Sex fans des sixties

There is a good deal of decent dialogue in this movie, and Goldie Hawn and Susan Sarandon know how to make the most of it. As a fan of old movies, I could never fault a script for being "formulaic." Let's face it, if you've seen a thousand movies, you've seen it all. As long as the writer gets it right, a movie can, at the very least, be admired. In this case, it can be appreciated. This movie is fun, it doesn't take itself too seriously, and there are some important messages: remember the importance of being supremely sure of yourself, of having a best friend, and of hearing Led Zeppelin in concert. It shouldn't be relegated to the category "chick flick." It is about a person who seems to drift aimlessly through life, and winds up portraying someone who makes a positive impact on many peoples' lives. Watching Goldie's/Suzette's face as she and Susan/Vinnie start to dance for the first time in 20 years also made me remember something important: when women friends dance together, it's different than men and women dancing. They enter into a partnership that says, for the next few minutes, we will do something cool together, and, sometimes, that's an important thing to do.

Suzette (Goldie Hawn) and Lavinia (Susan Sarandon) used to be groupies with the Doors, but they've since parted ways: Suzette still acts like a groupie, Lavinia lives a laid-back existence in the suburbs. That is, until Suzette decides to come visit Lavinia. Then, all bets are off. Big time.

If absolutely nothing else, "The Banger Sisters" shows that Goldie Hawn and Susan Sarandon still have the talent that they always had (of course, neither one ever lost talent). Geoffrey Rush has a great supporting role as uptight Harry Plummer, with some strange plans.

I gotta say, autumn 2002 put an interesting spin on chick flicks, with "The Banger Sisters", "Far from Heaven" and "The Hours".

I wasn't expecting much from this movie, but ended up enjoying it! Susan Sarandon plays a character like a lot of mothers. She's been so busy bringing up a family, that she forgets who she is and what she stands for and Suzette, Goldie Hawn brings her "back". This movie reminds you to be true to yourself. Remember who you were at 18? Well, some of that teenager, some of her beliefs and dreams are still inside you. And I love how neurotic the 16 year old daughter is --"Ginger, open your throat." She has a little phlegm problem. This movie has some very real moments. I think that most women could appreciate it!

"The Banger Sisters" tells of two middle-aged women, once best friend rock groupies, who have taken different paths through life. Upon reuniting after 20 years they rediscover each other and, most of all, themselves. A fun and funny chick flick with summa-dis and summa-dat in lieu of a story, this light hearted comedy runs the gamut from silliness to poignancy to middle-aged romance to sentimental stuff with only an occasional speed bump along the way winding up with a message about being true to yourself. An enjoyable three star flick for more mature audiences, especially the distaff. (B)

In Los Angeles, when the bartender Suzette (Goldie Hawn) is fired from the club where she works, she decides to travel to Phoenix and visit her friend and also former groupie of twenty years ago Vinnie (Susan Sarandon) to borrow some money. While on the road, she runs out of gas and without any money, she accepts to bring the stressed loser writer Harry Plummer (Geoffrey Rush) and in return he would pay for the gasoline. When she meets her old friend, now Mrs. Lavinia Kingsley, she finds a very conservative and traditional housewife, married with the successful lawyer Raymond Kingsley (Robin Thomas) and mother of two complicated teenagers, Hanna and Ginger. Their interaction along a few days improves their lives.

"The Banger Sisters" has a good premise, that some people never change while others repress their feelings, but it is badly executed. The idea of how people change their behavior when raise a family could be deeply developed based on the past of the two "banger sisters", but the way the forgotten and unknown past of Vinnie is disclosed to her family is absolute shallow and without any purpose. I believe Bob Dolman was lazy or afraid to shift to a profound drama, and preferred the easiest and most superficial way to make the confrontation between two exaggerated sides: the one who lives in the past and the other that does not use her experience to improve her relationship with her daughters and husband. My vote is six.

Title (Brazil): "Doidas Demais" ("Too Crazies")