Love in a Cold Climate

I loved this show! So much! I was just so disappointed when it ended after only 3 episodes! Broke my heart! Such a good mini-series!

My Review- of 2 versions Love in a Cold Climate 1980 on YouTube & Love in a Cold Climate 2001 on Britbox

My Rating 1980 version 10/10 My Rating 2001 version 7/10

It's the first time I've reviewed 2 versions of the same adaptation together however because I watched them simultaneously out of interest I'll review both together.

The 2001 remake is a short 3 episodes while the superior 1980 adaptation consists of 8 episodes.

I enjoyed both versions but was a little disappointed with the 2001 remake and after watching both versions the remake to me is like a redacted sanitised version with many characters and story lines missing.

Both are television adaptations of 2 famous novels written by Nancy Mitford titled The Pursuit of Love and Live in a Cold Climate.

Both have very impressive casts the 2001 remake includes stars Alan Bates as Uncle Matthew and Celia Imrie as Aunt Sadie with beautiful Rosamund Pike as Fanny and Sheila Gish as Lady Montdore.

The superior 1980 version includes Judy Dench as Sadie , Michael Aldridge as Uncle Matt and Isabelle Amyes as Fanny plus veteran actress Vivian Pickles playing the acid tongued Lady Montdore who is transformed into a glamour fag hag when her effeminate nephew Cedrick Hampton arrives to inherit his estate from Canada.

The masquerade ball scene left out of the later version is a joy to behold .

The story set between 1924 and 1940 draws on the authors experience of being raised in an aristocratic climate just before World War 2 when three cousins Fanny , Linda and Polly are led down very different paths due to the consequences of their life choices .

My main criticism of the most recent version apart from editing out characters like Davey Warbeck played by Michael Williams the real life husband of Judy Dench in the 1980 version was the miscasting in the 2001 adaptation.

Rosamund Pike who plays cousin Fanny the daughter of "The Bolter" and narrator of the story is far to beautiful to play Fanny . Her character is supposed to be a shy wallflower not plain but modest in appearance compared to her glamorous cousin Linda played by Elisabeth Dermot Walsh.

The casting of Lucy Gutteridge as the glamorous flirtatious Linda and Isabelle Amyes as cousin Fanny is much more believable in the 1980 version of Love in a Cold Climate.

It's fascinating to me to appreciate 2 very different screen writer's and directors adaptations of the same story for my money Simon Raven screen writer and Donald McWhinnie's 1980 version is the superior adaptation.

Especially the conclusion of the series which in the 2001 version was especially abrupt and very different in moral tone.

Both adaptations are entertaining however the characters are much expanded and I would suspect more faithfully portrayed in the 1980 version which if you only want to watch one adaptation I recommend.

This is just about as good as it gets in costume drama. Even the BBC, which is so good at this sort of thing, got it absolutely right, even though this version ran at a much shorter length than the equally excellent 1980 version. The cast is good enough to eat: no-one strikes a wrong note, and some of the acting is downright fabulous (watch Lady Mondore's emotions shift and change). The period detail is, as one has come to expect, far superior to most other attempts at this period. As for the luscious sets, especially those in Paris — what can one say? Watch for the moment when Lady M., having breakfast in bed, says to Fanny that she married for 'all this' and the camera snaps back to show her, not just in a bedroom, but in one of the most sumptuous rooms you could ever hope to see. Deborah Moggach's adaptation strikes the right note all the way through, even for Nancy Mitford fans. But when will a version of the 1980 serialization be made available???

This is a beautifully made remake of Love in a Cold Climate, but whereas the 1980 series had seven episodes to tell us the story, this film tries to do it (and Nancy's Mitford's previous novel) in 150 minutes.

While the performances are done well, and the insights into the oddities of the English aristocracy are just as Mitford would have known them, there really isn't the time to offer deep characterisations, and explain people's motivations adequately. You feel you're only skating on the surface half the time, which is a pity.

If there had been more of it, I would almost certainly have rated it more highly.

Nancy Mitford's two delightful novels, 'The Pursuit of Love' and 'Love in a Cold Climate' were beautifully if rather slowly realised in 6 x 50 minutes episodes by Thames Television 20 years ago in a production so vivid that much from it still lingers in my memory. Much funnier and much less pretentious than 'Brideshead Revisited' it no doubt did for respect of the aristocracy what Jack the Ripper did for blind dates, but it was a great romp nonetheless.

This time round the BBC has covered the same ground in 150 minutes. It is another beautiful production but I was left with the distinct feeling the fast forward button was on. The novelist Deborah Moggach was responsible for the script. Some things still come across well - Linda's relationship with her French lover Fabrice is well portrayed and the return of the Bolter for instance is a highlight, but the Cedric character and his relationship with the Montdores is truncated and that classic neurasthenic Davey Warbeck so sympathetically played by Michael Williams in the 1980 version has disappeared altogether. John Woods's Merlin is very good though and Anthony Andrews (who starred as the doomed Sebastian in 'Brideshead') is excellent as the feckless bounder Boy Dugdale. Alan Bates as Uncle Matt is rather more menacing than Michael Aldridge's delightfully dotty 1980 version (I guess we can't have our fascists too lovable anymore) and some of the comedy is lost thereby. Elisabeth Dermot-Walsh is lovely as the love-struck Linda but Megan Dodds as Polly is strangely hollow.

The stately homes are well cast as usual – the Mitfords may have been aristocratic backwoodspersons, but they lived in a very nice part of Oxfordshire and location shooting is used to good effect. However, it seems that current TV production costs mean that a novel adapted for TV can never be more than severely edited highlights (no-one would do 'Brideshead' in 13 x 50 minute episodes today). This being the case, there's only one thing for it – read the book!