The rise and fall of confederate general Thomas "Stonewall" Jackson, as he meets with military success against the Union from 1861 to 1863, when he is accidentally killed by his own soldiers... Read allThe rise and fall of confederate general Thomas "Stonewall" Jackson, as he meets with military success against the Union from 1861 to 1863, when he is accidentally killed by his own soldiers.The rise and fall of confederate general Thomas "Stonewall" Jackson, as he meets with military success against the Union from 1861 to 1863, when he is accidentally killed by his own soldiers.
- Awards
- 1 win & 4 nominations total
- Gen. James Kemper
- (as Royce Applegate)
- Confederate General
- (as Robert C. Byrd)
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Featured reviews
Regarding the lack of political correctness, which in my opinion is our modern version of hypocrisy (we can do anything we want as long as we call it by another name) I would like to point out that this is an attempt at a historical movie and that the Civil War was NOT fought to free the slaves, nor were many people in the North comfortable with the concept of a franchised Negro. And some slaves in the South were relatively well treated by their owners, not that they probably didn't want freedom, but they didn't particularly wish their masters ill. The system was set up so that everyone involved, slaves and masters, had something to lose by destroying the status quo, and that's a very difficult thing for people to do. It's easy for us now to say 'they should have freed the slaves' but if you knew that to free your slaves would beggar your children, would you be able to do it?
As with Gettysburg, the battle scenes were impressive and awe-inspiring. And they made the strategy and tactics clear to the viewer which is a monumental achievement, not to mention showing the pure courage on both sides, going to probably death or dismemberment without flinching. I would have liked more about the Northern command struggles to balance the picture but I can see how tempting it was to show the Southern victories to balance the horrible defeat at Gettysburg -- and this picture is meant to be one of a trilogy. I can only hope that word of mouth defeats the critics and gets this movie the audience it deserves.
I can go on and on, but for me, it falls apart with the sophomoric writing. I counted at least a dozen instances where they shoehorned in actual quotes from these historical figures into places where they made no sense. They even have characters steal each other's quotes which made me LOL hard a few times. Its distracting!
In fact, this entire script is just one scene after another which are structured around famous quotes. The worst example is JEB Stuart, quite literally out of no where, ending a scene with Stonewall Jackson saying "Oh by the way (even though this is very off topic and you did not ask), I will always tell my men to gallop toward the enemy, and trot away". Its stuff like that which makes this movie unbearable, especially when compared to Gettysburg, which had "some" of that but was balanced out by actual character arcs, impressive direction of masses of reenactors, and an A list cast which acted that entire film masterfully, e.g. Sheen, Berringer, Lang, and especially Richard Jordan r.i.p. Gettysburg was able to masterfully (probably in editing phase) take situations before and during the battle to shape a properly structured, easy to follow story despite there being 50+ main characters.
Gods and Generals is just a mess, the complete opposite. I totally understand the propensity for civil war buffs (like myself) to give this a high score (look how many 10 stars skew the results), but, I say quite literally the opposite, because we're civil war buffs we deserve a better film that isn't a mess.
10/10 stars? Is this as good as Glory? Gone with the Wind? Or even Cold Mountain?
`Gods and Generals,' which begins right after the firing on Fort Sumter and ends shortly before the Battle of Gettysburg, is the first part of a planned trilogy. Despite a handful of `name' players in the cast (Robert Duvall, Jeff Daniels, Mira Sorvino and even Ted Turner in a ludicrous cameo appearance), writer/director Ronald F. Maxwell is unable to bring a single character in his film to convincing life (with the possible exception of `Stonewall' Jackson, who gets to carry the burden of what little drama the film has almost single-handedly). In lieu of dialogue, the actors spend most of their time looking wistfully up to heaven or scanning the mist-shrouded horizon while delivering endless homilies about the rightness of the cause and the place of God in human affairs. To keep it all palatable for more enlightened and egalitarian-minded modern audiences, the filmmakers are quick to have the Southern characters declare that, even though the South is forced to fight against the North to protect its God-given right to sovereignty, they, as individuals, are all personally opposed to slavery as an institution and firmly believe that their resident blacks will be freed someday as a matter of course. Hell, the Northerners in this film seem more prejudiced against black people than the Southerners, who just can't say enough good things about their sycophantic slaves.
The battle scenes, though well staged and appropriately graphic in nature, are strangely unmoving, primarily because we have no emotional stake in any of the characters we see doing the fighting. Without anyone for us to focus on and care about, the audience becomes little more than curious bystanders, passive and unengaged observers of this brutal display of ritualized slaughter. Although the visuals are splendid throughout, the musical score, except in a few places, is like a thick, heavy syrup poured over the entire film.
