Amen.

Very interesting...I do not know how true the facts are, that were presented, but I think the movie is really worth a look. Especially, if we consider that it isn't a typical American movie...of course, that's because it isn't American! A movie that has, more or less, a very significant meaning and moral...we all know about the Holocaust...the terror, unleashed by the German nazi's. The madness of men. And here we have a movie, filmed in Romania, with this theme. A German SS officer, Kurt Gerstein(Ulrich Tukur), finds out about the crimes against millions of Jews. He decides to kind of sabotage the killings, and ultimately ends up, wanting to tell Pope Pie XII(Marcel Iures) about these crimes. He gets help from Riccardo Fontana(Mathieu Kassovitz), a Jesuit priest, in this matter. Riccardo's father is an important person at the Vatican(count) and so, he tries to help them. The story will be sad enough, and it will show the ignorance of the Catholic Church. If this is true, or it is not I can't say. But the movie is special, and touching. The trains have a very important role. Every time I saw them, I felt a shiver through my body, just because of the idea that they might be filled with people. The special effects could've been better. For example, when Riccardo goes to eat with his father and other personalities, you can see what seems to be the Vatican. But it is more than obvious that it isn't true. Of course, this is not very bothering... The music is absolutely perfect! I really enjoyed it, and I don't see who didn't! The actors were good, but there were some flaws, here and there. Costa Gavras, the director, did a very good job here, in creating an interesting movie. Despite the lack of much action, the film is pleasant, but shocking...well, how could it be if we consider the events? I think all should see this movie, especially because it's a good change from the American stereotype.

I was very surprised by reading so many bad comments about 'Amen.'. This is a breathtaking movie about a German officer who realises what they are actually doing to the Jews and who afterwards tries everything to prevent this murdering. Ulrich Tukur gives one hell of a performance. You really see this man suffering under the killings he cannot prevent.

Another perfect performance is given by the priest who tries to help the German officer. Mathieu Kassovitz (who also played the male leading role in 'Le Fabuleux destin d'Amélie Poulain')is very convincing in his role.

I think this movie is highly underrated. Costa-Gavras has made an important movie with 'Amen.' which looks at the holocaust-tragedy from another point of view which is seldom showed. The movie gives a true although unbelievable answer at one of the most important questions concerning the holocaust: didn't anyone saw this coming? Couldn't anyone prevent this from happening?

If you really want to know the answers to this questions, you certainly have to watch 'Amen.'. This movie should at least have an 8 and I'll give you two reasons why: one because the story is unique and magnificently told; and two because the two leading actors are giving the performance of a lifetime. Highly recommendable!

9/10

Thoughtful and brooding film with excellent interpretations and horrible events . The picture talks an officer Gestapo named Kurt Gerstein (Ulrich Tukur) in charge of Zyklon B , a deadly chemical gas used for killing Jews in the death's showers from concentration camps as Treblinka , Sorbibor , Auschwitz , Majanek , Manthausen ,.... , Gerstein contacts a Jesuit priest (Mathieu Kassovitz) who's related to a Vatican Cardenal (Michael Duchaussoy) and his father results to be Pope's assistant . He denounces and explains Pope Pio XII (Marcel Iures) the situation of the Jews's genocide .

The pic is correctly based on historic deeds and famous personages as Pio XII and Nazi chiefs who don't appear in the film but they're continuously named as Goering , Goebbles , Himmler , Eichmann ,thus as notorious events as Stalingrado (1943) where Nazis have the first important defeat and the bombing strikes over the Germany cities (Berlin , Dresde) . The movie is based on a play by German playwright Rolf Hochhuth which started a lot of heated discussions and arguments after its first release in 1963. The film blends drama , tension , historical events and in spite of the runtime is two hours and some isn't boring , nor dreary but happens enough interesting deeds . The Vatican did not give a permission to shoot the film in their buildings. After searching a scenery of adequate size for the scenes taking place in the Vatican, Costa-Gavras finally chose Europe's largest building, the House of the People in Bucharest . Some of the outdoor scenes were shot in Mogosoaia Palace, some fourteen kilometers northwest of Bucharest. The movie attained quite polemic but there's an accusation to Catholic Church for passivity on the crimes and mass slaughter . I really think that didn't have but lack of forecast . The motion picture was well directed by Constantine Costa Gravas who at all his films always gets controversy and dispute . Rating : Above average . Well worth seeing .

'Amen' is a recent release examining the relationship between the Vatican and Nazi Germany. We follow Kurt Gerheim (an admirable performance by Ulrich Tukur), a perfectly Aryan, protestant SS-Officer who tries to speak out against Nazi attrocities, and Ricardo Fontana, a young catholic cleric (played to the utmost by the marvellous Matthieu Kassovitz) who joins him in his fight. Ricardo's dissolusionment in the Church (which acts more as an institution for self-preservation than for good in this film) leads him to irrational and useless acts which do not conflict with his morality, rather than to more useful acts which do. The interest lies with the deterioration of Ricardo's faith in the Church's moral station and that of Gerheim's faith in his fatherland. Both find solace in the hope that they will put an end to the holocaust.

This is noticeably a continental European film, with brilliant direction and dazzlingly good acting, more Gosford Park than Schindler's List in terms of pace. Indeed, this slow pace only highlights the frustration felt by the two main characters as they are continually beaten down by the well-meaning leaders of their Churches.

Frustration, interestingly, is the only lasting emotion inspired in the viewer. Dr Germaine Greer attributed this, wrongly, I believe, to the fact that the film "doesn't seem to go anywhere", highlighting the leitmotiv frame of a so-called 'goods' train on its way to an unseen destination as a representation of this lack of direction. I would venture to suggest, though, that a conclusion is precisely what the director, the justly renowned Costa Garvas, was trying to avoid - he does not straightjacket his characters plainly as either heroes or villains and the film closes with the issues of morality it has raised left open-ended. It is meant to be thought provoking, not moving; the viewer is meant to conclude for himself what was morally correct and what was not.

At the end of the film, I found myself wondering which of the characters was most right - for none, it would seem, have a sole handle on the moral high-ground and there are arguments that promote each character's actions over another's. Whatever way you see this film and whatever conclusion you draw, it is a production which will not let you sleep easy until you have been challenged on many issues of morality.

The new movie from Costa-Gavras is as believable as his former ones: Z, The Confession, State of Siege, Missing. Perhaps his tale about the role of the Catholic Church can offer some doubts to Europeans and North-Americans subscribers of IMDB, but people who lived in Argentina during the last military dictatorship (1976-1983) can agree that there are coherency. In my country we had a lot of missing or killed Catholic priests and nuns. Riccardo Fontana represents them. Some bishops (De Nevares, Hesayne, Novak, perhaps another one) fought for human rights. But the official Church, including the papal nuncio, the rest of the bishops, and specially the "military vicars" (who gave "spiritual comfort" to torturers and pilots who threw human bodies to the River Plate) where in the same role that Pio XII and the Vatican staff. It is not an attack to Roman Catholics. Usually, the religious hierarchies are always in the side of the political power. You can see muslim priests giving spiritual comfort to terrorists, as rabbies in the Israel Army do to soldiers who killed a Palestinian family. "Our" soldiers are always dispensed from the observance of the Commandments.