It's all about love

I loved "The Celebration" and was very disappointed when I saw this at Sundance. In brief, this suffers from the same delusion as "Eyes Wide Shut": namely that implication = meaning. There is implied tension, implied sexuality and an implied conspiracy, none of which are delved into, and a barrage of imagery that is neither satisfactorily abstract nor clearly explicated. Joaquin Phoenix is too passive to be much of a lead and Claire Danes, while beautiful, lacks depth. The picture IS gorgeous, and kudos to the DP and design team.

I went to see this film just a week ago as it has just been given a limited release in the U.K. I didn't have high hopes for the film due to the poor reviews. However when I saw it I was pleasently surprised by the great cinematography and the quirky storyline. This is by far one of the best films I have seen so far this year. 8/10

criminally underrated

The one movie I've seen in the last 2 years that doesn't actually telegraph what's happening 2 frames ahead. i took the wrong fork in the mystery, got surprised, loved the production values, enjoyed some great music, the best mood music with ice since Smilla's sense of snow, and a video store find turned out to be the best in 4 rentals.

This movie got slammed by a lot of critics, who seemed to resist what the director was trying to present. life is a well choreographed, visually designed mystery with randomness thrown in. The terrestrial back story to the anomie in the societal makeup brings the character;s focus and hope in clearer definition.

is the headline craziness in this film any weirder than what's actually in the headlines today? There is a post-Katrina resonance to the topography agitating for notice in the periphery, and i actually wondered if it was written by Philip K Dick, there is a first-The Matrix freshness here that backs up our suspicions, that nightmare incidence of a look over your shoulder, when not only is something there, but it's not good, and you can actually see all the way down its gaping maw.

see it.

I've seen much, I've seen many, but still i haven't seen it all. This "Plot" could easily fit into a japanese anime movie like the evangelion epic or other weird animes. To see it with real actors is disturbing. But, if you fade out the messy plot and all the weird things, you'll find a beautiful romance buried in the snow and the pre-apocalyptic setting. This movie polarizes and makes oneself a bit schizophrenic. It sucks, but in a great way.

If Dogville shows the new directions taken by Director Lars von Trier since Dogme, It's All About Love shows the very different creativity of Dogme co-founder Thomas Vinterberg.

John (Joaquin Phoenix) is planning to meet his wife Elena between flights in order to have divorce papers signed. Their marriage has broken down some years ago. It is as if their 'calendars are written in different languages.' Things are not what they seem. And things don't go as planned.

It's All About Love is set in the near future but defies the sci-fi or any other genre tag. Attention is focussed on the title, what love is really about. What happens when a relationship ends? When you still ‘love' someone but no longer want to be part of each other's world? When the other person seems like almost another person to the one you knew? It's All about Love looks at parallel emotional dislocation and its extension into the physical world, a world near the brink of cosmic collapse. It contains images of stunning beauty and is also jarring and artistically innovative. It's probably also the quirkiest movie since David Lynch's Mulholland Drive.