A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Ca... Read allA retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.
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Red Dragon is based on the novel of the same name written by Thomas Harris and is directed by Brett Ratner and written by Ted Tally. It stars Edward Norton, Anthony Hopkins, Ralph Fiennes, Emily Watson, Harvey Keitel, Mary-Louise Parker & Phillip Seymour Hoffman. Dante Spinotti is on cinematography and Danny Elfman scores the music.
Red Dragon is a prequel to the hugely successful Silence of the Lambs. The story had already been filmed as Manhunter in 1986 directed by Michael Mann. The signs weren't particularly good for Red Dragon. The previous year had seen Ridley Scott tackle Silence Of The Lambs follow up, Hannibal, with tepid results. While at the helm here was the director of such fodder as Rush Hour 1&2, and of course Mann's take on the story is viewed as a grainy and skin itching cult classic. Nice to report then that even tho it's hardly in the same class as "Lambs," it's a willing entertainer that genuinely manages to unease.
Firstly one has to get past the Hannibal Lecter factor to fully enjoy (and dampen expectations) the movie on its own terms. Lecter (Hopkins enjoying himself but going thru the motions) is a secondary character. Important? Yes! But still secondary to Norton's troubled but gifted FBI agent Will Graham and Fiennes bonkers serial killer Francis Dolarhyde (AKA:The Tooth Fairy). Red Dragon is first and foremost a ripping good old detective story, with Ratner and Tally wisely using the bits that made Harris' novel such a page turning success. They have added their own bits of course {the pre-credit sequence involving Lecter & Graham sets things up perfectly}, but ultimately it's a loyal enough telling of a gripping and goose flesh inducing story.
The makers have wisely filled the film out with quality performers. Norton underplays Graham nicely, a character unable to stay away from the job that threatens his family, he becomes an easy guy to root for as things start to get troubling. Fiennes too doesn't go over the top, in great physical shape and with piercing blue eyes, he exudes menace without resorting to being a cackling caricature. Hoffman was a shoe in for a weasel reporter since he does it so well, while Keitel, tho not having to stretch himself, offers up a stoic turn as Jack Crawford. But the main performance, and sadly unheralded, comes from Emily Watson as the blind Reba. With Reba acting as both a romantic and redemptive foil to Dolarhyde's split-personality, Watson gets the tough gig, and comes up trumps with an affecting turn featuring the right amounts of spunk, sadness and needy tenderness.
It's a bit too polished to be a nerve shredder, with Ratner unable to give the film an atmospheric feel befitting the darkness at its core. But it does deliver on the promise of not only that opening segment, but also on Harris' fine procedural narrative. 7/10
Red Dragon is a prequel to the hugely successful Silence of the Lambs. The story had already been filmed as Manhunter in 1986 directed by Michael Mann. The signs weren't particularly good for Red Dragon. The previous year had seen Ridley Scott tackle Silence Of The Lambs follow up, Hannibal, with tepid results. While at the helm here was the director of such fodder as Rush Hour 1&2, and of course Mann's take on the story is viewed as a grainy and skin itching cult classic. Nice to report then that even tho it's hardly in the same class as "Lambs," it's a willing entertainer that genuinely manages to unease.
Firstly one has to get past the Hannibal Lecter factor to fully enjoy (and dampen expectations) the movie on its own terms. Lecter (Hopkins enjoying himself but going thru the motions) is a secondary character. Important? Yes! But still secondary to Norton's troubled but gifted FBI agent Will Graham and Fiennes bonkers serial killer Francis Dolarhyde (AKA:The Tooth Fairy). Red Dragon is first and foremost a ripping good old detective story, with Ratner and Tally wisely using the bits that made Harris' novel such a page turning success. They have added their own bits of course {the pre-credit sequence involving Lecter & Graham sets things up perfectly}, but ultimately it's a loyal enough telling of a gripping and goose flesh inducing story.
