My Brother Tom

I found this film very disturbing. I had to watch it until the end.

The acting was such that I had to remind myself that it was acting sometimes. I feel that some actors are very brave to take on certain parts.

I think that in some darker places in the world (e.g. USA), elements of the population would confuse the actor with the part and abuse him. Congratulations to all involved for an excellent performance. The tension is never "Watch out behind you" but "Please, please, not that".

If this film causes just one adult to reflect on how his actions may damage a child then it is very worthwhile.

A fascinating and disturbing study of two damaged teenagers who find solace in each other's company.

This is what film is all about. The use of hand-held DV - the unselfconscious performances of the two leads - the harsh portrayal of the selfish acts of cruelty perpetrated by unthinking adults on vulnerable, impressionable children. I love this film, but I could barely watch it at times.

The two leads reminded me of a young Joanne Whalley (Jenna Harrison should go far if there's any justice in the film industry) and a seriously unhinged Lee Evans without any of the comedy - just his style of manic lashing out.

Spoiled on its UK TV airing by the booming Channel 4 Big Brother voice ruining the mood over the credits. Channel 4 seems happy to destroy the end of its own movies. Sad.

8 out of 10. At least. Should be shown in schools.

'Teenage love is rarely this painful.' said the blurb outside the cinema. 'My Brother Tom' is a film full of pain and sadness. This film has not been written for fun, as entertainment, nor as a job of work, but has been wrenched out of the reality of someone's suffering. It shows life from the perspective of a child who has experienced and seen things more painful than her tender years can accommodate. But it does not leave one without hope. The director has been courageously faithful to the script and the challenging roles are fulfilled without self-consciousness. The film bears a degree of honesty that is rarely seen in life, let alone on screen, and perhaps for some viewers it will be too much. 'Man cannot bear too much reality'. It also carries an exhilarating sense of freedom - the two children have been let down by society, and understandably and with true childlike spirit they abandon it. They choose for their home the 'good wood', and the film's sense of hope comes from nature. Society may be 'f***** up', but mother nature is a refuge, full of nurture and protection and love.

Theologically speaking - for though in a sense iconoclastic the film is not secular - it is the product of an age in which the Church has become a shrine to its own conventions, and has lost sight of the 'living spirit' which was once its source. Thus far from being offensive to the religious, 'My Brother Tom' is on the side of the Spirit, desperately wanting to resurrect the Spirit from the sepulchre of conventional 'religion'.

As for the hand held camera, I did not once find it an irritation or a distraction, as I did occasionally, for example, in 'Festen'. On the contrary, it suited the film, adding to its wildness and immediacy in a way I never really believed that this technique could.

If you regard film as primarily for relaxation and entertainment, this is clearly not a film for you. If, however, you are someone ready to wrestle with all the truth and pain that this world holds, and if you regard film as a fit medium for this wrestling, then do not miss 'My Brother Tom'.

very surprised, too, to read so many bad comments. this is, at the very least, the best british film i ve seen this year. very strong, very emotional, very black&white: if u don't like that, do not go. else: IT S A MUST. (ps: FANTASTIC phtography by robby mueller. yes, handheld camera, nevertheless: FANTASTIC)

-funtoosh

An incredibly compelling film which had me glued from start to finish. As someone personally affected by the abuse issues raised I felt so much empathy for the characters who were portrayed fantastically by the young actors. Uncomfortable viewing at times, particularly for those with such experiences in there past, but essential non the less. The harsh reality of adults, especially those in powerful positions, reluctance to see what is going on around them is shown brilliantly. Yes it shows a dank view of the world, but talk to 10 young people in your life and its almost guaranteed that at least 5 of them would have experienced similar acts, with no one to turn to.

A film were you need to look beyond such aesthetics as SFX or high budget locations and accept that this stuff really does happen everyday!!!!!!