Spy kids 2: Espions en herbe

On my estimation, this movie maintained what made the first one a good family movie: fun for kids while bearable (maybe even fun) for adults. The feature also shines in its presentation of family, and how to work things out.

If you have seen the trailers, and read the reviews you have an idea of what is in it, so I will not dwell on that. One thing I have not seen elsewhere and I recommend is that you stay on your seat when the film appears to be over, there are quite a few extra treats during and after the credits.

While I maintain the original film wasn't that good, it was still better than this film. Not that 'Spy Kids 2: Island of Lost Dreams' is god-awful or anything, it just didn't manage to eliminate the same problems the first film had. That was artificiality! This one felt even more artificial than the first! The visual f/x were fairly were decent in parts but also very fake in others, but the overall artificiality remains in the world of the Spy Kids themselves.

In the sequel, we see an established Spy Kid network which our heroes, Carmen and Juni Cortez (Alexa Vega and Daryl Sabara), find themselves having some competition from the Giggles children (Matt O'Leary and Emily Osmont) in the field of saving the world. The plot involves the Cortez kids heading to a mysterious island to retrieve a stolen weapon, while encountering genetically mutated (very fake) looking creatures, as well as a scientist named Romero (Steve Buscemi). Now, Romero is falsely advertised as the villain of the film, but from the onset he befriends the pair. Meanwhile, the Spy Kid's parents (Antonio Banderas and Carla Gugino) are looking for them with the grandparents (Ricardo Montalban and Holland Taylor) assisting them in their search.

Now, the problem with sequel is the overall storyline is not as good as the first film. There isn't a moment where I am drawn into this bizarre universe nor am I ever afraid for the characters, or feel they are overcoming major hurdles in the adventure or amongst themselves. It is this sort of artificiality that bothers me about 'Spy Kids 2: Island of Lost Dreams'. I've seen plenty of kids movies in my time, and many feel like they are genuinely overcoming a hurdle, or uniting a family rift or having a character reach a point of enlightenment. The sub-plot with the grandparents and Gregorio (Antonio Banderas) just didn't work for me at all, although the outcome was decent, the lead up to it was rather formulaic and uninteresting. Similarly, the father/son rift subplot was extremely tame and bland. 'Spy Kids 2: Island of Lost Dreams' also lacked villain power, as if the bad guys were doing their thing for the sake of doing it, rather than establishing some madness behind their methods. The overall plot was generally disappointing.

However, there is some decent moments. The interaction between Alexa Vega and Darly Sambara work very well and they are an extremely likable, but the writing and Robert Rodriguez's direction are just having them going through the motions, and the pacing of the film even seems awkward. Cheech Marin, Alan Cummings, Tony Shaloub and Danny Trejo all return in limited roles to further the plot. Mike Judge, of 'Beavis and Butthead' fame, returns in a bigger role as Donnagon Giggles and their is another decent cameo (which I won't spoil). Overall, for the reasons stated, the film lacks the magic of other kid's films and this is partly due to the artificiality of the story/characters and some of the visual effects.

**½ out of *****!

After enjoying some success with the surprisingly enjoyable & cheesy "Spy Kids," Director (and all around good guy) Robert Rodriguez now brings forth a sequel, "Spy Kids 2: The Island of Lost Dreams" which is far less enjoyable and far more cheesy. As a matter of fact, you'd be hard pressed to find more cheese anywhere outside of a Wisconsin dairy farm.

Juni and Carmen Cortez (Daryl Sabara and Alexa Vega) are back, now officially a part of OSS, and officially recognized as Spy Kids. But the OSS, just like every other government bureaucracy, cannot resist expanding upon a good thing, so now there is an entire army of "spy kids" at their disposal; but Juni and Carmen are, of course, the most renowned.

Within in the first opening minutes of the film, which takes place in a truly inspired theme park, we quickly discern that Juni and Carmen have rivals: the Giggle kids (Matthew O'Leary and Emily Osment) who dearly covet the Cortez' fame and status. With help of their conniving father (Mike Judge), the Giggles do what they can, not only to surpass the Cortez family, but to humiliate them as well.

Once again, we find the greatest threat to the OSS is the OSS itself, along with the internal politics and treachery which played a small but significant part in the plot of the first film. It seems as if the OSS is more of a threat to world peace than a help, and one wonders why Uncle Sam doesn't just shut the operation down and call it a day. Perhaps it would prevent the making of any more "Spy Kids" movies, which I'm beginning to think would be a very good thing.

