Sans nouvelles de Dieu

This was one of the most enjoyable film experiences I have had this year. I saw the film at the AFI festival in Los Angeles; it is going to be released in the US in April under the title "Don't Tempt Me."

Cruz (devil) and Abril (angel) are cast against type and it works very well, Cruz giving one of her best performances. Bernal is also memorable as a very likeable devil, and Birchir is completely convincing as the frustrated boxer whose soul hangs in the balance.

The film starts out with an amazing bit of philosophical exposition, a shock for anyone who is used to watching Hollywood fare. You can't imagine dialogue like this is a Hollywood film; yet it is funny, captivating, brilliant. The humor in the film is, by American standards, sophisticated and intelligent; yet the film is full of sexual imagery and violence (nothing extreme but energizing to the story) and is highly accessible. It should appeal to a fairly wide audience, especially since there are so many Spanish speakers in the US.

It's a superb and entertaining morality play, with the action, drama and comedy tightly interwoven; with a political subtext that itself is the driving force behind the film.

Hell is portrayed as an English speaking corporation in the American style (although staffed with Europeans), and Heaven mostly takes place in a French-speaking Parisian nightclub. The Earth scenes are in Spain, and the meetings between angels and devils in Latin. This all works very well and the subtitles are easy to follow.

The soundtrack begins with a Dylan song I hadn't heard before, too.

Many observers have noted that at first glance on paper one might think this is a Pedro Almodovar film, what with Victoria Abril cast in it, among other things. Well, I haven't seen too much of Almodovar's work, and I knew nothing about director Augustin Diaz Yanes when I entered the theatre to see this film. But I wonder, did Almodovar show such promise so early in his career? From the first few minutes I was captivated by the movie and I stayed enthralled throughout. By the time Penelope Cruz was dancing around to "Kung Fu Fighting" I knew this was a rare film indeed (and no, it's no rip-off of 'Pulp Fiction,' either!)

For all it's audaciousness, the premise has been used many times before. Like 'Paradise Lost,' the battlefield is Heaven, Hell and Earth. But the specifics are a little more prosaic: angels from Heaven and Hell fight for their survival over the soul of a rather ordinary mortal, a not-to-bright or personable boxer. Heaven and Hell are presented as distinctly mortal-like places--Heaven is nice, but hardly the celestial paradise we envision, and Hell is unpleasant, but nothing nearly as bad as Dante imagined. The two places are run like competing businesses, it would seem, and the CEO God (and presumably Satan in his own realm) is AWOL--apparently he's too tired or disinterested to bother with the details of running the place, leaving that task up to lesser creatures. Right now Hell seems to have the upper hand. Heaven is somehow almost bankrupt and may well go under if they can't snag this one earthbound soul, the aforementioned boxer, who fate has cast in some great future role that we never fully understand. But there's trouble brewing in Hell, too, and even though they've got the advantage over Heaven at the moment, there are internecine power struggles to worry about there. So each each side dispatches an agent to try to win over Manny, this boxer who unwittingly holds the fate of this world and those beyond in his hands.

That's where Abril and Cruz come in, and they are just a joy to watch for the almost two hours this flick runs. Abril is Lola the heavenly angel who ingratiates herself in Manny's life as his wife, and Cruz is Carmen, who poses as his long-lost cousin (Manny isn't the brightest crayon in the box so he can be convinced that all of a sudden he has a five-year marriage he doesn't remember.) Lola and Carmen thrust and parry throughout the film, but on a surprisingly cordial level--Carmen isn't as bad as one would expect a denizen of Hell to be and neither woman seems possessed of any otherworldly powers; they go about their business in a very earthly way. You combine a great script, two outstanding performances and excellent direction and not surprisingly you get a first-rate film, as good as any I've seen this year. This is not quite Orson Welles and 'Citizen Kane' here, but it put me in mind of it, it's that good.

Amusing film which is in four languages! Do your best to get an original copy, not a dubbed one. The language of hell is English, the language of heaven is French, the angels communicate to each other in Latin, and the language of Earth is Spanish. It's worth it just for that. Good acting, creative story and filming.

