Traque sans répit

A mulligan stew, inherently of low expectations: throbbing music; lots and lots of different locations, sometimes interesting but fleeting; abundant gun play; a plethora of characters (more than indicated by IMDB); wild camera angles, till they tire of them; deceit and treachery all over, with vaporizing loyalties; super high-tech weapons; and something about intelligence agencies, computers, encrypted passwords, and critical databases doctored by the good (???) guys for sale by the bad guys to unseen other bad guys of murky pedigree. At the end, the only true good guys stand alone.

Teri Hatcher has the lion's share of acting duty. Sorry girls, there's not as much of Rob Lowe as you'd expect from his star status: just enough to preserve his star billing but not enough to break the budget or really exercise his talent.

Fine production values and good acting. BUT: why, oh why, can't they spend less on frills and more of the budget on a decent, respectable script; shouldn't that ALWAYS be the first priority?

By the way, we never learn how Jane Doe (Teri Hatcher) came by her legal name, nor what that has to do with anything.

This is a fast paced movie right out of the gate. The movie starts off with Hatcher being forced to move from one spot to another to rescue her kidnaped son making you feel like you came into the middle of the movie. Don't worry, you'll be brought up to speed although it takes about half the flick to do so. This movie reminds me of the t.v. series "24" because this entire movie seems to take place all in one day. The actors never had to change their clothes so I guess that must have helped out on the wardrobe budget. There is a toilet scene in this movie which is not only funny at the time, but it also provides some further comic relief several times later on. Although some of the plot was a little inconsistent, overall this was a pretty entertaining fast paced flick.

The great attraction of this DVD certainly is the name of Teri Hatcher. I decided to watch this movie, and I do not know what the writer has in his head while writing such screenplay. The story is so unbelievable and absurd that becomes funny, a comedy full of action. I decided to shut down my brain, do not think in the countless flaws in the script and enjoy the still very beautiful and sexy Teri Hatcher, and in the end I surprisingly had a good time. "Jane Doe" is totally forgettable and laughable, but entertains. My vote is six.

Title (Brazil): "Jane Doe – Corrida Contra Morte" ("Jane Doe – Running Against Death")

Enjoyable. Fast-paced, especially at the beginning, will grip you. This is good. Story is no-nonsense, especially at the beginning, it doesn't wait for you, you have to hurry to catch up. This is as it should be.

Lowe is OK in his role, so are the others, Hatcher is very very good. Cox is a real treat.

But these are artists one assumes trying to make a bit of a comeback. There are so many movies like this, made for TV, and they all go the same way - why?

For there is little wrong with the directing, or the editing, or the music, or the special effects, or the acting.

It's always the screenplay. It's always the screenplay which fades, perhaps just a bit, just enough to make the movie dip down in your esteem beneath the "this is great" level - just enough so that said actors, directors, editors etc. never get the second chance they work so hard for.

But see this one. Made for TV rarely gets better.

Yes, Teri Hatcher enjoys some nice gun action in this movie, and when her character is allowed to be strong, she has moments where she takes your breath away. But she is too often forced to utter unrealistic (under the circumstances) wisecracking dialogue (like in the scene where she first meets Rob Lowe), or even more painful "serious" - "emotional" dialogue. Another reviewer said that she sucks as a mother, but personally I feel she should get some kind of Best Mother award just for never attempting to kill her son with her bare hands, because he really is an obnoxious jerk. As for the movie itself, the unusual device of dropping the viewer right into the middle of the action grips you at first, but then the script starts piling on the stupid plot twists. All in all, a passable techno-thriller. (**)