The plot revolves around a device known as a "transmooker" -- which can be best described as the ultimate cloaking device, even able to cloak entire islands off the map. It also has the wonderful ability to render all electronic devices useless, which is quite a thorn in the side of the intrepid Spy Kids, who's reliance on James Bond style fancy gadgets is only a shade less than an alcoholic's dependence on his next drink. Of course the transmooker itself is an electronic device, but somehow is immune to its own nasty effects. (Only in Hollywood....)

So our two heroes, Juni and Carmen, locate the cloaked island, where the stolen transmooker was taken, and attempt to find it before their rivals, the Giggles kids, do. The island turns out to be a retirement resort for every single monstrous creature ever created by Ray Harryhausen ("Jason and the Argonauts," "7th Voyage of Sinbad," etc.). Except we are told that they were created by the socially insecure and somewhat troubled scientist "Dr. Romero" (Steve Buscemi) who was looking for some companionship, and a portable zoo. But of course those of us who've seen a few movies in our time know better.

During the same time, there is a completely boring and totally unnecessary sub-plot involving Carmen & Juni's parents and grandparents. The only reason the subplot exists is to cloak this poor homage to Harryhausen as a "family film." Yeah, right. I certainly fell for it.

Hollywood films, especially action-adventures and sci-fi flicks, often ask the audience to suspend logic and rational thought while the plot thickens. It is the price we pay, beyond the ticket price, for the pleasure of being "entertained." But Spy Kids 2 doesn't just ask for a suspension of belief, but a wholesale slaughter of anything remotely resembling intelligence. That's a big price to pay, and one I was unable to justify.

If Daniel Rodriguiez is such a fan of Harryhausen, then he should make "The 8th Voyage of Sinbad" or some such thing, rather than trying to find a way to incorporate Ray's creatures into a movie allegedly about espionage. The CGI recreations of Harryhausen's monsters was one of the more enjoyable aspects of this horrid film, but not enough to pull it out of the slimy pit in which very poor writing knocks it into.

The dialogue is stupid, even for kids to listen to. Most of the jokes fall as flat as the acting. Much of the cuteness and fun of the first Spy Kids film is completely lacking in the sequel. Instead, we have a very disjointed plot, an adventure that leads to nowhere, and a subplot that should have been locked in the submarine where it mostly takes place.

My Rating: 4/10

As the story begins, Juni and Carmen Cortez are agents on the rise in the new Spy Kids division of the OSS. Despite all their impressive skills and accomplishments, they're denied a promotion in the agency as a result of blatant nepotism. Still determined to make their mark, and much more importantly to upstage a pair of rival agents, they intervene in a mission to travel to a mysterious island and retrieve a sophisticated thingamajig that could be a potent threat if it falls into the wrong hands. Engaging sequel is far less cheesy than its predecessor, has a much better story, and lots of imaginative visual effects accompanied by exciting, cliffhanger action scenes. Overlong, and still corny at times, but has just enough of the right ingredients to entertain all audiences. ***

To its credit, "Spy Kids 2" does indeed display a lot of creativity and imagination, and that makes it a lot better than most family movies Hollywood makes. However, while the first "Spy Kids" was a fun romp that kids AND adults would enjoy, this sequel isn't as much fun.

I think the biggest flaw is that this sequel is missing heart. We don't feel the warmth between the family members as we previously did. (Yes, the youthful siblings did fight and disagree a lot in the first movie, but you could still sense a solid bond between them.) There's no sense of the characters feeling danger, excitement, and a sense of adventure as they did the first time around. Instead, there is a coldness, a mechanical feeling this time, like they are very familiar (and almost bored with) with what they are experiencing, even with each other. The presence of two snotty and selfish rival child spies just furthers this somewhat sour tone.

While kids might not mind this too much, I think even they will agree with the second problem I found - the story here is VERY confusing at times. For one thing, the movie seems to start at chapter two, jumping ahead of itself before the audience is set and ready. Then after that, there are a number of moments where we keep thinking "Huh? How did (this character) get there all of a sudden?" and "Huh? What on earth happened off-screen to make (what we are now seeing) happen?" Very annoying. It's all made worse by a pace that is MUCH too fast, even for an adventure of this nature.

Note to Robert Rodriguez: I understand you will soon start "Spy Kids 3". Please not only take notice of what I've said above, but take note of Daryl Sabara ("Juni"). Though not a bad actor, there were a number of instances where he didn't enunciate his dialogue clearly enough, which lead me to rewind back a few seconds and use captions. Please take care of this on set, or at the very least, patch it up during post-production looping.