The rise and fall of confederate general Thomas "Stonewall" Jackson, as he meets with military success against the Union from 1861 to 1863, when he is accidentally killed by his own soldiers... Read allThe rise and fall of confederate general Thomas "Stonewall" Jackson, as he meets with military success against the Union from 1861 to 1863, when he is accidentally killed by his own soldiers.The rise and fall of confederate general Thomas "Stonewall" Jackson, as he meets with military success against the Union from 1861 to 1863, when he is accidentally killed by his own soldiers.
- Awards
- 1 win & 4 nominations total
- Gen. James Kemper
- (as Royce Applegate)
- Confederate General
- (as Robert C. Byrd)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
What's very impressive about this movie was (1) not overdone violence; (2) beautiful cinematography; (3) an unusual and refreshing reverence for God, the Bible and Christian thought and (4) a better portrayal by Robert Duvall of Robert E. Lee than Martin Sheen's version in "Gettsyburg." On the point 3, all it was - to those atheists/agnostics who were offended by Jackson's reverence - was showing an accurate portrayal of how people thought and believed back then in the south. That's simply the way it was and the way people viewed everyday life, though Biblical standards and language. So kudos, to the filmmakers here for at least giving us an accurate description of the times, even though they probably don't share those beliefs. Of course, the critics - almost all of them secular - hated the film.
One thing I did miss from "Gettysburg" was a bigger role from Jeff Daniels, who was so good as "Col.Chamberlain." His role here in that capacity is limited.
In summary, an accurate film with ideals and worthy of anyone's collection, particularly if they are Civil War buffs, but a movie that needed more punch to it to be more "watchable."
`Gods and Generals,' which begins right after the firing on Fort Sumter and ends shortly before the Battle of Gettysburg, is the first part of a planned trilogy. Despite a handful of `name' players in the cast (Robert Duvall, Jeff Daniels, Mira Sorvino and even Ted Turner in a ludicrous cameo appearance), writer/director Ronald F. Maxwell is unable to bring a single character in his film to convincing life (with the possible exception of `Stonewall' Jackson, who gets to carry the burden of what little drama the film has almost single-handedly). In lieu of dialogue, the actors spend most of their time looking wistfully up to heaven or scanning the mist-shrouded horizon while delivering endless homilies about the rightness of the cause and the place of God in human affairs. To keep it all palatable for more enlightened and egalitarian-minded modern audiences, the filmmakers are quick to have the Southern characters declare that, even though the South is forced to fight against the North to protect its God-given right to sovereignty, they, as individuals, are all personally opposed to slavery as an institution and firmly believe that their resident blacks will be freed someday as a matter of course. Hell, the Northerners in this film seem more prejudiced against black people than the Southerners, who just can't say enough good things about their sycophantic slaves.
The battle scenes, though well staged and appropriately graphic in nature, are strangely unmoving, primarily because we have no emotional stake in any of the characters we see doing the fighting. Without anyone for us to focus on and care about, the audience becomes little more than curious bystanders, passive and unengaged observers of this brutal display of ritualized slaughter. Although the visuals are splendid throughout, the musical score, except in a few places, is like a thick, heavy syrup poured over the entire film.
By providing subtitled identification of the principal people, places, dates and battles, `Gods and Generals' does provide a service as a history lesson of sorts. As a drama, however, the film is woefully lacking in every way imaginable. `Gods and Generals' may thrill the heart of the diehard Civil War buff. The rest of us will have to stick to our dreams of Scarlett and Rhett, and of a romanticized vision of the South that only a Golden Age Hollywood mogul would have dared come up with.
I find it interesting how almost no emphasis is put on any commanding Union general in either film, with only about 2 minutes of dialouge between Hancock and Burnside before the disaster at Fredericksberg. It should always be noted that Lee's early victories can be credited equally on the Union commanders utter incompotence as well as Lee's exeptional stratigic ability.
I'm sure "The last full measure" (the final film of the trilogy) will put a fair amount of emphasis on General Grant as he assumes command for the Army of the Potamac in 1864. I just hope we dont have another 10-year interval between films.
