The Dangerous Christmas of Red Riding Hood

Further to bluestreak45's comments, this is definitely worth a viewing for Eric Burdon and The Animals as the wolf pack, for Cyril Ritchard as the victimized Big Bad Wolf, for the polished musical score, and, if you're a Liza fan, for her belting out tunes at age 19.

Songwriter Jule Styne conceived the idea of telling the Red Riding Hood story from a lupine point of view (and wrote the music with Bob Merrill, who wrote "Mambo Italiano"), and it is an ambitious idea, and even has a few amusing exchanges of dialog, e.g., when RRHood (Liza) asks the wolf (Ritchard dressed as granny) to play something on the piano from "when you were a girl-- maybe something by Bach."

Unfortunately the production values are minimal and the videotape from the original ABC broadcast is grainy and washed out. Happily for obscurity lovers, as of this writing it is available in five parts at dailymotion.com/video/xuvlm_4-little-red-ridinghood-xmas_music . The Animals show up in part 2, but don't really get going until their howling song in part 4.

The title sounds as if this is some bad horror but this is a quite charming little Christmas special from 1965, starring the teenager Liza Minnelli in her first leading role.

With this movie Minnelli goes into her mother's footsteps. She dances and sings her way through this movie. She of course had a great example and teacher to look up at in the form of her mother Judy Garland, who starred in dozens of musical movies. Also her father Vincente Minnelli was no stranger to the genre and was an acclaimed and well known musical movie director.

Yes, Liza Minnelli is good and enjoyable in her role in this movie and shows that she can sign and dance. Something that would eventually even get her an Oscar 8 years later for her role in the movie version of "Cabaret". She is however not the most attractive person within the genre. She is not attractive no and she even wasn't in 1965. It's perhaps a reason why she never became such a big musical star as her mother was, even though she also wasn't among the best looking actresses of her time.

The movie is quite cheerful and therefore also charming. It features some good songs and characters that pop up. Cyril Ritchard is really great in his role as the Big Bad Wolf.

But how exactly is this a Christmas special? Just because there is a Christmas tree in the back doesn't make the story of Red Riding Hood really feel fitting for a Christmas special. An original attempt to try and re-tell the famous story but also a bit of a silly one.

The movie obviously looks as if it was filmed on a stage and it of course most likely also was but this feels sort of fitting for a TV special and actually suits the movie its atmosphere and overall cheerfulness quite well.

It's a good watch and basically just a fine simply enjoyable 50 minutes.

7/10

http://bobafett1138.blogspot.com/

I read all of the previous reviews of this Made for TV Movie and IMO only a few folks "got it". This is not going to be as much of a review as it is "background" information.

First, it was not seen LIVE. It was pre-recorded in a Studio in Brooklyn, NYC. I was there during the shooting.

At the time my dad was "General Manager of Institutional Advertizing" for General Electric, and this was a GE Theater Production.

I'm not going to refute any of the individual criticisms, such as the effeminate Ritchard...he was effeminate, but I didn't see this as the negative that the reviewer did. "Female" wolves also eat.

Liza was brilliant! Not only is she extremely talented, coming from Minelli/Garland genes, but I got a chance to meet her at the shooting and spend quite a bit of time with her...so I AM somewhat biased. I fell in love with her.

Being a son of a GE Marketing Bigwig did have its benefits back during that time period. As one of the Managers of the GE Pavilion at the NY World's fair in '64-'65 I was treated as a VIP not only at the GE Pavilion, but everywhere else as well getting back-door passes to all other Pavilions. Another benefit was being invited to the TDCoRRH shooting. I was 15 at the time, old enough to appreciate meeting Liza and Burden. From that experience I became a life-ling Minelli fan and never played another Burden or "The Animals" record again. Unfortunately, I also spent some time with Burden, and I learned that he will never experience a time where he is not loved, and he is loved best while he's alone.

Fortunately I was able to get a hold of the DVD, however unfortunately it was never remastered. It is still the grainy quality of the original SD release. Yet, occasionally I still pop it in the player and enjoy it just as much with each viewing. I only wish that my father was still around to enjoy it with me.