The makers have wisely filled the film out with quality performers. Norton underplays Graham nicely, a character unable to stay away from the job that threatens his family, he becomes an easy guy to root for as things start to get troubling. Fiennes too doesn't go over the top, in great physical shape and with piercing blue eyes, he exudes menace without resorting to being a cackling caricature. Hoffman was a shoe in for a weasel reporter since he does it so well, while Keitel, tho not having to stretch himself, offers up a stoic turn as Jack Crawford. But the main performance, and sadly unheralded, comes from Emily Watson as the blind Reba. With Reba acting as both a romantic and redemptive foil to Dolarhyde's split-personality, Watson gets the tough gig, and comes up trumps with an affecting turn featuring the right amounts of spunk, sadness and needy tenderness.
It's a bit too polished to be a nerve shredder, with Ratner unable to give the film an atmospheric feel befitting the darkness at its core. But it does deliver on the promise of not only that opening segment, but also on Harris' fine procedural narrative. 7/10
Only having seen "Manhunter" once, years ago, and not remembering much about it, I won't attempt to compare that film to it's remake, "Red Dragon". I've also never read any of the Thomas Harris novels that they are based on, so I won't compare them to the books either. But I will compare it to the other, more recent films in the Hannibal Lecter series, "Silence of the Lambs" and "Hannibal".
I think most would agree that, "Silence..." is a classic. It's one of those movies where everything came together beautifully. The director, the actors, the story, etc. It's to serial killer, suspense films as "The Godfather" is to mafia movies. I feel the only other movie of it's type to have even come close after "Silence of the Lambs"' release was "Se7en" with Morgan Freeman & Brad Pitt. So, it was with a lot of disappointment that I left the theater after seeing the long awaited sequel to "SOTL", "Hannibal". Jodie Foster didn't return to play the part of Clarice Starling, Jonathon Demme didn't direct, and worst of all, Sir Anthony Hopkins' portrayal of Dr. Hannibal "The Cannibal" Lecter was almost cartoonish. On top of that, the film was just "ugly". It felt nastier and dirtier than it's predecessor. More concerned with gore and blood than telling a decent story.
Well, I'm happy to report that "Red Dragon" has put the series back on track. This time around, Hopkins plays Hannibal, more as we first remember seeing him in "SOTL". meaning more subtlety and slyness and less of the scenery chewing and over-acting that went on in "Hannibal". Edward Norton is just fine as FBI agent, Will Graham, who puts Lecter behind bars and then comes out of retirement to help solve the case of "The Tooth Fairy". Ralph Fiennes gives a very creepy and effective performance as Francis Dolarhyde, so good is he IMHO, that I expect him to get an Oscar nomination for best supporting actor next year. It helps that his character is more fleshed out, pardon the pun, than Ted Levine's serial killer in "SOTL".
The director, Brett Ratner, has done a fine job of ending, (hopefully), this series on a high note. I say, hopefully, because as much as I enjoyed "SOTL" and now, "Red Dragon", one more trip to this well, will probably produce nothing but mud.
The only thing that stands in the way of higher praise on my part, is that it's a sequel, er prequel, to a well loved and admired film. We've seen some of these characters and situations before. The meetings between Graham and Lecter are good, but they don't enthrall me the way they did between Starling and Lecter. All in all, a fine job on everyone's part. It may not be as groundbreaking as the original "SOTL", but it has helped to wash away the "bad taste", sorry, left behind by "Hannibal".
I think most would agree that, "Silence..." is a classic. It's one of those movies where everything came together beautifully. The director, the actors, the story, etc. It's to serial killer, suspense films as "The Godfather" is to mafia movies. I feel the only other movie of it's type to have even come close after "Silence of the Lambs"' release was "Se7en" with Morgan Freeman & Brad Pitt. So, it was with a lot of disappointment that I left the theater after seeing the long awaited sequel to "SOTL", "Hannibal". Jodie Foster didn't return to play the part of Clarice Starling, Jonathon Demme didn't direct, and worst of all, Sir Anthony Hopkins' portrayal of Dr. Hannibal "The Cannibal" Lecter was almost cartoonish. On top of that, the film was just "ugly". It felt nastier and dirtier than it's predecessor. More concerned with gore and blood than telling a decent story.
