Felix the Cat

The silent Felix cartoons were, for the most part, VERY good. Having no soundtrack, all they had to let you know what Felix was thinking or feeling was the artwork, at which the animators were extremely successful. You really can't compare the silents with the Trans-Lux TV Felix cartoons. However, in those TV cartoons, the producers were intelligent enough to hire Voice Actor extraordinaire Jack Mercer. He started at the Max Fleischer cartoon studio in New York City (that studio's original location was the reason for the urban settings of their cartoons.). Unlike the talented people at Warner Bros., Disney and many others, a large percentage of the settings of THEIR cartoons were rural. But watch a Betty Boop or a Popeye cartoon, and you'll fing they take place in urban locations. Jack Mercer was the voice of Popeye for FIFTY-plus years! Though many of the people who made the TV Felix cartoons made the rounds among the animation studios, each studio's product had a personality of its own, and that's where the talents of the artists and writers really shined. Sure, there are settings in, say, W-B cartoons varied and were definitely NOT urban, such as "The Awful Orphan" starring Porky Pig and Charlie Dog. It takes place on a farm, as do many others. But that's the beauty of any animated cartoon - you can make the setting ANY PLACE, on Earth or elsewhere in the known Multiverse. None of those locations are any more difficult to get to or any more expensive than any other. The reason, of course, is that everything you see and hear is the product of the Director's and animator's imaginations. Every cartoon by any studio was drawn at the same desks as any other.

I remember when I was a kid, and the Trans-Lux Felix cartoons were run every day. I watched them then and liked them! But if you told me then that all the characters were voiced by Jack Mercer, I'd never have believed you!

During the early days of television development it was necessary to monitor and adjust the quality of the transmitted picture in order to get the best definition. To do this, engineers required an 'actor' to constantly be under the burning studio lights as they tweaked and sharpened the image, and Felix fit the bill perfectly. He was the right colour (black and white), impervious to the heat from the lights and worked cheaply (in fact a one-off payment was all that was required). RCA's first experimental television transmissions began in 1928 by station W2XBS (New York-Channel #1) in Van Cortlandt Park and then moved to the New Amsterdam Theater Building, transmitting 60 line pictures. The 13" Felix the Cat figure made of paper mache was placed on a record player turntable and was broadcast using a mechanical scanning disk to an electronic kinescope receiver. The image received was only 2 inches tall, and the broadcasts lasted about 2 hours per day. By 1931 the station became part of NBC and began to transmit from 42nd St. These early broadcasts consisted of objects like Felix the Cat or early test patterns and photographs. Felix remained on his turntable for almost a decade as the early experimenters strove towards the goal of a high definition picture.

Out of all the cartoons I've watched in my life, none has ever gave me as much joy as the 1960's felix the cat. And now I hunt for these generations of cartoons that inspired my imagination. When I first got this movie I thought it was about the purple felix the cat which I also enjoyed, but it's not. So many bizarre twisted stories and how the world and all inanimate objects come to life is just amazing! I mean this can't even compare to garfield!

As I recall, the words to the theme went: "Felix the Cat, the wonderful, wonderful cat. You'll laugh so much your sides will ACHE. Your heart will go pitter-pat watching Felix, the wonderful cat."

I watched this TV cartoon series regularly as a child in the 60s. I enjoyed it a lot, but I believe I never suffered from aching sides. In fact, there were a few things about this show that were a little bit creepy, such as the sinister Master Cylinder, and that lantern-jawed kid Vavoom, who could blast through anything by just shouting "Vavoom!" That's the kind of stuff that creeps into the dreams of young kids and gives them nightmares!

At the end of each little episode, the announcer (apparently Jack Mercer--as I see in the title page that he did every other voice on the program) would say this in a low, growly voice. In the background of the soundtrack, there would be a string section doing that sustained-one-note-suspense thing that we've all heard in a million different films. Used to scare the crap outta me--almost as bad as Koko the Clown popping out of that damned inkwell. Even though the sensibilities that went into this kind of animation helped to shape (warp?) me, and I love them to this day, sometimes I think that the old time animators were sadists who hated kids. Either that or I was just a wuss.

The 1958-1961 Felix the Cat series is, in my opinion, the best version of Felix ever created. It perfectly captures the playful spirit and cleverness that made Felix such an iconic character for generations.

One of my favorite things about this series is Felix's voice - it reminds me a lot of Mickey Mouse, which gives Felix a charming and nostalgic feel. The voice acting adds so much personality and life to the character, making every episode a joy to watch.

The animation style is classic and timeless, with fun stories that appeal to both kids and adults. This series strikes the perfect balance between humor, creativity, and heart.

If you're a fan of classic animation or Felix the Cat, this series is a must-watch!