Dunsmore

After a violent opening and a setup to let you get to know the characters, the movie keeps building momentum as we realize that nothing is really what it seems to be. In the end it makes you think about right and wrong without preaching at you. I highly recommend it.

Based on a true story, Dunsmore is a gritty, low budget redneck flick about small town bully Ronny Roy Pritcher (W. Earl Brown) who is such a despicable lowlife that he makes some of novelist Larry Brown's characters look like Ivy League Hamptons dwellers.

In the opening scene, Pritcher is blown away outside a bar by no less than 40 rounds of ammunition. The killer(s) are not revealed, but it's not difficult to surmise that they are a large group of townspeople who have simply had enough of him.

The rest of the film follows an investigator from the state attorney's office (Kadeem Hardison....and yes, he's black) as he interviews various victims of Pritcher's sadistic behavior, which is seen in flashbacks.

The film has a cheap look and feel to it, with passable cinematography and acting. Actually, the whole low budget vibe is appropriate to the subject matter.

This one of those films that you keep watching with a kind of horrified fascination. The characters are so unrealistic and over the top, it's pretty hard to take it seriously. On the plus side, veteran actor Barry Corbin plays the town's former sheriff in a small but significant role.

Well told story of an interesting event .

No the most cinematically brilliant but one of those small time movies well worth watching.

A brawny, devil-may-care bully named Ronny Roy Pritcher (Earl Brown) terrorizes the residents of the small town of Dunsmore. But very quickly into the plot, the bully gets gunned down outside the local tavern. Enter Walter Taylor (Kadeem Hardison), representative of the State's Attorney General's Office, to try to figure out what happened. Most of the plot centers on Taylor's investigation of the locals: deadbeats, hillbillies, trailer park ladies, and other stereotyped characters.

The script asks viewers to think about a couple of rather weighty issues. Is it right for someone to dispose of a bully when local law enforcement is ineffective? Is it right for a law enforcement outsider to intrude into a small town that seems able to handle its problems on its own?

Aside from the film's thematic value, I just didn't much care for this film. For one thing, the locations are all generic. The town of Dunsmore is not set in any particular state; we never learn what "state" Walter Taylor's Attorney General's Office represents. There's a conspicuous attempt to remove the story from any real location. With such a coy script, the film forgoes a sense of realism.

Further, the script has too many flashbacks. And the TV "news" coverage scenes, and scenes of TV reporters trying to get a story, are super, super annoying. Such a film cliché reeks of lazy scriptwriting. Kadeem Hardison phones in his performance, which is dull and lifeless. On the other hand, Jeannetta Arnette gives a really fine performance as the trailer park wife of Ronny Roy.

Overall, aside from deep themes implied in the story premise, I found this film to be mediocre at best. It gets off to a good start with some atmospheric suspense. But the plot goes nowhere; the ending disappoints, along with other elements. And I could have wished for some other actor to play the role of Walter Taylor.

Dunmore is one of those films that creates mixed feelings. On one hand, it is a cheap film with some amateurish editing, direction and cinematography. The script also has a bad habit of wandering and lacking flow at points. On the other hand, though, it is a thoughtful and terrifying film about a small country town named Dunsmore under the domination of one man: Ronny Roy Pritcher. Played with zeal by W. Earl Brown, the film begins with Ronny's murder.

The story then becomes a whodunit that seeks out motive (pretty much everyone in the town has a reason to kill Ronny) as well as suspects, ultimately very similar to a country town version of the 1974 thriller Murder on the Orient Express. As one character remarks near the beginning, "Dunsmore killed Ronny." And it is true, as this is a film with two main characters: Ronny, and the town of Dunsmore. It is the interactions between Ronny and the group of characters within the town that drive the film from beginning to end.

It is here that both the greatest flaws and assets are shown. Shot almost like a documentary, each person has their own story and their own demons. Everyone is unique and the way their lives intersect with Ronny's lead to an entertaining maze of suspects and stories. However, at a point the gritty film-making becomes too self-aware and the characters begin to become almost comical in their plights. Especially with one part as an old man is chased through rows of crops in the dead of the night, Dunsmore becomes less of a smart thriller and more of a cheesy horror-fest.

That's not to say Brown doesn't give Ronny a presence. When he is on screen, he seizes attention. However, he also gives some depth to the character of Ronny who could have easily become an evil caricature. Although the origins of his cruelty are only hinted at in a ridiculous scene of animal torture, Brown has moments to show off charm and at least demonstrate why some people found more than just hate to aim at Ronny. Ultimately, there is no mistaking that this is a small independent movie about a small country town, but the mix of mystery and drama work together to create quite an engaging experience that satisfies more than it disappoints.

Critic's Conclusion: Overall a dark film showing its independent roots, that's not to say Dunsmore fails to have any emotional wallop or to have anything to say. It is an interesting film that shows the still blooming potential of the talent behind it.