IMDb RATING
4.1/10
2.2K
YOUR RATING
A sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.A sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.A sex worker, a hired killer, and a movie crew cross paths in a Venice hotel where human meat is on the menu in this freewheeling film.
- Director
- Writers
- Stars
- Awards
- 2 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Just finished *trying* to make sense of the DVD, and then watching the making of documentary in the special features, and at the moment what stands out most in my mind is that they show a cast meeting where Burt Reynolds fairly pointedly says to Mike Figgis "Well I got here yesterday and I've spent quite a bit of time looking at what's been shot so far and I can't tell who the characters are what their names are and what the relationships between them are so I want to know do you expect us actors to work that out between us? I'm just saying this because I've already got the job, or I don't, whatever." (this is not exactly what he said btw just paraphrasing the gist of it from memory).
Mike Figgis reply to him is basically "don't worry about it that will all come out in the editing".
Honestly I'm not a Burt Reynolds fan - something about his manner comes off as arrogant to me - but after trying to watch this confusing movie I sure wish Mike Figgis had paid more attention to what Burt was trying to tell him!! The only scene that worked well for me in the whole movie was the scene of the Flamenco dancer. Which I think is telling because it's the closest thing to a music video in the movie - i.e. the 4 screen technique I don't think works well for trying to tell a story. But for something like the flamenco dancer it's interesting visually to have closeups of her feet and her pretty face, etc. all juxtaposed on the screen at the same time. To overwhelm the viewer with the flash and fury of all this motion and music at the same time. But when trying to tell a story it's just frustrating really, as a viewer you don't know where to look and if you're missing something important.
I *love* Leaving Las Vegas obviously Mike Figis has incredible gifts as a film maker. But for me this movie was pretty much an experiment that failed.
Mike Figgis reply to him is basically "don't worry about it that will all come out in the editing".
Honestly I'm not a Burt Reynolds fan - something about his manner comes off as arrogant to me - but after trying to watch this confusing movie I sure wish Mike Figgis had paid more attention to what Burt was trying to tell him!! The only scene that worked well for me in the whole movie was the scene of the Flamenco dancer. Which I think is telling because it's the closest thing to a music video in the movie - i.e. the 4 screen technique I don't think works well for trying to tell a story. But for something like the flamenco dancer it's interesting visually to have closeups of her feet and her pretty face, etc. all juxtaposed on the screen at the same time. To overwhelm the viewer with the flash and fury of all this motion and music at the same time. But when trying to tell a story it's just frustrating really, as a viewer you don't know where to look and if you're missing something important.
I *love* Leaving Las Vegas obviously Mike Figis has incredible gifts as a film maker. But for me this movie was pretty much an experiment that failed.
There have been a few times when I've watched a bad film and said the words, "Oh, God, that was the worst film I've ever seen", but I knew I never really meant it, I couldn't possibly make a serious judgement like that. Until now. This film remains the worst film I have ever seen. Even now, years later, when I watch some load of crap and say that it's the worst, this one comes back to me and I always have to add, oh no, apart from "Hotel", now that really was THE worst. It is pretentious. It is boring. God knows how they managed to get good actors to lower themselves to this wanky rubbish. You cringe and you squirm, just at the thought of how painful it must have been for all involved to have rammed their heads that far up their own arses. I watched this film ages ago, but I have come here, years later, and I still have the urge to shake my head at people over the internet, and say, no. No, don't do it. Don't watch it. There is absolutely no worth in it at all. Nothing.
Having enjoyed Mike Figgis' earlier efforts, "Loss of Sexual Innocence", "Timecode", and "Leaving Las Vegas", I entered the Varsity theatre at the Toronto International Film Festival in high spirits, also excited by the opportunity to hear Figgis introduce his film and take part in a question-answer program afterwards.
After sitting through literally 2 and 1/2 hours of assaulting pretentious montages and amateurish camera work (not to mention editing), I was even more appalled by Figgis' own take on his work.
The man brags openly about not having any script, storyline or characters to speak of. He then goes on to talk about how he is the "actor's director", giving his cast the "freedom" to indulge themselves and improvise. What I'm thinking was how could you do this to your producers, to your cast?!--people who put their reputations on the line and end up looking utterly ridiculous (the only one to emerge from this wreck unscathed is John Malkovich, obviously smart enough to pull-out from the project just in time, only to appear in the opening 2 scenes)!