By providing subtitled identification of the principal people, places, dates and battles, `Gods and Generals' does provide a service as a history lesson of sorts. As a drama, however, the film is woefully lacking in every way imaginable. `Gods and Generals' may thrill the heart of the diehard Civil War buff. The rest of us will have to stick to our dreams of Scarlett and Rhett, and of a romanticized vision of the South that only a Golden Age Hollywood mogul would have dared come up with.
Yep, that's just what you might believe. If you took history from this film.
Gods and Generals is a confused, heavily pro-Confederate, train wreck. It attempts to span two years of the war though the perspective of General Thomas "Stonewall" Jackson, arguably one of the most brilliant field commanders West Point has ever produced. Like it's antecedent Gettysburg it is of epic length except that Gettysburg actually made sense. This film is all over the place. Focuses on non-pivotal battles and is bloated with nonsensical dialog and close ups of men talking to themselves in archaic,sanctimonious, soliloquies. There are no issues, there are no cassus belli,no internal conflicts, there is only a clumsy even bizarre celebration of the confederacy; depicted as an embattled yet righteous society defending their way of life against their tyrannical northern overlords. There is one mention of Fort Sumter, a passing nod or two to slavery, and the rest is the Lee/Jackson traveling show. Overall a sloppy production which screams lousy direction and lack of focus. I felt the book told the story of Jackson in much more coherent style than this mess.
To it's credit, it does have very graphic and disturbing battle scenes where both sides are, at times, honored and portrayed with equanimity.
However, G&G, like Gettysburg (a MUCH better directed film), had potential to evenly instruct and entertain. That's where the similarities between the two films ends Gods and generals is a ponderous, rambling, confusing, tribute to the CSA. Aside from it's endless length it jumps around way too much, lacks proper character development and historical veracity, which is far too extensive to get into for the purposes of a review. I will say that Stephen Lang was magnificent as Jackson, but I wasn't terribly impressed with Robert Duvall as Lee. It is no wonder it bombed at the box office. It's just not very watchable, at least not in one sitting. It might be of interest to those, like myself, who are interested in civil war films. This one is a grave disappointment.
Did you know
- TriviaSome scenes were filmed on Robert Duvall's estate in Virginia, which was the site of some Civil War skirmishes.
- GoofsRobert Edward Lee and Thomas Jonathan Jackson are shown wearing full beards at the very start of the Civil War, but they did not look like this until sometime later. Lee had dark hair going gray and wore a drooping mustache of the type favored by army officers in the 1850s. He grew his well known beard while serving as Jefferson Davis's military advisor. Jackson was clean shaven and grew a beard later out of his well known disinterest in personal grooming and appearance.
- Quotes
Joshua Lawrence Chamberlain: All these thousands of men. Many of them not much more than boys. Each one of them some mother's son, some sister's brother, some daughter's father. Each one of them a whole person loved and cherished in some home far away. Many of them will never return. An army is power. Its entire purpose is to coerce others. This power can not be used carelessly or recklessly. This power can do great harm. We have seen more suffering than any man should ever see, and if there is going to be an end to it, it must be an end that justifies the cost. Now, somewhere out there is the Confederate army. They claim they are fighting for their independence, for their freedom. Now, I can not question their integrity. I believe they are wrong but I can not question it. But I do question a system that defends its own freedom while it denies it to an entire race of men. I will admit it, Tom. War is a scourge, but so is slavery. It is the systematic coercion of one group of men over another. It has been around since the book of Genesis. It exists in every corner of the world, but that is no excuse for us to tolerate it here when we find it right infront of our very eyes in our own country. As God as my witness, there is no one I hold in my heart dearer than you. But if your life, or mine,is part of the price to end this curse and free the Negro, then let God's work be done.
- Crazy creditsNo reenactors were credited individualy, rather there was general thank you to all the reenactors who participated in the filming.
- Alternate versionsThe Director's Cut of the film includes additional action scenes from the Battle of Antietam. The battle scenes are shown from the perspectives of Jackson and Chamberlain, and mostly focus on the fighting in Miller's Cornfield which was a major deciding point of the battle.
- ConnectionsFeatured in Bob Dylan: Cross the Green Mountain (2003)
- How long is Gods and Generals?Powered by Alexa
- Given that slavery was a brutal and immoral practice, why would anyone today (including the makers of this film) side with the Confederates, who supported slavery, against the Union, which sought to abolish it?
- What are the differences between the Theatrical Version and the Extended Cut?
Details
Box office
- Budget
- $56,000,000 (estimated)
- Gross US & Canada
- $12,882,934
- Opening weekend US & Canada
- $4,675,246
- Feb 23, 2003
- Gross worldwide
- $12,923,936
- Runtime3 hours 39 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1