Well, I'm happy to report that "Red Dragon" has put the series back on track. This time around, Hopkins plays Hannibal, more as we first remember seeing him in "SOTL". meaning more subtlety and slyness and less of the scenery chewing and over-acting that went on in "Hannibal". Edward Norton is just fine as FBI agent, Will Graham, who puts Lecter behind bars and then comes out of retirement to help solve the case of "The Tooth Fairy". Ralph Fiennes gives a very creepy and effective performance as Francis Dolarhyde, so good is he IMHO, that I expect him to get an Oscar nomination for best supporting actor next year. It helps that his character is more fleshed out, pardon the pun, than Ted Levine's serial killer in "SOTL".
The director, Brett Ratner, has done a fine job of ending, (hopefully), this series on a high note. I say, hopefully, because as much as I enjoyed "SOTL" and now, "Red Dragon", one more trip to this well, will probably produce nothing but mud.
The only thing that stands in the way of higher praise on my part, is that it's a sequel, er prequel, to a well loved and admired film. We've seen some of these characters and situations before. The meetings between Graham and Lecter are good, but they don't enthrall me the way they did between Starling and Lecter. All in all, a fine job on everyone's part. It may not be as groundbreaking as the original "SOTL", but it has helped to wash away the "bad taste", sorry, left behind by "Hannibal".
This film is about Will Graham catching Hannibal Lecter, and subsequently recruit Hannibal Lecter's help to solve a serial murder case.
"Red Dragon" is almost a copy of "The Silence of the Lambs", as both films feature FBI requiring Hannibal Lecter's help to solve serial murder cases. Both have intelligent exchanges of words, and both are thrilling. "Red Dragon", has a stellar cast, and all of them give memorable performances. I particularly like the performance of Ralph Fiennes; he is very convincing as a socially inept person.
Though "Red Dragon" is not as suspenseful and thrilling as "The Silence of the Lambs", it is certainly much better than the meaningless meanderings of "Hannibal".
"Red Dragon" is almost a copy of "The Silence of the Lambs", as both films feature FBI requiring Hannibal Lecter's help to solve serial murder cases. Both have intelligent exchanges of words, and both are thrilling. "Red Dragon", has a stellar cast, and all of them give memorable performances. I particularly like the performance of Ralph Fiennes; he is very convincing as a socially inept person.
Though "Red Dragon" is not as suspenseful and thrilling as "The Silence of the Lambs", it is certainly much better than the meaningless meanderings of "Hannibal".
Of the Hannibal Lecter films, the best will always be The Silence of the Lambs to me, a masterful film and one of the best of its genre. Red Dragon is a remake of the 1986 Michael Mann-directed adaptation Manhunter and also a much more literal adaptation of the book, and again from personal opinion both are very good films, Red Dragon being one of the rare instances where the remake is almost on the same level as the original(though the two have components that are both better and worse than the other). All three films are vastly superior to Hannibal and Hannibal Rising, both of which were disappointing.
Manhunter has some things that are done better than in Red Dragon. It is generally grittier, more menacing and more atmospheric and the performances of Will Graham and Jack Crawford are superior. I personally didn't care for Edward Norton, who had the potential to be every bit as dark and haunted as William Peterson, but this was a rather ordinary and phoned-in performance which unusual for a great actor like Norton. Harvey Keitel is another talented actor but doesn't play Jack with anywhere near the same amount of heart as Dennis Farina did and seemed out of place.
