Love in a Cold Climate

Aside from them not including the characters of Emily (the aunt that actually raised Fanny) and Davey (who plays an even more important part), I think the casting is excellent. Sure Rosamund Pike looks nothing like what Mitford described Fanny as but she does embody the nature of Fanny. I can't think of who better to play Matthew and Sadie but Alan Bates and Celia Imrie. Davey played a very important part in the novels, and in this version they merely lump his part into Lord Merlin; and he was also the one of funniest part of the novels with his hypochondria. They also dismissed the eldest Radlett daughter, Louisa, as really she marries straight off but is the one who had the disastrous coming out ball. I thought it was a fun production nonetheless.

I loved this show! So much! I was just so disappointed when it ended after only 3 episodes! Broke my heart! Such a good mini-series!

This is generally brilliant entertainment even if the political bits are clichéd and pointless esp the Spanish War scenes. But Rosamund Pike (as Fanny) is utterly spellbinding . You'll rarely encounter such photogenic beauty on film. The camera adores her and so do I. Some may find this comment lacking in gravitas or even frivolous. But forgive me - I'm in love !!

Of course "Love in a Cold Climate" has more going for it. It's a superb insight into the foibles and eccentricities of that most fortunate of social groupings - the English aristocracy of the inter-war period where fascism masqueraded as inherited privilege.

And the whole period is lavishly recreated and technically superb. Alan Bates is great fun as the sewer hating head of house who makes ingenious use of a bureau drawer to soothe his volatile temper.

But all else matters not a jot. What stands this costume piece apart is the astonishing radiance of the exquisite Rosamund Pike. I wholeheartedly recommend this study of happy English whimsy.

Having read both of the books that this mini series is based on and recalling the excellent 1980 mini series, I looked forward to this new version with enthusiasm.

I have to say that on the whole I found it very disappointing. It certainly covered the bones of the story, but due to its short length, missed out on much of the humour in the original stories. It certainly looked good, casting was excellent, the period was conveyed very convincingly - but, because virtually none of the characters were properly introduced, I kept wondering "just who is this person". Anyone unfamiliar with the story would have found it confusing most of the time.

This was obviously not a cheap production, what a pity they didn't spend a bit more and do better justice to one of the classics of twentieth century fiction.

Nancy Mitford's two delightful novels, 'The Pursuit of Love' and 'Love in a Cold Climate' were beautifully if rather slowly realised in 6 x 50 minutes episodes by Thames Television 20 years ago in a production so vivid that much from it still lingers in my memory. Much funnier and much less pretentious than 'Brideshead Revisited' it no doubt did for respect of the aristocracy what Jack the Ripper did for blind dates, but it was a great romp nonetheless.

This time round the BBC has covered the same ground in 150 minutes. It is another beautiful production but I was left with the distinct feeling the fast forward button was on. The novelist Deborah Moggach was responsible for the script. Some things still come across well - Linda's relationship with her French lover Fabrice is well portrayed and the return of the Bolter for instance is a highlight, but the Cedric character and his relationship with the Montdores is truncated and that classic neurasthenic Davey Warbeck so sympathetically played by Michael Williams in the 1980 version has disappeared altogether. John Woods's Merlin is very good though and Anthony Andrews (who starred as the doomed Sebastian in 'Brideshead') is excellent as the feckless bounder Boy Dugdale. Alan Bates as Uncle Matt is rather more menacing than Michael Aldridge's delightfully dotty 1980 version (I guess we can't have our fascists too lovable anymore) and some of the comedy is lost thereby. Elisabeth Dermot-Walsh is lovely as the love-struck Linda but Megan Dodds as Polly is strangely hollow.

The stately homes are well cast as usual – the Mitfords may have been aristocratic backwoodspersons, but they lived in a very nice part of Oxfordshire and location shooting is used to good effect. However, it seems that current TV production costs mean that a novel adapted for TV can never be more than severely edited highlights (no-one would do 'Brideshead' in 13 x 50 minute episodes today). This being the case, there's only one thing for it – read the book!