My question for him would have been something along the lines of "why did you want to make this film?".
For that matter Figgis didn't even seem to know what his film was about. I've never before seen such a soulless, self-indulgent piece.
Making a good, meaningful film should be a labor of love for the director. When you ask an actor to put their names and invest their abilities on your project you must show them the same respect.
In the end, when I think of `Hotel', I think of Figgis standing before a microphone making a complete ass of himself, going on about the brilliance of his work. But others not fortunate enough to have that experience will more likely remember David Schwimer barking like a dog at the camera or Burt Reynolds entering and smiling for the camera and then having literally nothing to say for an entire scene, never to appear in the movie again.
If it were up to me the film would end with a still, black-and-white head shot of its "director" Mike Figgis, superimposed above all the credits.
After sitting through literally 2 and 1/2 hours of assaulting pretentious montages and amateurish camera work (not to mention editing), I was even more appalled by Figgis' own take on his work.
The man brags openly about not having any script, storyline or characters to speak of. He then goes on to talk about how he is the "actor's director", giving his cast the "freedom" to indulge themselves and improvise. What I'm thinking was how could you do this to your producers, to your cast?!--people who put their reputations on the line and end up looking utterly ridiculous (the only one to emerge from this wreck unscathed is John Malkovich, obviously smart enough to pull-out from the project just in time, only to appear in the opening 2 scenes)!
My question for him would have been something along the lines of "why did you want to make this film?".
For that matter Figgis didn't even seem to know what his film was about. I've never before seen such a soulless, self-indulgent piece.
Making a good, meaningful film should be a labor of love for the director. When you ask an actor to put their names and invest their abilities on your project you must show them the same respect.
In the end, when I think of `Hotel', I think of Figgis standing before a microphone making a complete ass of himself, going on about the brilliance of his work. But others not fortunate enough to have that experience will more likely remember David Schwimer barking like a dog at the camera or Burt Reynolds entering and smiling for the camera and then having literally nothing to say for an entire scene, never to appear in the movie again.
If it were up to me the film would end with a still, black-and-white head shot of its "director" Mike Figgis, superimposed above all the credits.
Halfway through this movie I wanted the wasted hour of my life back. The plot is absolutely inane. To make it worse, the director though it would be clever to split the screen in four from time to time. So instead of watching one bad movie, you had to try and keep an eye on four. Not even completely gratuitous sex scenes could save it. I considered smashing the DVD to save anyone else from watching it, but it was a rental and I refused to invest any further money or time. Heard it was the same director as Leaving Las Vegas. Does anyone know if he has suffered a severe brain injury recently? Seriously, I like lots of off-beat movies. This was the absolute worst movie I have ever seen. Save yourself, don't rent it, if you've rented it already, don't watch it. If you own it, take it out and bury it in the back yard.
Everything you have heard about this film is true. It is horrible, it is an experiment that went terribly bad. I think Mike Figgis has perhaps lost his mind. What motivataed him to put such CRAP on film. Seriously, and to pay some actors who are not too bad in their own right, to play in it. The screenplay is irrelevant, because the horrible amateur hand-held cameras similar to blair-witch but even more annoying, and the horrible editing already make the film fall under a 5/10, then on top of that, the wasting of actors, the horrible dialogues, annoyingly boring script, and nonexistent directional voice just cause me to give perhaps the worst review i have ever gave of a film. I mean hated crap like Bad Company, when a stranger calls, etc.. but this is far outclasses those films in regards to how extremely bad it is...--- IMDb Rating: 4.5, my rating: 3/10
Did you know
- TriviaJohn Webster's play "The Duchess of Malfi" was first performed in 1614 at the Globe Theatre in London, and first published in 1623. The onscreen credits simply list the title followed by the author's name, and omit the word "play".
- ConnectionsReferences Citizen Kane (1941)
- How long is Hotel?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Отель
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $29,813
- Opening weekend US & Canada
- $12,840
- Jul 27, 2003
- Gross worldwide
- $35,588
- Runtime1 hour 33 minutes
- Color
- Sound mix
Contribute to this page
Suggest an edit or add missing content