The House Next Door

This conventional woman-in-jeopardy suspencer, screened at the American Film Market in February, has enough predictable situations to place it in the lightweight horror category.

A young Chicago couple, married two years, move into their country dream home only to discover their neighbors are not all they appear to be. The young wife (A.J.Cook) is left vulnerable when husband (Matthew Harrison) has to spend two weeks in LA on business. James Russo provides so-so excitement as the heavy-next-door.

While Joey Travolta directs competently, we don't get to know enough about the characters to make us care very much what happens to them in the situations they are placed.

I had the opportunity of being invited to the Vancouver screening of `The House Next Door'. The movie was very well done; it kept everyone in the audience on the edge of their seats wondering... why doesn't she leave? Vancouver composer John Sereda did an outstanding job on the films soundtrack. It was "Dramatic, Dynamic, Suspenseful, and it Rocked you"... It is definitely a movie worth seeing... and a soundtrack worth hearing.

I can be very picky when judging a suspense-horror type movie. I can honestly say I enjoyed House Next Door very much. Mainly because the type of suspense shown in the movie was believable. We've all experienced weird neighbors, not to this extent, but its something we can relate to. To me this is far more enjoyable then a typical Stephen King sci-fi weirdo picture ! I found the story was well written, well directed and the acting was superb. It goes to show you Producers don't need idiots running around with a chainsaw and hockey mask chasing bare breasted women in the middle of the night. The movie was clearly written and stuck to the point right up until the final climax. I purchased this older movie the other day and I know I'll end-up watching it again in the near future. I recommend you do the same. You will not be disappointed. I'll give it an 8.

Actors are not bad in this film as a matter of fact acting is very good and believable. Also the filming is quite good as much as I can say something about it. But when the actually story is sooooo foreseeable all the way to the end then you just can't enjoy the film. Sorry :[

As a writer and a filmmaker myself, I try not to be ultra-critical when you consider all of the elements that go into making a film. When viewing this one, I quickly realized that John Benjamin Martin's script didn't have the same quality of writing of a William Goldman script, and for the most part it certainly lacked the dialogue of a Quentin Tarantino ... or even a Jon Favreau script, for that matter. But, if you're looking for a semi-fun, serviceable B-thriller, this will do fine. In fact, it's the perfect Friday Midnight Movie when you just want to veg-out with a BIG tub of buttered popcorn!

In fact, a little over four years ago, a similar film - WHAT LIES BENEATH - was released starring Michelle Pfeiffer and Harrison Ford. Was it a better movie? Sure, but not that much better when you consider all of the variables involved: HOUSE NEXT DOOR was made with a lot less dough than WHAT LIES BENEATH was. And HND certainly lacked both the A-list stars and the BIG-Studio backing of 20th Century Fox and Dreamworks. In fact, I would go so far as to say that director Joey Travolta did the best he could with what was given him.

And one of the things given him in this film is a fine performance by James Russo, who is at his utmost-creepiest, playing Carl Schmidt, the next door neighbor of Lori Peterson (played by A.J. Cook). Russo's performance - along with Travolta's direction - actually makes this film not only watchable, but enjoyable as a "guilty pleasure." As does the performance of Sean Young, who also does the most she can with the supporting role of Monica, Peterson's long-time friend. It's priceless to hear her utter lines such as, "It's crazy - I mean like get in the car and move to Arizona crazy!" Frederic Forrest, who garnered a Best Supporting Actor nomination in 1980 for his performance in THE ROSE, also lends credibility to the cast.

And again, I felt Travolta's direction, which seems to get better with each new film, helps to offset the movie's notoriously low budget.

As was the case with WHAT LIES BENEATH several years back, THIS film is filled with the obvious cheap thrills you'd expect from a movie of this nature, but again, that's part of the reason that makes THIS the perfect Friday Midnight Movie!