Flagrant délire

So I was flicking through the channels late at night and was surprise to see Sean William Scott on screen in a film I didn't recognise (always the best way to watch a film I find - no preconceptions). Anyway, I was intrigued enough to keep watching all the way through to the finish.

Scott is Ben McGewen, a small-time who's having to pay off his murdered brother's debt to gang boss Gregory (Lou Diamond Philips wearing a shockingly white wig and who I only actually recognised just before the end). All he has to do is steal a rare Chinese sculpture for him. Unfortunately the sculpture is locked away in a high-security bank vault. Good thing that Ben has an elaborate plan which involves the putting on a club night in the warehouse next door and a crew of accomplices capable of pulling it off. So long as everything goes to plan of course.

Inevitably, everything that can go wrong, does go wrong, but then if it didn't, there wouldn't be much of a film. Their original choice of DJ doesn't show and his replacement isn't too keen on their choice of music, Ben's ex-girlfriend is hanging around and distracting him, there's undercover FBI agents hanging around the club and Gregory is an impatient man.

I'm sure that if I thought about it, I could poke all kinds of holes in the plot and there were a few scene's that fell flat or just seemed to be filling time but I can say I warmed to the film. The main reason would be Scott, who carried the film and for once, wasn't playing a variation on Stifler. The rest of the cast were all unknown to me apart from Diamond-Philips and Dave Folley, who has little more than a cameo as one of the FBI agents though they all played their roles fine. It also made me laugh (especially a line that I will not repeat here as I don't want to upset more sensitive ears). So overall, it was a fun but nothing special.

This was a great movie, not a block buster, sure, but a great movie none the less. I just saw it on Showtime and wondered why I didn't see it in the theaters.

Good jobs all around. The directing was excellent and Sean could have carried the movie all by himself, but didn't have to. Sure some of the scenes were predictable and have been done elsewhere, but find me a movie where that isn't true. You have to judge this movie for what it set out to be: a farcical heist film. I predict that those that loved Hudson Hawk will like this movie as well.

MollyMock

'Stark Raving Mad' is one of those late-night, mid-week, B-movie feel movies that uses a recognisable face (Seann William Scott) to front a cast of lesser-knows talent (although I did recognise Patrick Breen from 'Men in Black' and 'Galaxy Quest'). Even so, this movie is a pleasing take on the usual bank heist concept and a nice little gem in a movie collection.

It may not be anything special to rave about, but the script is none-the-less fairly well-written. It certainly keeps everything moving at a decent pace without getting you loss and the dialogue has a nice straight-forward flow to it, so you can kick back and enjoy without having to think.

Some might say that the characters are obvious -- crime lords, cops, nightclub owner, the main man, etc., etc. I say that they're varied and eclectic, giving rise a range of amusing on-screen chemistries and antics. They're acted well enough, so I can't complain.

The movie also boasts some pleasingly creative (and if not creative, then definitely interesting) film-making. I particularly liked the way they presented narration/exposition.

The one thing, however, that I really like about this movie is the soundtrack. It's an original score (By DJ John Digweed) of nice pounding beat-y bassy techno dance music that gets you bopping every time. I will sit with this movie playing repeatedly in the background just to hear the music.

All in all, 'Stark Raving Mad' is an entertaining, light-hearted movie that probably deserves a bit more credit than it gets. I give this movie 8/10, not so much because there's anything spectacular about it, but just because I really like this movie.

I literally just finished watching this film and to say that I was impressed is an understatement. This film is good, really good. It obviously has its flaws and some of the plot lines contained in the film are a little strange but overall the film works. The film follows Ben McGewen (Scott) and his band of thieves as they try to break into a bank vault through the wall of a night club where McGewen works. Over the course of the film, villains, the police and many other funny incidents are introduced to the audience and they all provide comedy and substance to the movie. There are several things in this film which must be applauded. First, Scott's performance is spot on and shows he can do characters outside of the Stifmeister. The supporting cast are also very good. However, what is truly great about this film, apart from the editing and direction, is the plot. Drew Daywalt and David Schneider (writers and directors) manage to create an environment where the audience are sitting on the edge of their seat waiting for the next bizarre occurrence to get in the way of the job. Sure, the conclusion is done well, but its the actually story that makes this film worth watching. Im surprised this film went straight to video and I hope that more people see it, if not for the immortal lines: Scott: So what are you doing now? Jeffrey Jay: I rob banks. Scott: What you doing here then? Jeffrey Jay: Robbing a bank. Brilliantly acted, directed and with a very suitable musical score I give this film an easy 8 out of 10.

STARK RAVING MAD deserves better than to be dump onto video by its distributor. It's a much better caper film than a lot of caper films out there, including the rather uninvolving OCEAN'S 11 with its all-star cast.

Leading man Scott gives a terrific performance, and the facial hair works. It's hard to imagine this is the same young man in all those foolish High School comedies like AMERICAN PIE and OLD SCHOOL. Scott shows the same charm and likeability he did in BULLETPROOF MONK, only he is working with better directors here.

This is by no means the best film ever made, of course, but it's a definitely good way to past the time. The supporting turn by Lou Diamond Phillips, who is quickly becoming an actor who plays only cheesy villain roles, is better left unmentioned. The man is simply awful here. The role is so cliche that it hurts me just to remember it.

6 out of 10.