Inside Job

Very disappointing. After the amazing "Pusher" i was expecting great things from Nicholas Winding Refn, but this was a huge letdown. It was just very sad to see a guy who started out with such a strong distinctive cinematic voice churn out something so completely unremarkable. Refn sadly seems to lack any sense of personal style, as this film bares absolutely no stylistic similarity to his debut film. It could have been a completely different filmmaker from what i could tell. Sadder still is that this was Hubert Selby Jr.'s last project before his death. Why waste his talents on this empty piece of film-making? To it's credit, it was fairly well made, but it was all atmosphere and style and absolutely no substance whatsoever. This had potential to be a good psychological puzzle in the David Lynch/"Demonlover" mode, but ultimately failed on almost every level. It somehow managed to be both maddeningly straight-forward and simplistic, and illogical and unfulfilled at the same time. I have absolutely no problem with incoherence, in fact i would have enjoyed this film considerable more had it been more so, but this just plain didn't make sense and left me confused, but at the same time was just far too simple and unchallenging. Or maybe i just didn't get it at all. I don't know, but either way i found it to be a deeply unsatisfying viewing experience.

I enjoyed Turturo and Remar and 3/4 of the film was top notch i this genre. As others have said, the ending destroyed the movie by leaving too much to interpretation.

Theory 1 - Harry Caine and his OCD had a psychotic break with reality which was climaxed at the hotel and his meeting with Remar's character in Montana. Problem with this is why have Remar talking with other characters about the unintentional death of Caine's wife because a dirty cop had to be taken out.

Theory 2 - There was a "Code of Silence" conspiracy by law enforcement and everything that was shown to happen(meeting Remar at the hotel, getting shot, going into some rage and blanking out?) and Caine's confession of murdering the cop(Remar) that killed his wife all actually happened but the police covered it up. If so, then where is his bullet wound? How much time had elapsed?

This movie worked like a finely built superhighway that was left unfinished.....

Security guard, Harry Caine (Tutorro) lives a life of lonely obsession after his wife's mysterious shooting at the shopping mall where he works. Unsolved by local Wisconsin police, Harry struggles to piece together information salvaged from surveillance video footage. A dream leads him to discover a photo that begins his search for truth in Montana. Like many psychological thrillers it meanders through themes of schizophrenia and police corruption, but doesn't rise to the excellence of the superior 'Spoorloos' by fellow Danish director, George Sluizer. I soon realised that I had no compassion for Caine or held any emotional attachment to either him or his dead wife. I am certainly not condemning Tutorros' acting; indeed the entire cast did a fine job. The plot just had no substance, no story, no soul. I watched narrative suffer through incoherent changes between dreams, visions and reality. No meaning could be made from feeble attempts at lynchian uniqueness. Kubrick collaborative Larry Smith is Fear X's saviour. Through his creations of unnerving environments we wallow in a visual richness without which would leave the film ineffectual. This utterly pretentious film fails to tell us a story worth listening too. Uncompelled I watched, hopeful that Fear X would recover with a remissive ending. The biggest let down of all being we had to fabricate it ourselves.

lets start by saying that its probably one of the worst films i have ever seen. worst in any perspective. I love this kind of scripts, you know, the one man against an unknown truth, nobody believes him... the kind like arlington road, mothman prophecies , etc...

i watched this till the end, even though after half hour i knew i should leave, just to be sure i am not missing some twist. but nothing happened. and this is the major problem here - NOTHING is happening. the movie is slooooow, so slow. the good editing and the soundtrack does not make up for lack of STORY.

Torturro is an excellent actor by any defenition, and here he is not using even 10 percent of it. its like getting a Porche for one week as a gift and drive it in 10 mph around the neighborhood.

sorry, for this kind of film and actor i expected nothing but a

4-5 star film. i have to give it 1 out of 5.

This is film has all the elements of a suspense thriller without anything in between to join them. I found it to be quite effective and genuinely intriguing up until halfway, then it became gradually apparent that there really was no cogent story. We are give the pieces of a puzzle only to find that they never fit together anyway.

Lots of people seem to be reading too much into the story, that's probably what Refn wanted. Personally I think he really couldn't put together a good thriller and this is a total cop out. Don't waste your time trying to make sense of something senseless, there is nothing in there to bring this together and reading anything into it is entirely in your own mind.