IMDb RATING
4.2/10
4.5K
YOUR RATING
A shy advertising employee meets his dream girl on the El train, but doesn't remember to get her phone number, resulting in an all-out search for the mystery girlA shy advertising employee meets his dream girl on the El train, but doesn't remember to get her phone number, resulting in an all-out search for the mystery girlA shy advertising employee meets his dream girl on the El train, but doesn't remember to get her phone number, resulting in an all-out search for the mystery girl
- Awards
- 4 nominations total
Dan Montgomery Jr.
- Brady
- (as Dan Montgomery)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Kevin (Lance Bass) is a young advertising executive whose career is on the upswing. However, his personal life is more of a shambles as he is painfully shy around women. One day on a train in Chicago, he meets pretty Abbey (Emmanuelle Chriqui), who strikes his interest immediately. They both love Al Green, the Cubs, and history. However, Kevin clams up at the end of the conversation and fails to acquire her name and telephone number. He regrets his lack of fortitude soon after and decides to put up posters around the city in an effort to find her. The local newspaper, spotting one of the signs, even features an article on Kevin's plight. Yet, Abbey fails to appear. Will Kevin connect again with Abbey, even as he's fighting off the attentions of other women?
With NSync member Bass as the star of the show, one would expect a movie only tweens would appreciate. Not so. Bass and Chriqui are winsome and winning as they seek to find each other again. The scenes in and around Chicago are engaging. The supporting cast is a bit goofy and grating at times (especially Kevin's friends) but, overall, the presentation of the movie is upbeat and humorous. Fans of light-hearted romantic films would be savvy to seek out this little sleeper. A happy feeling will permeate the viewer's heart for a long time.
With NSync member Bass as the star of the show, one would expect a movie only tweens would appreciate. Not so. Bass and Chriqui are winsome and winning as they seek to find each other again. The scenes in and around Chicago are engaging. The supporting cast is a bit goofy and grating at times (especially Kevin's friends) but, overall, the presentation of the movie is upbeat and humorous. Fans of light-hearted romantic films would be savvy to seek out this little sleeper. A happy feeling will permeate the viewer's heart for a long time.
The 2001's opus On The Line is clearly one of the gripping romantic comedies of our time. The cellioud itself is iconoclast, redefining itself and the genre as a whole. In film we have a man who is seperated from his would be lover via the manical train (representative of man's conflict with nature and his own increasing modernaization in the late capitalist model). In turn Fatone's character must search to reclaim his lost love, but just as they appear to be reunited larger symbollic structures will keep them apart. For instance a large glass pane, (a nod to Freuds Id, and dismantling of the mirror stage, for through this glass, Fatone sees not himself but his lover, an analysis of both the social construction of self, and the dialouge of co-dependency). Will they end up in passionate union? Rent it and get TURNED ON THE LINE A brilliant piece of Shaduenfrueden.
Promising set up, attractive (but not TOO attractive) leads, a solid supporting cast, excellent technical work. . . . all with a screenplay that is made out of just a bit too much fluff.
Fluff is good. Too much fluff is bad. Kevin lacks the "un nice" undertones to be believable-- even the best among us have some real flaws, not just a pseudo flaw of "choking" when dealing with the opposite sex. Kevin is 99% pure fluff, and the attempt to make the character into a creative person fails because a creative person is more multi dimensional than pretty boy Kevin. His friends are also painted in one or two dimensional strokes, and the Abbey role winds up painted so shallowly that it is difficult to conceive of why someone, even those as shallow as her fiancee and Kevin, would pursue her.
Their instant connection soul mate behavior simply does not have enough questioning, enough basis for existing. Even a child's balloon has more substance than what they created in their first meeting. There has to be more than a smile, a list of presidents, or a love for a baseball team to make a connection.
When it is finally revealed to him that he was betrayed, Kevin becomes violent toward a friend-- without really exhibiting anger, a perfunctory physical attack coming short of a playground fight. The entire movie was surface gloss and fluff, but with the promise of meat and potatoes.
I wanted to believe.
Wish I could have.
Fluff is good. Too much fluff is bad. Kevin lacks the "un nice" undertones to be believable-- even the best among us have some real flaws, not just a pseudo flaw of "choking" when dealing with the opposite sex. Kevin is 99% pure fluff, and the attempt to make the character into a creative person fails because a creative person is more multi dimensional than pretty boy Kevin. His friends are also painted in one or two dimensional strokes, and the Abbey role winds up painted so shallowly that it is difficult to conceive of why someone, even those as shallow as her fiancee and Kevin, would pursue her.
Their instant connection soul mate behavior simply does not have enough questioning, enough basis for existing. Even a child's balloon has more substance than what they created in their first meeting. There has to be more than a smile, a list of presidents, or a love for a baseball team to make a connection.
When it is finally revealed to him that he was betrayed, Kevin becomes violent toward a friend-- without really exhibiting anger, a perfunctory physical attack coming short of a playground fight. The entire movie was surface gloss and fluff, but with the promise of meat and potatoes.
I wanted to believe.
Wish I could have.
Lets get this out of the way first, Lance Bass CANNOT ACT. That aside, this movie was really frustrating, I just wanted the two to get together already......I loved Emmanuelle Chriqui she is gorgeous and very down to Earth I think shes great and going to be a big star one day.
The other Nsync star Joey was pretty good I thought, much better than Lance, I just wanted to slap him out a few times.
Overall a very sappy movie...........but i fell for it.It had to be Emmanuelle....she was great....absolutely fantastic.
I recommend this movie to all those hopeless romantics out there that are suckers for sappy stuff like this.
The other Nsync star Joey was pretty good I thought, much better than Lance, I just wanted to slap him out a few times.
Overall a very sappy movie...........but i fell for it.It had to be Emmanuelle....she was great....absolutely fantastic.
I recommend this movie to all those hopeless romantics out there that are suckers for sappy stuff like this.
On the Line is an okay movie that is somewhat entertaining and enjoyable to watch. Lance Bass and Joey Fatone (two of the guys from N'Sync) did a fairly well job for one of their first theatrical films. Also Emmanuelle Chrique did good in her role as Abbey. The movie did get a little boring at times, but it also had some humor and laughs. On the Line is an okay movie that is an enjoyable movie to watch. I give it a 6 out of 10.
Did you know
- GoofsWhen Abbey and Kevin kiss at the end of the movie, Abbey is wearing a blue-jean jacket. When the picture of this scene appears in the newspaper, she's wearing a black leather jacket.
- Crazy creditsJust as the credits begin, there is a sound effect for the reels stopping and then titles signifying a "Behind the Scenes" of On the Line appear. We see Lance Bass and Emmanuelle Chriqui in their respective make-up chairs along with a cameo of two make-up artists, played by Justin and Chris from NSync. They exchange "N'Sync is N-Stink" comments with praises for Kevin.
- SoundtracksTwo Princes
Written by Chris Barron (as Christopher Barron Gross), Aaron Comess, Eric Schenkman and Mark White
Performed by Granite
- How long is On the Line?Powered by Alexa
Details
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $4,365,455
- Opening weekend US & Canada
- $2,307,063
- Oct 28, 2001
- Gross worldwide
- $4,544,601
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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