This is actually a sparkling little gem, with a lot of wit. The score is terrific, and Cyril Ritchard hams it up wonderfully. Liza Minnelli exudes charisma, and her musical numbers are often electrifying. For a 1965 TV special, it holds up very well.

What do you get when you throw a ton of money at top Broadway talents for a "sure fire" holiday special and toss in a popular rock group for demographic appeal? Well, historically and forever anything that people assume will be "sure fire" isn't - and THE DANGEROUS Christmas OF RED RIDING HOOD (or OH WOLF, POOR WOLF! as the sub title ran - a spoof on the relatively recent Arthur Kopit stage farce "Oh Dad, Poor Dad, Mother's Hung You In The Closet and I'm Feeling So Sad" and typical of the "wit" of the script) is a perfect example.

Top billed Cyril Ritchard was (and remains) beloved of American audiences for his Captain Hook in Mary Martin's PETER PAN (with part of its score by Jule Styne); Liza Minnelli had already made the beginning of a major mark on stage Off-Broadway in a revival of BEST FOOT FORWARD and had won a Tony for her Broadway debut in the marginally successful Kander and Ebb musical FLORA THE RED MENACE (her incongruous first costume here looks like something from that show); Styne and Merrill's FUNNY GIRL was in its second year on Broadway, and they were both working on shows for the following season (Styne would win a Tony for HALLELUJAH, BABY - Merrill would come acropper with his BREAKFAST AT TIFFANY'S closing in previews). How could they go wrong with a little hour long holiday special?

Quite easily it turned out - although nothing much was lost at the time. No one had a lot to lose, and with Styne and Merrill as Executive Producers, there was no one to push for better. The work was tossed off without the care and craft that would go into something which had to sustain a run on stage. It filled a time slot and was decent fun even if it was no one's best work ("Ding-A-Ling" is fairly definitive proof that pop/rock music was not Styne or Merrill's métier).

Not one particularly distinguished tune or lyric emerged (the "Red Riding Hood" number sets the tone of sustained silliness with its anachronistic rhymes and jokes), and the wit in the book credited to Robert Emmett never went much beyond the only partially fulfilled concept of telling the story of "Red Riding Hood" from the Wolf's point of view. Despite the presence - mainly for the joke of the group's name - of the pop group "Eric Burdon and The Animals" in the supporting cast (they do awfully well in the Lee Theodore's sprightly 60's choreography), the show essentially disappeared after the initial November 28, 1965 Thanksgiving broadcast over the ABC Network (one supposes the link was EVERYONE going to Grandmother's house for Thanksgiving Dinner) until a cheap black and white holiday VHS video (a kinescope?) appeared in discount Christmas bins a decade or so ago.

With a slightly better print now available on DVD, the show is an interesting view for what is there. Ritchard is, as always, a delight in the lead role of the Big not-so-Bad Wolf narrating the piece in flash-back from his "cell" in the zoo, even when allowed to raise his perpetually arched eyebrows a trifle too high. The very young Liza Minnelli (Red Riding Hood - "her real name was Lillian") is just approaching her full powers and the potential is obvious. The talent is still very raw, but it is undeniably impressive ('though it would take a far stronger director than Sid Smith to reign her in and get a polished performance). It is clear why, the following fall, she would be rejected in her audition for Sally Bowles in the original CABARET - Sally was supposed to be worldly but *not* supposed to be a first class performer, and No one would believe a Minnelli Sally producing the required character shadings or that she could do no better than performing in a basement in Berlin at this point in her career.

Fanciers of early 60's pop music get a glance of both Vic Damone as Minnelli's Woodsman/love interest and The Animals as the "Wolf Pack. Both were popular at the time, and while nothing in the Styne/Merrill score is as good as anything in Merrill's score for BREAKFAST AT TIFFANY'S (which finally got recorded more than 25 years after it closed on Broadway!), nothing in it is painful either and all is musically very well performed by all concerned.

Pleasant little artifact and a diverting holiday trifle. Nothing more, nothing less . . . but it might have been much, much more.