Cypher

You'll notice by the stars I've given this GREAT film that '...before you see it the first time,' is implied. I had never before heard of this film and happened across it just because this week (and last) was a very slow rental experience (not much great coming in). I'm not sure how this movie slipped past me -I love Lucy Liu and Jeremy Northam is great too. Still, it did.

This movie is an awesome example of what to do if you don't have a large budget. It had just the right amount of plot and dialog to make it very interesting and keep the viewer in the dark; just enough. The entire film is you (the viewer) trying to figure out the plots many twists and turns. I would have given this film 10/10, however some of the shots were pretty fake looking. I don't hold that against this film too much, but I don't think it deserves a perfect score.

Lucy Liu is beautiful and mysterious (as always). I think she's pretty underrated as a serious talent. Nevermind her beauty (which is difficult), she really takes her roles seriously and doesn't rest on her appearance to drive her through scenes of sophisticated emotion. And she can seem cold and even lifeless if needed, as well.

Jeremy Northam does really well, at first, as quite a geeky corporate rat, willing to run through any maze to prove himself. However, as he changes throughout the film, it's like night and day. I know some fans of Clive Owen, Jude Law, or other hopefuls to become the next James Bond will hate me for this, but Northam would/could/should fit that bill. He's suave and cultured. He's got a great Bond posture and voice. I think he too can be cold if the situation calls for it, and rather down-to-Earth, as well.

Great film and definitely this movie-buff recommends it to be seen at least once if you like corporate espionage films.

Cypher is an entertaining but irritating film. Nothing in the film is exactly as it appears, and the film reads a lot like a Dean Koontz novel . It's premise is ridiculous, and none of the characters are particularly believable, but you still feel compelled to go on because you sense that something clever is afoot. Indeed, something clever is going on here, but most alert and intelligent viewers will see each plot twist coming, and will feel (at least through most of the film) that they have seen it all before. In my opinion, Cypher is worth watching anyway - if not simply for its occasionally gorgeous photography then for its original and interesting finish.

In fact, nothing about the film itself is really what it appears. It poses as an independent project but obviously sported a sizable budget, and drew the backing of some attention of some big names. It appears to be a sci-fi film, but it's really just a pedestrian spy thriller with a few sci-fi elements tossed in to differentiate it slightly from the dozens of similar films that have been made in this popular genre.

Likable Lucy Liu plays her usual role - an ambiguous heroine who could be a savior or a slayer for Jeremy Northam - a man who has been reprogrammed, brainwashed, and seems on his way to hell with a one way ticket. Northam plays a man without a fixed identity . He is a corporate spy who has been so badly used that he no longer knows who he is and who he is working for. Yet the film only superficially resembles The Bourne Identity. To its credit, Cypher offers some amusing parodies of itself and its ilk very early on. Northam makes the film with an evolving, highly dynamic, and often annoying performance - playing a character who is, in fact, at least three different characters.

Though Cypher is somewhat predictable in terms of action and events, it is never exactly made clear what is motivating everything until the very end. And, in the end, the payoff is worth the sometimes aggravating pace and superficiality of the film.

