Dirty Deeds

A truly Australian film which captures the life of mobsters in the Cross in Sydney in 1969. Very funny and even true to some facts, this movie is worthwhile to see and if you still think Americans dont belong in Australia, well, this is for you. Plenty of plot twists help to keep it going and even if you dont understand the language, if its on DVD you can just turn on the subtitles.

Dont see it if you're not Australian - but if you are its a 8/10 easily.

Sad to say, but despite a fantastic cast, great design and some genuine laughs, "Dirty Deeds" is ultimately a disappointment. A frenetic comedy set in the Sydney mob scene circa 1969, David Caesar's tale of cross and double-cross does admittedly have a lot going for it if you're not too picky. Bryan Brown has one of his most engaging roles in years as mobster Barry Ryan, head of the pokie rackets in Sydney. Toni Collette is equally good as his no-nonsense wife, while a solid cast of Aussie professionals such as William MacInnes, Sam Neil and Paul Chubb fill out an amusing ensemble. Even the get-a-US-release stunt casting of John Goodman, as a Brown's even-tempered American rival fits nicely.

In addition, the design of the film is wonderfully evocative of late sixties Australia, complete with garish curtains, funky wallpaper, beehives and bowler hats. The soundtrack, produced by You Am I frontman Tim Rogers, is an amusing combination of vintage Oz-rock oldies (the title tune, performed by AC/DC and covered in the end credits by You Am I with Tex Perkins)and knowing modern-day covers. But there are flaws, very big ones on both sides of the camera.

While he demonstrates a keen eye for local colour and ocker humour, (witness "Idiot Box" and "Mullet") David Caeser is no action filmmaker. The car chase scenes are very poorly shot and flatly edited, with little sense of perspective or coherence. The low budget shows in a severely unconvincing opening sequence, set in Vietnam, but looking all-too-obviously like rural New South Wales. His screenplay works hard to pull off a "Snatch"-style multiple-whammy climax, but the pacing is off and there isn't enough build-up for it to really work. The romantic sub-plot featuring Sam Worthington (as Brown's straight-arrow nephew) and Kestie Morassi (as Brown's mistress) is flat and entirely predictable.

Relative newcomer Worthington sadly sticks out like a sore thumb among the otherwise distinguished ensemble with an inexpressive, lifeless performance, which undermines certain crucial scenes. Morassi is however a definite find and will certainly be one to watch in the future.

A lot of excellent talent has gone into making "Dirty Deeds" and that only serves to make the end result an even greater disappointment.

Saw this stumbling my way through OZ on holiday and really glad i did - it's fast, funny and full of action.

I had no idea before i saw this of the real history of the slot machine wars, so it was good to learn about that but FAR MORE IMPORTANTLY this is just a great night out and makes you leave the cinema wishing you could remember more of the many really good lines.

The acting is fantastic throughout but John Goodman is just brillant. Every time i see him in stuff i'm amazed at his ability and here he gives a really moving performance. The young bloke is really good too, and some of the guys the filmakers have found to play small time hoods have fantastic faces.

The direction is cool, the script really is fast and funny and its got a great soundtrack as well. Hope this gets shown in the UK so all my mates can see it to?

A nice little mix of genres; gangster movie, period flick, fish out of water story, and even a travelogue!

The cast is excellent, even though I have trouble buying John Goodman (an actor I adore) as a wiseguy. Sam Worthington comes across great as a slightly naive kid with a good heart just rolling with the punches and unsure of himself. Bryan Brown performs admirably, Toni Collette continues to wow me (I had no idea she was actually an Aussie) and the rest of the cast acquits themselves well.

All in all, a really charming movie chock full of 60's era flourishes and cultural differences. Very entertaining.

Ah, yeah!

This is a nicely paced caper and its only real crime is the weak ending.

It's been criminally undersold here, and sad to report I was alone in the dark corner of the multiplex I saw it in. As all the comments here are Australian and a year old, the film has obviously been leaked late to the rest of the world in advance of its video or dvd release. This is lacklustre treatment of a little gem.

First and most important, you don't need to be Australian to understand the dialog. I wouldn't fault any of the performances, which pretty much match the characters' function in the film. Bryan Brown and Sam Neill stand out, inevitably, but John Goodman and Toni Colette are sound in support.

I smiled from the moment this started to the closing credits, laughed out loud more than once, and salute the repeated use of "bouf-head" as a term of endearment.