Red Dragon on the other hand also does things that are superior to Manhunter. I am actually of the opinion that Manhunter is still a well-made and directed film, but the budget was noticeably bigger in Red Dragon meaning it has a more expansive cinematic feel and a slicker look. It may lack the wonderfully grim look of Silence of the Lambs, but it didn't look that clean to me. Danny Elfman's music score, while not anywhere near among his best, fits very well and is very haunting and energised, much improved over the rather dated and often out of place and intrusive music in Manhunter(my only problem with that film). Dollarhyde's also better developed here(though a little less frightening), giving the character some poignancy while not ever forgetting how much of a monster he is, with the relationship between him and Rena beautifully done and played.
Brett Ratner's direction is surprisingly good here, have never thought of it particularly highly as a director before but he brings suspense and palpable tension to the very engrossing and chillingly atmospheric story without letting the visual style get in the way. Performances are fine apart from Norton and Keitel. Anthony Hopkins reprises his most iconic role as Lecter and has the right amount of creepiness, nuance, sophistication and twisted hamminess without falling into cartoonish caricature. Emily Watson's Rena is superb and very touching, far more memorable than Joan Allen for Manhunter, and Phillip Seymour Hoffmann is amusing. Ralph Fiennes, despite reservations initially about him being too handsome and not imposing enough, is every bit as frightening as Tom Noonan, if not as much as a monster, and gives an emotional unstability that comes over in a way that allows one to sort of sympathise with him.
Other than Norton and Keitel, my only other complaints are the ending and some of the script. Not all of the script is problematic, most of it is tightly structured, makes sense and very respectful to the style of the book's writing, also managing to be dynamic and thought-provoking, not ceasing to be suspenseful or entertaining. The film definitely could have done more with Graham's character, who lacked the colour and dimension that went visibly into Lecter and Dollarhyde, Graham was too dull, too ordinary and too clinical to me here. More of a problem is that it starts a little too heavy in the exposition, some of it being written in a sloppy and over-explanatory way, as well as going for blunt maximum drama and throwing subtlety out the window. With the ending, the climax is rushed and ridiculously over-the-top and the end twist to me felt very tacked on and reeked of studio executive interference.
In summary, Red Dragon is a more than worthy remake to Manhunter and is a very good film in its own right. 8/10 Bethany Cox
Manhunter has some things that are done better than in Red Dragon. It is generally grittier, more menacing and more atmospheric and the performances of Will Graham and Jack Crawford are superior. I personally didn't care for Edward Norton, who had the potential to be every bit as dark and haunted as William Peterson, but this was a rather ordinary and phoned-in performance which unusual for a great actor like Norton. Harvey Keitel is another talented actor but doesn't play Jack with anywhere near the same amount of heart as Dennis Farina did and seemed out of place.
Red Dragon on the other hand also does things that are superior to Manhunter. I am actually of the opinion that Manhunter is still a well-made and directed film, but the budget was noticeably bigger in Red Dragon meaning it has a more expansive cinematic feel and a slicker look. It may lack the wonderfully grim look of Silence of the Lambs, but it didn't look that clean to me. Danny Elfman's music score, while not anywhere near among his best, fits very well and is very haunting and energised, much improved over the rather dated and often out of place and intrusive music in Manhunter(my only problem with that film). Dollarhyde's also better developed here(though a little less frightening), giving the character some poignancy while not ever forgetting how much of a monster he is, with the relationship between him and Rena beautifully done and played.
Brett Ratner's direction is surprisingly good here, have never thought of it particularly highly as a director before but he brings suspense and palpable tension to the very engrossing and chillingly atmospheric story without letting the visual style get in the way. Performances are fine apart from Norton and Keitel. Anthony Hopkins reprises his most iconic role as Lecter and has the right amount of creepiness, nuance, sophistication and twisted hamminess without falling into cartoonish caricature. Emily Watson's Rena is superb and very touching, far more memorable than Joan Allen for Manhunter, and Phillip Seymour Hoffmann is amusing. Ralph Fiennes, despite reservations initially about him being too handsome and not imposing enough, is every bit as frightening as Tom Noonan, if not as much as a monster, and gives an emotional unstability that comes over in a way that allows one to sort of sympathise with him.