"Don't Tempt Me" is a very pleasant action comedy plenty of humor , surrealist dialogs , emotion , spectacular scenes and mayhem . Heaven and hell send their best agents to Earth , and they're wearing heels . Two angels are on Earth , one named Lola (Victoria Abril) from the heaven and one named Carmen (Penelope Cruz) from the hell, come to save a boxer named Many (Damian Bichir) who finds his soul to be the object of a metaphysical fight.

This exciting film results to be a surrealist comedy/action/drama/thriller and displays an all Spanish star-cast. The singer played by Victoria Abril and the former mobster performed by Penelope Cruz star this dark story of redemption about heaven and hell ; both of whom have a violent confrontation to accomplish their objectives . Rightly enjoyable and fun-filled , milestone comedy which neatly combines humor , mirth , entertaining situations and amusement . The funny screenplay manages a lot of laughs from the audience and twisted elements that you never loose your attention from the film . The only flaw I can find is that some of the story lines are overwhelmingly absurd and some character arcs end up being implausible . Some situations are laugh out loud ridiculous and the story proceeds at a breakneck speed that never falls flat .Pay attention as one couple of younger actors very well played by Victoria Abril and Penelope Cruz alternate with the other pair of older players perfectly performed by Fanny Ardant and Emilio Gutierrez Caba . I liked everyone in the excellent cast, and the male and female actors , they were all very attractive . Flawless and fantastic story full of twists and turns with a duo of sensational protagonists , including an unforgettable Penelope Cruz , she parades and dances sexily at her best and more relaxed and enticing than ever . The hit of the show is undoubtedly for the fetching Penelope who gives one of the best screen acting . The support cast is top-notch as Elsa Pataky , Luis Tosar , Gael Garcia Bernal , Gemma Jones , Cristina Marcos , Elena Anaya , Bruno Bichir , Juan Echanove and many others . And cameos by Javier Bardem in the closing credits, as we learn that Penélope Cruz was changed back into a man in the afterlife , then we see the man's photo , it is Javier Bardem ; furthermore , the photo Victoria Abril puts into the album shows the mother of Manny , the woman in this photo is the actress Pilar Bardem . Atmospheric and appropriate musical score by the recently deceased Bernardo Bonezzi . Colorful and adequate cinematography by Paco Femenia .

Agustin Diaz Yanes' return to top form , with an intelligent and engaging script which uses amusing situations to give us a good movie in fast pace , entertaining events , plot twists and that kept me entertained for the almost two hours of duration . Diaz Yanes is a fine craftsman , thanks to his reputation as screenwriter and the support of Victoria Abril he was able to set up his first film as director: "Nobody Will Speak of Us When We're Dead " that became the greatest hit of Spanish cinema at its release in 1995 and the Festival San Sebastian , including best actress to Victoria Abril . Yanes subsequently directed the successful ¨Alatriste¨ and ¨Solo Quiero Caminar¨ that failed at Spanish box office .

When the leaders of Heaven and Hell, Marina D'Angelo (Fanny Ardant) and Davenport (Gael García Bernal) respectively, decide to fight for the soul of the decadent boxer Manny (Demián Bichir), they send their best agents to Earth. The singer Lola Nevado (Victoria Abril) from Heaven and the former gangster Carmen Ramos (Penélope Cruz) from Hell are assigned to get his soul, and they have a tough dispute to accomplish their mission.

"Sin Noticias de Dios" is one of most original comedies I have ever seen. The story is very funny, ironical and charming, with splendid lines and dialogs in the screenplay. The direction is very precise; the wonderful cast, with a very charming and sexy Penélope Cruz; a stunning (as usual) Victoria Abril singing in a perfect Portuguese; an elegant and classy Fanny Ardant; and a very funny Gael García Bernal, has also the participation of Demián Bichir (from "Sexo Pudor Y Lágrimas", "Santitos" and "In the Time of the Butterflies"), Elsa Pataky (from "Beyond Re-Animator" and "Romasanta") and an uncredited last scene with Javier Bardem. The vision of Heaven as Paris, Hell as an American prison (could be a South-American one – certainly they are worse) and the Hell's administrator as an American president in his car with his body-guards are absolutely hilarious. Victoria Abril singing "I'm Evil" and Penélope Cruz dancing an extremely sexy dance are delightful. I highly recommend this movie, which has two (2) wins and seventeen (17) nominations of festivals, for those viewers that like a refreshing and very different comedy. My vote is eight.

Title (Brazil): "Sem Notícias de Deus" ("Without News From God")