Passionada

Passionada (2002), directed by Dan Ireland, is a love story that will either fascinate or frustrate you. Some have called Passionada formulaic, and the film certainly begins with boy meets girl and continues from there, but I bought into the film and the love story, and I enjoyed the movie.

Although the basic plot is not subtle, the sense of the Portuguese ethnic community in New Bedford is well portrayed, and the singing of fado--central to the story--is wonderful. (The young fadista Misia provides the fado singing for Sofia Milos--the film is worth seeing for the music alone.)

Sofia Milos portrays a beautiful young widow. Much is made of the fact that she doesn't look old enough to be the mother of Emmy Rossum, who was 16 when the movie was filmed. Actually, Milos could be the mother of a 16-year-old, but she's so youthful and attractive that it's hard to think of her as the somewhat older and wiser woman she's supposed to be portraying.

Anyway, who cares? If you want to see a movie with gritty realism about the hardships of widowhood or the fishing industry, see a different film. If you want to see a love story set in scenic New Bedford, and accompanied by the fado, see Passionada.

"Passionada" is all about Milos as a beautiful Portuguese widow and cabaret singer who mourns the loss of her fisherman husband while her daughter and gambling prodigy Rossum consorts with professional card player Issacs to get good old mom out of her funk. The result is a beautifully shot film with marginally interesting characters and an uneventful story which spends most of its time with Issacs courting a reluctant Milos with his English accent and glib patter. The film wanders somewhere between romantic drama and romantic comedy not taking a firm position thereby diluting its ability to be engaging in either genre. Nonetheless, romantics and sentimentalists will appreciate this languorous but pretty film with a cosmopolitan flavor. (B-)

When I saw PASSIONADA the first time (it have been recommended by someone I truly admire) I was very put off. I didn't like it, I thought it was, well, nothing. The person who had recommended it in the first place, urged me, to see two other Dan Ireland movies. The Whole Wide World, which I loved and "The Velocity Of Gary" which I thought it was hard to sit through, the first time, but, I must say, I felt compelled to see it a second time and by my third viewing I was in love with the movie. Then I went back to Passionada. What a different movie it was, within the context of Ireland's other work. It is the perfect piece of the puzzle that unveils the total work of an artist's life work. Ireland's theme is LOVE, AS AN IMPOSSIBLE OBJECT. In the Whole Wide World, is intellectual and tragic in Velocity of Gary, is sexual and pathetic in Passionada, he allows the characters to have a future. It is, after all, Ireland's romantic comedy. But even then, we don't really know, if we listen carefully to a throw away line by Theresa Russell "Once a liar, always a liar" (Or words worth that effect) To all film fans, I suggest to see the films in order, one after the other and you'll discover something to look forward to.

The movie's website mentions "the sadness within" as being a rough translation for the title of one of the film's central love songs, the haunting and emotionally wrenching "Triste Sina".. The translated words, in fact, evoke the state of being that heroine Celia Amonte has made her way of life. And moving through the first few minutes of the story, one can empathize with her reluctance to step beyond the borders of a life that once was.. She was loved in great measure, after all, so it would seem a safer bet to live on in grief rather than pretend love of that depth can ever be felt again.. The tale of how she gradually brings herself to open up to do so, and how the man who seduces and awakens her also wakes up to his own responsibility and entanglement in her life, really pulled me in. I loved it, and loved all of these characters, even in broadly drawn moments. I just wanted them to be happy :).. The scene that sums up the film's title for me, is the night Celia prepares a meal for her new admirer, Charlie. The way that scene unfolds was as delicious and mouth-watering as I imagine the culinary offerings were ;).. The overall mood and atmosphere of it stayed with me long afterwards, which to me if the mark of a truly effecting story. Well done.

"Passionada" is a very light and enjoyable film. But the story has been done a million times over by Hollywood and on TV. It's the typical tale of a worldly, WASPy guy who meets and romances an ethnic, family-devoted girl. You just knew that there would be a clash of cultures and an eventual break-up. She would undoubtedly tempt her guy with ethnic food, dance and song, and even sensual sex. And he would tempt her with excitement, luxuries, and new adventures that only a man from outside her world could promise her. Sound familiar? Some people here complained about the lack of authenticity due to the director using non-Portuguese actors and Brazilian music. I don't think it made any difference. The acting and music and shots of the locale were very authentic and first-rate. The only thing that I couldn't figure out was all the casino scenes, since there are no casinos in New Bedford, Mass. The nearest ones are Mohegan Sun and Foxwoods in Conn., over an hour away. And Vicky, the young daughter, drove her scooter all the way over there and back on school nights? And if Charlie was such a professional card counter at Blackjack, banned from every casino, why was he broke? I must've missed something during a bathroom break. Other than that, "Passionada" is a fun film and a good insight into Portuguese-American culture, if that's your thing.