According to Spencer

Spencer (Jesse Bradford) moves to Los Angeles to start anew. Unexpectly, he runs into (literally!) a car driven by a girl, Melora (Mia Kershner), from his home town who he has admired for years. Voila! She also works at the same advertising firm where Spencer has just signed on as a mail clerk. However, there are complications. To begin, Melora has an on again, off again relationship with a big ad man from the same company. Also, Spencer has a room in an old mansion owned by a gay male couple, who may need him to star in their film project. It is X-rated! Does Spencer have a chance with the lady of his dreams? For those who love old fashioned love stories, this one is a good one! The two stars are wonderfully attractive and funny and the bizarre stream of characters that inhabit the film hit the funny bone, too. The costumes are a bit dismal but the local scenery is very nice. However, a word of caution is advised. There is some racy dialogue pertaining to the gay couple and their pornographic film. While the number of minutes devoted to them is small, those who like good clean fun may be offended. Nonetheless, this film shoots an almost-straight arrow at the heart of those who cherish the timeless tale of love.

Jesse Bradford has no idea of what to do with his life. So he moves to Los Angeles, where he quickly scores an apartment, a job at an advertising agency, and a reconnection with Mia Kirshner, whom he has loved since he was about ten. Then he drifts and things start to go away. Fortunately there's the ghost of his grandmother, Florence Stanley, to tell him what to do when things fall apart.

The movie is eked out with what are supposed to be quirky characters, like his room mates, who are making a porno convinced it is an art picture, and the executive at the agency who is dating Miss Kirshner, and so forth. I find them all occupying the border space between sad, delusional and disgusting. While Miss Kirshner and Miss Stanley are charming and speak the lines to advance the plot with conviction, the other characters are tiresome. With Giovanni Ribisi and Adam Goldberg.

I don't know if the director and writer tried to much to create a movie that would be very Kevin Wiliams.

The sub plot of the gay room mates with the idea of making a porn sounded fun and kind of interesting for this kind of movie, but it just didn't work as it was carried in a silly way.

Spencer's love interest plays the main plot of the movie. The guy is a geek with mediocre life and job and suddenly his ideas reach to a high exec. from a publicity company and his life changes for good. He is rich now and he gets the super hot and beautiful Melora. This girl is kind of slutty as dates a guy to make her ex-boyfriend jealous and in the end goes with the nerdy guy that suddenly becomes rich.

Melora played hard to Spencer and rejected him several times. It's beyond reality that she changed her mind and feelings after all that she made Spencer go through.

Anyways, the movie is for pure entertainment as it doesn't make the audience think or generate feelings. It's just a "romantic" comedy that feels very 90's with absurd sub-plots and a predictable ending.

4/10. Watch the movie for Melora and the cute Marisa Ribisi. I catched this movie at 2:00 a.m. on cable. Don't waste your money on this.

Okay, I admit it, I only rented this movie out because Jesse Bradford is in it (which if you ask me is good enough reason alone!) What I got was basically a predictable romance...There are a few amusing scenes in this film (mainly those with Spencer's room-mates) But thats it. The movie relies too heavily on gay jokes and basic plot elements. Best watched for either a Jesse perve, (which is worth it by the way!) Or for an easy-to-watch pretty much brain-less film.

What a disappointment. That this movie is billed as a comedy is bizarre. I don't recall myself laughing even once. The setting and scripting is juvenile and primitive, and the characterisations hollow and unbelievable. There is almost no development during the movie, nor anything to really pique the interest of the audience.

The jacket description on the DVD was very misleading and thus annoying. While there was great potential in this film, it was never even begun to be realised.

I watched this movie after a four-hour counselling session with a couple who had recently lost their 17-year-old son in a car accident, and was after a pick-me-up - but this movie never even began to offer, even though almost anything could have.