most notable of the lot might be transsexual Philippa (Sarah Bridges) and security-systems expert Vladimir from Vladivostok (played by another raconteur European director Emir Kusturica).

Dialogue, though, sounds like it was written by a teenage comic book artist in a foreign palaver and then translated into English. The fact that most of the actors don't list the language of the British as their mother tongue isn't helping either, especially when the details of a complicated robbery are being discussed. However, this all fits comfortably enough in the overall ambiance of the movie. Choice of music is excellent, enhancing the experience greatly. It was nice to see the REAL south of France with its strong Algerian influences instead of just the usual white bred high society crowd most people associate with Monte Carlo and Nice. In addition to Algeria, we also get some Russia, Bosnia, England..

P.S.: Young actress from Georgia Nutsa Kukhanidze is another bright spot managing for her vulnerable character Anne to also come off very sexy, chic and even debonnaire. Through her confident performance she really sells us on the notion of these hardened 'old' men being infatuated with a 17-year-old crack whore from Bosnia. And they say movies sugarcoat reality... :)

THE GOOD THIEF (3+ outta 5 stars)

Very good character study/caper film about a drug-addicted American criminal (Nick Nolte) in France who straightens himself out for one more Big Score. He in constantly under the watchful eye of a kindly police inspector who wants to stop him for his own good... so he hits upon a plan to devise a *fake* robbery to divert attention from the *real* one. It's a remake of an old French classic, "Bob La Flambeur" (which I haven't seen yet... so I may have a different take on this movie after I've seen the original). The cast (various character actors of different nationalities) is great... and Nolte portrays a very believable down-on-his-luck substance-abuser... but that may not be much of a stretch for him. Directed and written by Neil Jordan... it may not be one of his best movies ("The Crying Game", "The Butcher Boy") but it's still a fine piece of work.

'The Good Thief' is the best film Neil Jordan did since 'Mona Lisa' almost two decades ago. It is a classical and well written robbery story, complex enough to catch the interest, simple enough for the spectator to follow and enjoy, and with the special twist at the end that makes a good script. The main character fits Nick Nolte like life, I can imagine only Humphrey Bogart doing better in this role. There are a few other memorable characters, with the Georgian (from the other Georgia) Nutza Kukhianidze promising to become soon a star if she has enough luck to continue to work with good directors and scripts. The cinematography has a special quality, with final stills after each shot, enhancing a good digital camera work. I also liked the soundtrack, it's a mix of classic, jazz and even Leonard Cohen sounds right for a change. 8/10 on my personal scale - certainly worth seeing.

"The Good Thief " is a classier one-last-great-heist film than "Ocean's 11," in a more exotic Riviera locale with grittier repartee and well-worn actors with many different accents.

The long-time camaraderie among crooks and cops is comfortably reflected, though much back story has to be stretched to explain why American Nick Nolte fits in.

Based on a 1955 French film I haven't seen, "Bob le flambeur," I don't know how much Neil Jordan changed from the original. It has the kind of twists and turns that has strangers in the audience turning to each other at the end to compare notes.

Really odd that Ralph Fiennes's cameo is uncredited, as he's terrific, and much more effective here as a leonine cynic than as a romantic in "Maid in Manhattan."

Most creative transsexual character since "Adventures of Priscilla: Queen of the Desert" and neat use of the Polish brothers.

Jordan resists another male fantasy until the end when Nolte finally pairs up with the seductive teen-ager who conveniently announces she has just turned 18 so he can't add statutory rape to his rap sheet. Oh, so then we're supposed to feel happy ever after.

Very nice world-weary multi-lingual soundtrack, including Serge Gainsburg and Leonard Cohen.

This was a re-make of the 1955 film noir, "Bob LeFlambeur," which I also own. That was black-and-white and made in France while this is 2002 movie in color with English-speaking actors.

Usually I'll take the original over the re-make but not in this case....with one major consideration. In order to like this film, I had to play the DVD with the English subtitles on because many of the accents were just too tough to decipher and if you can't understand the dialog, it gets a bit frustrating. The story is confusing enough as it is, so, if you have a similar problem as I had, play this with the subtitles.

If there is such a thing as colorful film noir, this would be it, with many splashes of the neon nightlife of France, inside and outside.

Story-wise, if you're confused you are not alone. After two viewings, I still haven't totally figured out the twist at the end. The dialog tries to be snappy mid-40s Raymond Chandler stuff and sometimes it's great, other times it's affected. Overall, however, it 's fun. Nick Nolte delivers most of the clever lines. The young girl in here, Nutsa Kukhianidze, is intriguing new face, as was the case with Isabelle Corey in "Bob."

This movie gets a lot of negative reviews from professional critics. Don't trust them; give this a look.