Un mystérieux étranger

Nope, it ain't a Clint Eastwood western. No deeply wrought moral tales or stoic heroes herein.

But it is a better than average take on the dime-a-dozen romance novel genre. First of all, gone are the distracting subplots that dot the novel written by Penelope Williamson. Second, this version is long on visual poetry. A lot can be conveyed by simply letting the camera stay on the principle characters as they convey the emotional content of the story. Third, the director takes advantage of a much better than expected cast. Naomi Watts has emerged as a powerhouse of an actress in the last few years and she does not disappoint in this role. Tim Daly is restrained and manages to convey more than a touch of humor to what could be a well-worn stereotype of the world weary gunfighter.

If you're in the mood for a simple story, well acted and pretty to look at, this one will serve you well.

This is a very satisfying western.It is set in the 19th century American West, but some elements would fit in a more modern genre. "Witness" comes to mind. There are also similarities to "Shane". A badly wounded gunfighter is nursed back to health by a young widow with a son, who happens to be a member of an Amish-like sect. The script is good with a mixture of romance, sexual tension, and enough gun play for any western fan. Of course it has its bad guys, and good guys, and a not so good guy,the gunfighter, Johnny Gualt. He is played by the talented Tim Daly who does an excellent and believable job, as does Naomi Watts. The supporting cast includes both David and Keith Carradine. The movie is currently popping up on Hallmark Channel. Its so good, it deserves a wider release, but it started on HBO, and is not likely to challenge the record for a cable western belonging to Tom Selleck and "Crossfire Trail". But, "Try it, you'll like it"

Aw, shucks, so "The Outsider" (a Showtime original so it will eventually show up in video stores) is based on the kind of a romance novel (by Penelope Williamson) that probably has a flower on the cover.

But beautiful Queensland, Australia fills in quite nicely for Montana as the usual isolated farmhouse works romantic wonders on a hardened gunman (Tim Daly, in a surprisingly convincing tough guy undergoing physical and slow psychic rehabilitation turn) and a kind, religious yet horny widow (Naomi Watt with an excellent American accent) threatened by evil cattlemen.

From the opening shots, the twist is that she makes the significant moves and decisions in her relationships, and the two leads have dynamic chemistry together.

Another twist is that we get to see two Carradines not playing brothers, and neither gets the girl.

Credit to director Randa Haines for the combination of emoting, setting, cinematography, and editing to emphasize the characters' conflicts and changes.

Not just another rehash of Witness or Shane, and in some ways better than either of these classics with the amazing acting talents of Tim Daly and Naomi Watts. Throw David and Keith Carradine into the mix and you have a wonderful, touching film that doesn't rely so much on story as on the characters themselves. From the tearful acceptance of cruel murder at the beginning to the raw emotion carried throughout by the expressive emoting of Tim Daly (when did he get so GOOD?) I thoroughly enjoyed watching and could not tear myself away from the screen. Naomi Watts is a wellspring of sweetness not to be missed, so well does she capture the agony of woman torn between home and heart. David Carradine as the world-weary but caring town doctor is a pleasing surprise. Keith Carradine as the spurned "plain" man also works very well here. If you're a western fan, take the time for this one. If you're a Tim Daly fan or a Naomi Watts fan, make this a must see.

I found this movie to be very entertaining. Fans of Tim Daly do not want to miss this one. Although there are inconsistencies and unanswered questions in this film, i.e., they never explained how Johnny became wounded and in the area... But overall, the movie touched on a variety of issues, centering around Rebecca's religious beliefs. Rebecca was torn between her love for God and family and her unexpected yet forbidden love for Johnny. Her religion taught her that she couldn't have both. Johnny didn't alienate her...he didn't even try to win her over...their love just happened. Johnny was attracted to Rebecca's quiet beauty, both outward and inward. He was also enthralled by Benjo and the "idea" of a great family life. Johnny presented himself the way he was - faults and all. Rebecca found Johnny oddly entrancing despite his faults and lack of religious conviction. The movie was action-packed when necessary and dealt with Rebecca's religious beliefs in a compassionate and moving way. It was a bit unbelievable toward the end (I won't spoil it for you), but given that, I loved the movie and plan to watch it again.