Other than Norton and Keitel, my only other complaints are the ending and some of the script. Not all of the script is problematic, most of it is tightly structured, makes sense and very respectful to the style of the book's writing, also managing to be dynamic and thought-provoking, not ceasing to be suspenseful or entertaining. The film definitely could have done more with Graham's character, who lacked the colour and dimension that went visibly into Lecter and Dollarhyde, Graham was too dull, too ordinary and too clinical to me here. More of a problem is that it starts a little too heavy in the exposition, some of it being written in a sloppy and over-explanatory way, as well as going for blunt maximum drama and throwing subtlety out the window. With the ending, the climax is rushed and ridiculously over-the-top and the end twist to me felt very tacked on and reeked of studio executive interference.
In summary, Red Dragon is a more than worthy remake to Manhunter and is a very good film in its own right. 8/10 Bethany Cox
Will Graham (Edward Norton) is a retired FBI agent invited to participate in the chase of a serial killer named 'The Tooth Fairy'. He asks Hannibal Lecter to help him to develop the profile of the killer and foreseen the next crime.
The original story of "Red Dragon" was terrific: Michael Mann's Manhunter is a violent and scary low paced movie, with well-constructed characters. William Petersen is great in this movie. This remake, with a greater participation of the character of Hannibal Lecter, famous actors and actress, and a different beginning and end is not bad. But the original movie is better and better. Therefore, why the remake? My vote is seven.
Title (Brazil): "Dragão Vermelho" ("Red Dragon")
The original story of "Red Dragon" was terrific: Michael Mann's Manhunter is a violent and scary low paced movie, with well-constructed characters. William Petersen is great in this movie. This remake, with a greater participation of the character of Hannibal Lecter, famous actors and actress, and a different beginning and end is not bad. But the original movie is better and better. Therefore, why the remake? My vote is seven.
Title (Brazil): "Dragão Vermelho" ("Red Dragon")
Did you know
- TriviaSir Anthony Hopkins stated that one of his goals in playing Dr. Hannibal Lecter for a final time was to re-establish that he is an evil serial killer, as Hopkins believed Hannibal had come to be seen too much as a likable anti-hero by audiences.
- Goofs(at around 37 mins) The movie is set in the 1980s, as a prequel to Le silence des agneaux (1991), but VHS tapes of films such as Madame Doubtfire (1993) (1993), Retour vers le futur (1985) (1985), and E.T., l'extra-terrestre (1982) (1982) are seen in a drawer as part of the Leeds family VHS collection. Dating the film from the 1980 opening and "a few years later" after that prologue, and the reference to Saturday, February 25 as two months ago puts it in April 1984 or 1989, the latter more likely as the end of the movie leads directly into Le silence des agneaux (1991); the 80s tapes may be OK for 1989 but one from 1993 is certainly not.
- Quotes
Hannibal Lecter: And be grateful. Our scars have the power to remind us that the past was real.
- Crazy creditsThanks to the men and women of the Federal Bureau of Investigation
- SoundtracksOriental Blues
Written by Jack Newlon (as Richard Newlon)
Performed by Tony DeSimone
Courtesy of MCA Records
Under license from Universal Music Enterprises
- How long is Red Dragon?Powered by Alexa
- What did Dolarhyde believe he was transforming his victims into?
- Why are all of Lecter's cell row mates from Silence of the Lambs missing? They were, especially Miggs, quite vocal. It just seems unlikely they were all admitted right after the events of this movie end.
- What prompted Will Graham to go to the Dolarhyde Nursing Home after he had gone to the Jacobi home?
Details
Box office
- Budget
- $78,000,000 (estimated)
- Gross US & Canada
- $93,149,898
- Opening weekend US & Canada
- $36,540,945
- Oct 6, 2002
- Gross worldwide
- $209,196,298
- Runtime2 hours 4 minutes
- Sound mix
- Aspect ratio
- 2.39 : 1
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