Love in a Cold Climate

Aside from them not including the characters of Emily (the aunt that actually raised Fanny) and Davey (who plays an even more important part), I think the casting is excellent. Sure Rosamund Pike looks nothing like what Mitford described Fanny as but she does embody the nature of Fanny. I can't think of who better to play Matthew and Sadie but Alan Bates and Celia Imrie. Davey played a very important part in the novels, and in this version they merely lump his part into Lord Merlin; and he was also the one of funniest part of the novels with his hypochondria. They also dismissed the eldest Radlett daughter, Louisa, as really she marries straight off but is the one who had the disastrous coming out ball. I thought it was a fun production nonetheless.

Nancy was the first to exploit the glittering vein of inside jokes and family legend that's sustained the Mitford industry for over fifty years, and when her two most popular books, the titular "Cold Climate" and the earlier "Pursuit of Love," were "adapted" (sliced and diced and drastically condensed) to fit this stingy two-episode format, there were bound to be a few loose ends. My brilliant wife, a fiction editor by trade, spotted a brief two-character scene that didn't seem to make much sense; it turned out to be a collage of the zingier lines from three different scenes involving two sets of characters and spread out over twenty pages. Do admit, Fanny!

Mitford loyalists will mourn the loss of Uncle Davey; they may also wonder why, say, on the page it's Aunt Sadie who can't talk horticulture with a dinner guest because she prefers to leave such matters to the gardeners whereas on the screen it's daughter Linda who can't identify the soup because she prefers to leave them to the cook.... Still, if the script is a little dodgy, the cast is just about perfect: Alan Bates, as Uncle Matthew, prowls the floor at a deb dance like a Rottweiler on parade; Celia Imbrie is delightfully distracted as Aunt Sadie; Elisabeth Dermot Walsh and Rosamund Pike are charming as lovely, clueless Linda and the all-seeing narrator, Fanny. Special mention goes to Jemima Rooper and Anna Popplewell as sex-mad innocents Jassy and Victoria. The earlier, 8-ep version, still available on disc, has more room for plot material (including Uncle Davey), but the younger characters aren't nearly as well cast.

Nancy Mitford's two delightful novels, 'The Pursuit of Love' and 'Love in a Cold Climate' were beautifully if rather slowly realised in 6 x 50 minutes episodes by Thames Television 20 years ago in a production so vivid that much from it still lingers in my memory. Much funnier and much less pretentious than 'Brideshead Revisited' it no doubt did for respect of the aristocracy what Jack the Ripper did for blind dates, but it was a great romp nonetheless.

This time round the BBC has covered the same ground in 150 minutes. It is another beautiful production but I was left with the distinct feeling the fast forward button was on. The novelist Deborah Moggach was responsible for the script. Some things still come across well - Linda's relationship with her French lover Fabrice is well portrayed and the return of the Bolter for instance is a highlight, but the Cedric character and his relationship with the Montdores is truncated and that classic neurasthenic Davey Warbeck so sympathetically played by Michael Williams in the 1980 version has disappeared altogether. John Woods's Merlin is very good though and Anthony Andrews (who starred as the doomed Sebastian in 'Brideshead') is excellent as the feckless bounder Boy Dugdale. Alan Bates as Uncle Matt is rather more menacing than Michael Aldridge's delightfully dotty 1980 version (I guess we can't have our fascists too lovable anymore) and some of the comedy is lost thereby. Elisabeth Dermot-Walsh is lovely as the love-struck Linda but Megan Dodds as Polly is strangely hollow.

The stately homes are well cast as usual – the Mitfords may have been aristocratic backwoodspersons, but they lived in a very nice part of Oxfordshire and location shooting is used to good effect. However, it seems that current TV production costs mean that a novel adapted for TV can never be more than severely edited highlights (no-one would do 'Brideshead' in 13 x 50 minute episodes today). This being the case, there's only one thing for it – read the book!

This is a beautifully made remake of Love in a Cold Climate, but whereas the 1980 series had seven episodes to tell us the story, this film tries to do it (and Nancy's Mitford's previous novel) in 150 minutes.

While the performances are done well, and the insights into the oddities of the English aristocracy are just as Mitford would have known them, there really isn't the time to offer deep characterisations, and explain people's motivations adequately. You feel you're only skating on the surface half the time, which is a pity.

If there had been more of it, I would almost certainly have rated it more highly.

Having read both of the books that this mini series is based on and recalling the excellent 1980 mini series, I looked forward to this new version with enthusiasm.

I have to say that on the whole I found it very disappointing. It certainly covered the bones of the story, but due to its short length, missed out on much of the humour in the original stories. It certainly looked good, casting was excellent, the period was conveyed very convincingly - but, because virtually none of the characters were properly introduced, I kept wondering "just who is this person". Anyone unfamiliar with the story would have found it confusing most of the time.

This was obviously not a cheap production, what a pity they didn't spend a bit more and do better justice to one of the classics of twentieth century fiction.