Vincenzo Natali's feature debut 'Cube' was in my opinion the best science fiction movie of the 1990s. By "science fiction" I'm not meaning Star Wars style space opera aimed at 13 year olds, but mind expanding storytelling in the tradition of Philip K. Dick, Robert Silverberg and William Gibson. Or movies like 'Bladerunner', 'Brazil', 'Dark City' and 'eXistenZ', and yes (just in case you think I'm a mindless Lucas basher) 'THX 1138', a movie which Natali incidentally cited as an inspiration for 'Cube'. It's been a long wait but 'Cypher' is certainly worth it. This is a very stylized and cerebral film which Natali describes as being "Kafka meets James Bond", and he's not joking. There have been a few Philip K. Dick adaptations in the last few years but they always seem to lose the quirkiness and intelligence of his work and degenerate into big expensive action movies. 'Cypher' isn't actually based on a PKD story but in many ways it's the closest thing to his fiction yet seen on a movie screen. Apart from the two leads the cast is made up of Canadian character actors, which gives it a freshness missing from many contemporary Hollywood productions. 'Cube' co-star and long time Natali friend David Hewlett has a memorable role as the creepy Vergil Dunn, keeper of The Vault. He gives one of the best performances in the movie. Incidentally, also keep an eye out for a brief cameo by Valerie Buhagier, star of Bruce McDonald's cult favourites 'Roadkill' and 'Highway 61' in one of the conference scenes. The main stars are unusual picks. Brit actor Jeremy Northam has appeared in a few big American movies but is still pretty much unknown to most audiences. He uses this to his advantage and gives a terrific performance. I honestly can't imagine anyone else doing this difficult role any better. Lucy Liu plays the femme fatale part to perfection. Maybe she's just trying to get indie cred by appearing in 'Cypher', but who cares when she gives a good performance in a great movie. Plus she looks damn fine! 'Cube' has already become a cult favourite, and there's no doubt in my mind that 'Cypher' will do the same. I think audiences will be discovering both movies for years to come. Vincenzo Natali is shaping up to be one of the most exciting genre directors currently working and I'm really looking forward to what he comes up with next!

When The Matrix appeared in 1999 and questioned existence and identity, it was expected that a lot of movies would use it as inspiration. That didn't really happen, surprisingly, and it took till 2002 for a movie of similar theme to appear. But to say Cypher is a clone would be to its discredit.

The story is of a Morgan Sullivan, who applies for a job with a high-flying techno-company called Digicorp. His job is to be a spy and gain information about a rival company, while under an assumed and false identity. His home-life is perfectly normal but he has to lie to his wife about what he's actually doing. However, things start to take conspirital turns and before he knows what's going on, he starts to question who he actually is. This is not helped by a strange woman who turns up...

Twists and turns at every direction keep you absolutely fascinated, and at no point does anything ever seem contrived or unbelievable.

It's an enthralling journey through a not-too-distant future, and with good acting all round will keep you on the edge of your seat.

Highly recommended.

Morgan Sullivan is a businessman who, rather than work for his father-in-law, takes a strange job working as a corporate spy for a company called Digicore. His assignments are simple and boring; attend a conference and use a covert device to transmit the speeches back to HQ. At one conference he meets a mysterious woman called Rita and flirts with her. On his flights and during his sleep he is bothered by vivid dreams and voices in his head; he thinks nothing of it but then his next meeting with Rita reveals something much more sinister than the basic assignments he thought he was getting and he soon finds himself in deep.

I had never heard of this film at all before watching it, nor did I even know anything about it whatsoever and I only ended up watching it because I had FilmFour free one weekend and this was one of the few films that they showed that was worth seeing. I'm glad I came to it with nothing because I found myself engaged from the start and the twisty plot was great fun even if the final five minutes could never have hoped to have delivered above and beyond what had come before. There are those that complain about the ending being "terrible" are perhaps being too harsh although I will acknowledge that it is a bit too tidy for its own good. The plot requires a lot of suspension of belief (and I mean a lot) but once you get into it it moves along really well and does keep you watching to see where it goes. It is helped by the way that it starts out in a "normal" world that many of us will relate to – boring business presentations and conferences that you wonder why you bothered. If you can keep up with it from here on then it is enjoyable even if logic and sense.

Visually the film really works even if the budget constraints are clear here and there. Director Natali injects a lot of style and imagination into it and also delivers a real sense of urgency and paranoia that helps the material work. The cast are a mixed bunch, although in this sort of film the characters tend not to be that well developed in all parts. Northam takes the lead role and does it well, making his character a drag little everyman but also convincingly changing him gradually across the film. Lucy Liu is not as good; she is a bit flat but fortunately she has limited screen time and was only what I'd call really bad one time. The support cast are all OK, delivering the required mix of the ordinary and the sinister to good effect even if they are all pretty straightforward.

Overall this is a nice little thriller in the style of things like Usual Suspects, Memento and the like. You do need to suspend belief and, if you can, it is enjoyably twisty and slick and is pretty exciting. Of course if you dislike the genre (the sort that has to keep moving for fear of getting caught by its own lack of logic) then you'll hate it but everyone else should at least get a fun 90 minutes from it.