In a post-apocalyptic Liverpool, a man returns seeking revenge for his wife's murder - and everyone speaks perfect Jacobean English.In a post-apocalyptic Liverpool, a man returns seeking revenge for his wife's murder - and everyone speaks perfect Jacobean English.In a post-apocalyptic Liverpool, a man returns seeking revenge for his wife's murder - and everyone speaks perfect Jacobean English.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
Joe Cottrell Boyce
- 4th Thug
- (as Joseph Cottrell Boyce)
Sammy Duplay
- Lad
- (as Sam du Play)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Alex Cox brings us a gleefully over-the-top adaptation of a Jacobean revenge play. Where Shakespeare was the high culture of his day, this piece (originally performed anonymously, presumably to shield its author from any repercussions due to its distinctly anti-authoritarian slant) plays out more like a 17th-century Leone movie. In this version, the action has been transferred to a vaguely-defined post-nuclear-war Liverpool, ruled over by an amoral Duke and terrorized by his violent sons.
The cast is great (especially Derek Jacobi and Christopher Eccleston) and the whole film is characterized by an intense spirit of fun. My only problem (as a yank) was that -- in spite of years spent enjoying British TV -- I found the combination of archaic syntax and scouse accents to be incomprehensible at times. Fortunately, the subtitles on the DVD made it much easier to follow the dialogue and plot line.
This certainly won't be to everyone's tastes, but it's a good one.
The cast is great (especially Derek Jacobi and Christopher Eccleston) and the whole film is characterized by an intense spirit of fun. My only problem (as a yank) was that -- in spite of years spent enjoying British TV -- I found the combination of archaic syntax and scouse accents to be incomprehensible at times. Fortunately, the subtitles on the DVD made it much easier to follow the dialogue and plot line.
This certainly won't be to everyone's tastes, but it's a good one.
The acting is tremendous, the dialogue is delivered with such ease and intensity, and where there is caddiness-- it is intentional. This movie is visually beautiful and unapologetic; it does not bore you with tedious dialogue, but challenges the audience to mesh both Jacobean language with a modern day setting. Other movies have tried to accomplish this time fold, attempting to 'modernize' what they consider to be classics, but other movies did not have Christopher Eccleston and Eddie Izzard. There performances deserved more credit than the average moviegoer could afford. See this movie.
I thought the film was brilliant, fair enough, some things were slightly questionable, but on the whole, the film was great. Oh and Scouser boy, the script is actually a play, written by Thomas Middleton in 1607, so no use complaining coz the guy who wrote it won't be able to hear you!
Christopher Eccleston is brilliant in the lead role, adding a gritty determined and almost sinister touch to the character; Eddie Izzard is wonderfully camp but never the less remains serious throughout the film. It's colourful and fun (the 'footy' match is inspired lunacy)...well apart from the grim storyline. Don't be looking for realism, instead just revel in Alex Cox's artistic approach to modern storytelling and enjoy the film.
Christopher Eccleston is brilliant in the lead role, adding a gritty determined and almost sinister touch to the character; Eddie Izzard is wonderfully camp but never the less remains serious throughout the film. It's colourful and fun (the 'footy' match is inspired lunacy)...well apart from the grim storyline. Don't be looking for realism, instead just revel in Alex Cox's artistic approach to modern storytelling and enjoy the film.
A superb turn from the eternal punk, Alex Cox. Excellent performances and production design that never overshadows the rest of the show, despite being constantly inventive and energetic. And a great soundtrack by ChumbaWunmba (never thought I'd see myself saying that :))
10kleist-1
Clever screen modernizations of classic drama make sense to me. I loved Ethan Hawke in HAMLET, Emma Thompson in MUCH ADO ABOUT NOTHING, Kevin Klein in A MIDSUMMER'S NIGHT DREAM, etc.
This is a masterful adaptation/reformulation of THE REVENGER'S TRAGEDY. It's intelligent, fast-paced, witty, shocking, engaging, and faithful to the spirit of the original.
I intend to use it in conjunction with teaching the original to Advanced Placement English students in a public high school.
As a certain 20th-century poet said, "Don't criticize what you can't understand." This is a nearly flawless production for anyone who loves the history of theater or who loves great cinema.
This is a masterful adaptation/reformulation of THE REVENGER'S TRAGEDY. It's intelligent, fast-paced, witty, shocking, engaging, and faithful to the spirit of the original.
I intend to use it in conjunction with teaching the original to Advanced Placement English students in a public high school.
As a certain 20th-century poet said, "Don't criticize what you can't understand." This is a nearly flawless production for anyone who loves the history of theater or who loves great cinema.
Did you know
- TriviaThe final sequence depicting the bombing of Nagasaki was originally intended to show the planes hitting the World Trade Center, relating the plot of futile revenge to the current "War on Terror".
- GoofsThe Duke blinks right before Vindici tells him he has taken a pill to prevent blinking.
- Quotes
[after discovering that their scheme to kill their older brother has gone wrong]
Supervacuo: Plagues!
Ambitioso: Confusions!
Supervacuo: Darkness!
Ambitioso: Devils!
Supervacuo: Our younger brother.
Ambitioso: There's no advantage in the killing of a YOUNGER brother!
- ConnectionsFeatured in Drugoe Kino: Revengers Tragedy (2006)
Details
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- Трагедия мстителя
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- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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