They are both great films. They have not been the box-office hits because of their legnth and a lack of hard-core history lovers to pay up at the theatre. I'm sure that "Gods" will be aired on TBS soon in a 2 part "mini-series" format to very good ratings as "Gettysberg" did.
I can go on and on, but for me, it falls apart with the sophomoric writing. I counted at least a dozen instances where they shoehorned in actual quotes from these historical figures into places where they made no sense. They even have characters steal each other's quotes which made me LOL hard a few times. Its distracting!
In fact, this entire script is just one scene after another which are structured around famous quotes. The worst example is JEB Stuart, quite literally out of no where, ending a scene with Stonewall Jackson saying "Oh by the way (even though this is very off topic and you did not ask), I will always tell my men to gallop toward the enemy, and trot away". Its stuff like that which makes this movie unbearable, especially when compared to Gettysburg, which had "some" of that but was balanced out by actual character arcs, impressive direction of masses of reenactors, and an A list cast which acted that entire film masterfully, e.g. Sheen, Berringer, Lang, and especially Richard Jordan r.i.p. Gettysburg was able to masterfully (probably in editing phase) take situations before and during the battle to shape a properly structured, easy to follow story despite there being 50+ main characters.
Gods and Generals is just a mess, the complete opposite. I totally understand the propensity for civil war buffs (like myself) to give this a high score (look how many 10 stars skew the results), but, I say quite literally the opposite, because we're civil war buffs we deserve a better film that isn't a mess.
10/10 stars? Is this as good as Glory? Gone with the Wind? Or even Cold Mountain?
Did you know
- TriviaSome scenes were filmed on Robert Duvall's estate in Virginia, which was the site of some Civil War skirmishes.
- GoofsRobert Edward Lee and Thomas Jonathan Jackson are shown wearing full beards at the very start of the Civil War, but they did not look like this until sometime later. Lee had dark hair going gray and wore a drooping mustache of the type favored by army officers in the 1850s. He grew his well known beard while serving as Jefferson Davis's military advisor. Jackson was clean shaven and grew a beard later out of his well known disinterest in personal grooming and appearance.
- Quotes
Joshua Lawrence Chamberlain: All these thousands of men. Many of them not much more than boys. Each one of them some mother's son, some sister's brother, some daughter's father. Each one of them a whole person loved and cherished in some home far away. Many of them will never return. An army is power. Its entire purpose is to coerce others. This power can not be used carelessly or recklessly. This power can do great harm. We have seen more suffering than any man should ever see, and if there is going to be an end to it, it must be an end that justifies the cost. Now, somewhere out there is the Confederate army. They claim they are fighting for their independence, for their freedom. Now, I can not question their integrity. I believe they are wrong but I can not question it. But I do question a system that defends its own freedom while it denies it to an entire race of men. I will admit it, Tom. War is a scourge, but so is slavery. It is the systematic coercion of one group of men over another. It has been around since the book of Genesis. It exists in every corner of the world, but that is no excuse for us to tolerate it here when we find it right infront of our very eyes in our own country. As God as my witness, there is no one I hold in my heart dearer than you. But if your life, or mine,is part of the price to end this curse and free the Negro, then let God's work be done.
- Crazy creditsNo reenactors were credited individualy, rather there was general thank you to all the reenactors who participated in the filming.
- Alternate versionsThe Director's Cut of the film includes additional action scenes from the Battle of Antietam. The battle scenes are shown from the perspectives of Jackson and Chamberlain, and mostly focus on the fighting in Miller's Cornfield which was a major deciding point of the battle.
- ConnectionsFeatured in Bob Dylan: Cross the Green Mountain (2003)
- How long is Gods and Generals?Powered by Alexa
Details
Box office
- Budget
- $56,000,000 (estimated)
- Gross US & Canada
- $12,882,934
- Opening weekend US & Canada
- $4,675,246
- Feb 23, 2003
- Gross worldwide
- $12,923,936
- Runtime
- 3h 39m(219 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1