A salvage crew discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea, and soon notices that its long-dead inhabitants may still be on board.A salvage crew discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea, and soon notices that its long-dead inhabitants may still be on board.A salvage crew discovers a long-lost 1962 passenger ship floating lifeless in a remote region of the Bering Sea, and soon notices that its long-dead inhabitants may still be on board.
- Awards
- 1 nomination total
Bob Ruggiero
- Captain
- (as Robert Ruggiero)
Matthew Wollaston
- Steward Number 3
- (uncredited)
Featured reviews
With visions of riches spinning in their heads, a group of irritating boat salvagers set out to explore what's left of a luxurious passenger ship lost for over forty years on the high seas. Given that this film is a horror flick, the viewer understands from the beginning that the ship has an array of spooky surprises waiting for our adventurous fools.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
The cast is so great and so is the style of cinematography; lots of murky gross scenery to appreciate! Karl Urban and Gabriel Byrne are a delight. So much of the bulk of the film is definitely horror I don't know why a few said it's not. I really like the scene when a couple of the guys eat and unlike others I really like the ending - Ghost Ship is fantastic for what it is! Has some of the best horror sequences in my opinion highly effective!
OK, ghost story. Not great movie, but it's enough solid that could have been great if it has a good script and I think this film looks like a bit of a B movie. The story and twist are good enough. I loved the opening scene, it was unexpectedly good. That scene was the only good thing about it and it's almost like they used their entire budget in that scene. The acting is OK and I didn't care for any characters except Emily Browning's ghost character which she was really likable. But overall, it was just an okay film with good story. I'd give it a 6.5/10.
The third movie produced by the production company "Dark Castle" and managed by Joel Silver and Robert Zemeckis, "Ghost Ship" (2002) marks a step forward and constitutes a neat improvement in comparison with the two previous movies, "the House on the Haunted Hill" (1999) and "13 Ghosts" (2001). This can be checked at the level of a meticulous making and quite outstanding special effects. It is all the more positive as with "Ghost Ship", we deal with a B movie. Another good point: the change of scenery. It is a judicious choice to have replaced the threadbare topic of the haunted house by the haunted ship.
If the screenplay doesn't avoid all the Hollywood conventions, neither all the clichés of the horror film, the director Steve Beck makes up for it by shrouding his movie an atmosphere of mystery as soon as the crew discovers the ship. He's also imposing (slowly but surely) a progressive rise of the tension which reaches its climax in the end. The result: we come in for a few real moments of fright and Beck, in the long run puts the spectator in his pocket.
As far as the cast is concerned, there are two surprises. First: Julianna Margulies who for once decided to give up scalpels in the "ER" series and especially Gabriel Byrne. An ambitious actor who isn't reluctant to sometimes act in a horror movie which is potboiler for him like "End of Days" (1999) or "Stigmata" (1999).
It is a shame that the end isn't really satisfying and suits badly to the whole. But no matter, "Ghost Ship" remains a nice little horror movie whose main function is to make shiver. For this, it reaches its goal. One last thing, if the movies that come out of the "Dark Castle" production company keep on gaining in quality, maybe will they create a masterpiece one day...
NB:it borrows a bit from "shining".
If the screenplay doesn't avoid all the Hollywood conventions, neither all the clichés of the horror film, the director Steve Beck makes up for it by shrouding his movie an atmosphere of mystery as soon as the crew discovers the ship. He's also imposing (slowly but surely) a progressive rise of the tension which reaches its climax in the end. The result: we come in for a few real moments of fright and Beck, in the long run puts the spectator in his pocket.
As far as the cast is concerned, there are two surprises. First: Julianna Margulies who for once decided to give up scalpels in the "ER" series and especially Gabriel Byrne. An ambitious actor who isn't reluctant to sometimes act in a horror movie which is potboiler for him like "End of Days" (1999) or "Stigmata" (1999).
It is a shame that the end isn't really satisfying and suits badly to the whole. But no matter, "Ghost Ship" remains a nice little horror movie whose main function is to make shiver. For this, it reaches its goal. One last thing, if the movies that come out of the "Dark Castle" production company keep on gaining in quality, maybe will they create a masterpiece one day...
NB:it borrows a bit from "shining".
I'm rather pleasantly surprised after seeing Ghost Ship
I expected it to be a lot sillier, more dumb and inferior than it actually is. Still a long way from being a good horror film but a step in the right direction, to say the least. Cast and crew paid attention to building up a horrifying atmosphere instead of attacking the audience with lame and violent killing scenes. That's an effort that gets my appreciation. The vicious opening sequence is professional horror
a scene that grabs you by the throat and demands your complete attention and curiosity for the rest of the movie. The high quality level is held up a little while longer but unfortunately it loses his grip during the second half. For as long as the mysterious, deserted ship is portrayed as a complete riddle, the film is fascinating, interesting and beautifully shot. As soon as a few plot-aspects are clarified, Ghost Ship turns into a mediocre and predictable thriller
I'm convinced that, with a slightly more intelligent script, this could have become one of the better horror-thrillers since the new Millennium. Now, it's only regarded as a reasonable and decent effort that lacks a bit of talent. Nonetheless, the settings and decors make it worth watching. The graphic decorations aren't overused, so it remains a beautiful experience to observe at least once. Gabriel Byrne is acting far below his normal standards and yet he's still great! All the other cast-members are pretty uninspired and forgettable. I'd describe Ghost Ship as a nice waste of time. If you have the opportunity, I advise you to search for an 80's horror title called `Death Ship'
a terrific piece of trash of which Ghost Ship borrowed a lot of ideas.
Did you know
- TriviaIn 2016, the media website ComingSoon named the film's opening scene one of the greatest in horror film history.
- Goofs(at around 24 mins) Captain Murphy's story of the Mary Celeste is largely inaccurate. According to him, it was a two-mast brigantine leaving Charleston, South Carolina, during the American Civil War. She carried a load of cotton for London, England. Fishermen off the coast of Tripoli found the ship under sail with no one on board; its last log entry was 59 days prior. Somehow an unmanned ship sailed through the Strait of Gibraltar and into the Mediterranean Sea.
In truth, the Mary Celeste left New York Harbor in late October 1872 with a cargo of 1,701 barrels of denatured alcohol bound for Genoa, Italy. She was found off the coast of Portugal, under sail yet abandoned, with its last log entry nine days before she was found.
- Crazy creditsThe opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening.
- Alternate versionsThe version aired on Indian cable networks omitted a huge chunk of the opening mass-decapitation scene and most of the gore and graphic shots throughout the film. The scene where Francesca seduces Greer was also edited significantly in order to obscure any nudity.
- ConnectionsFeatured in De pères en fils (2004)
- SoundtracksSenza Fine
Written by Gino Paoli
Produced by John Frizzell
Performed by Monica Mancini
Courtesy of Concord Records
[Francesca sings the song in the opening sequence; the salvage crew later hears her singing the song]
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Barco fantasma
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $30,113,491
- Opening weekend US & Canada
- $11,503,423
- Oct 27, 2002
- Gross worldwide
- $68,349,884
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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