Lilo & Stitch

This is a personal favorite of mine, and I'm actually convinced it's Disney's most underrated animated movie. I guess the main reason I like this film so much is that it features the most sincere depiction of a relationship between siblings in any Disney film. For once, we get real, flawed (and therefore all the more lovable) people - not the usual perfect Disney princesses. But it's also incredibly funny and spectacularly entertaining throughout (not to mention that it has one of the most hilarious intros in any sci-fi film ever). I simply adore this movie, and I'm not ashamed to admit it makes me cry every time I watch it. This and Sanders' and DeBlois' other masterpiece, the first HOW TO TRAIN YOUR DRAGON, are the cinematic medicine that get me through my darkest days.

The look of the film is very distinct and refreshingly different from Disney's previous animated features. And the visuals are gorgeous; the backgrounds are painted in beautifully faded watercolors, and the 2-D animation is an example of artists at the peak of their craft. Every scene is jock-full of original ideas and a virtual demonstration of Chris Sanders' and Dean DeBlois' seemingly limitless imagination (the film also features a ton of clever references to sci-fi and monster films). Simply one of the best animated films - and one of the funniest sci-fi comedies - of the last 20 years.

P.S. (for new IMDb users): In case you don't know whether to trust this review or not, because you have no idea what my tastes in film are, just click on my username - gogoschka-1 - and you'll see a list what my 50 favorite movies are.

A very entertaining animated comedy for the whole family. A little Hawaiian orphan girl named Lilo(Daveigh Chase)adopts a precocious "pet" that is actually an extra-terrestrial experiment known as 626 and soon to be named Stitch. Lilo's guardian is her sister(Tia Carrere)who his having troubles with the child welfare case worker(Ving Rahmes). Stitch has his own troubles being an alien creature on the run. Lilo shares with Stitch her obsession of Elvis Presley and several of the King's classic tunes are scattered throughout to keep the pace rolling. A very different kind of Disney film well worth watching.

The film, directed by Sanders who also provides the destructive alien Stitch's voice, is a very touching animated comedy which turns Steven Speilberg's original ET movie on its head. The plot revolves around little Lilo, a five-year-old Hawaiian orphan, voiced by Daveigh Chase who unknowingly rescues an alien experiment from the dog pound thinking that she has rescued a dog. Her sister and guardian, Nani (Tia Carrere) is none-too-pleased due to his destructive tendencies, but is soon distracted by young surfie David Kawena (Jason Scott Lee). Unbeknown to Lilo the creature she names Stitch is actually experiment number 626 and has been designed to destroy all that he comes into contact with. Because of this Stitch is banished to an asteroid for the rest of his life but escapes to a blue-green world known as earth. To help with this he has extra thick skin and has been given strength way beyond his means To make the story of family and friendship more alluring Stitch's creator, Dr. Jumba Jookiba voiced by David Ogden Stiers, and the one-eyed Agent Peakley (Kevin McDonald) have a different idea. They are despatched by the Galactic Federation of Planets to capture Stitch and bring him home without interfering with the native humans. As the story unfolds Stitch learns what it is to be part of a family, albeit a very dysfunctional one, and feels like he belongs for the first time in his short life. As well as being loosely based on ET, in basic concept only, there are tips of the hat to the Star Trek television series as well as the Star Wars movies. The most obvious is when Stitch, imitating Jedi Master Yoda in Attack of the Clones, catches a laser blast in his hands, forms it into a ball and tosses it back at his attacker. Unlike most Disney films Lilo and Stitch has little music, save for the occasional clip of Elvis Presley which helps punctuate Lilo's obsession with the singer. Like Stuart Little 2, Lilo and Stitch is packed full of family values and emphasises the importance of friendship. Hilariously touching.

It feels like ages since Disney gifted us with numerous gems like 'Bambi', 'The Little Mermaid', 'The Lion King' etc (to name only a few) but things haven't been going too well for them in the last 20ish years. The other day I saw 'Tarzan and Jane' and I was mortified at how awful it was. Not just in term of its content, but even the animation looked very amateur. 'Lilo and Stitch' is a gem to have emerged from Disney after a long long time. Sadly, Disney has gone back to churning the usual crap and the success of trash like 'High School Musical' can assure us that we cannot expect anything great from Disney for a while longer.

'Lilo and Stitch' presents a very new style of animation with a new story. The characters, setting and music are all very refreshing. It's quite a nice touch of Disney to reintroduce Elvis to the younger generation. I loved most of the songs including Wynonna's version of 'Burning Love'. the only song i hated was A-Teens version of 'Fools Rush In'. Those bitches totally ruin that song. I didn't listen to the rest of the songs during the end credits but i hear that those too have been ruined by non-talents of the current-day. The setting in Hawaii is beautiful. I know it's only animation but it makes one want to go live there. The Hawaiian culture is very nicely portrayed.

The characters are very unique, real and lovable. We can recognize the little brat we once were in Lilo. She's a brat and gives her sister one hell of a time but also has a soft spot. She clearly loves her sister and is pretty much a lonely child. The sisters relationship was very real. Nani is pretty much the sole guardian struggling to make a living and raise her sister. This was also another point that 'Lilo and Stitch' lightly tackle, real life situations where an elder sister is trying to be a good parent to her little sis while she is also threatened by a social worker and tries to balance her worklife and life at home (which is clearly dysfunctional). At the same time we also see that she hardly has time for any romantic relationships. Stitch is one of the most unique characters of a Disney film. He is pretty much like an outsider who doesn't get along with anyone in the beginning, mostly through faults of his own but gradually forms a close bond with Lilo and Nani (kind of like me when I was a teen except that instead of Lilo and Nani I had a few good friends). The voice cast (that includes names like Tia Carrere, David Ogden Stiers Ving Rhames and even Chris Sanders who created the film) do a fine job giving life to their characters.

'Lilo & Stitch' is sheer entertainment. It tackles some relevant themes such as family value, the need to belong and unconditional love but it is well handled and doesn't do it in a way that will bore the kids. It's as much a movie for kids as it is for adults. It all started with Chris Sanders's (who also dubbed for Stitch) idea and he deserves full credit for it. Just think of the beautiful line often repeated in the film. 'Ohana means family, and family means NO ONE gets left behind'. Simple words yet such a powerful line. And it's coming from a Disney film. A real gem indeed.

"Lilo & Stitch" is unusual for a Disney animated movie in that it actually seems to take place in the real world (not to mention the present day), despite the latter half of the title being a genetic creation from another galaxy. Devoid of almost everything that people come to expect when the name "Walt Disney Pictures" appears on screen - which is not to say we're in "Golgo 13" territory here - this, as did "The Emperor's New Groove," suggests that though the box office takings may go down, the House of Mouse may yet pull another "Beauty and the Beast" on us one day.

The movie's a breath of fresh air not only in its setting - it's set on the Hawaiian island of Kauai - but also in its characters; Lilo is a little girl being brought up by her big sister Nani following their parents' death (offscreen), and the movie's not afraid to indicate that it's tough for both of them. They, along with their social worker Cobra Bubbles and friend David, constitute a rare sighting of proper human beings in Disney cartoons (see also, surprisingly, Lucky Piquel from "Bonkers"), the reward writer-directors Chris Sanders and Dean DeBlois get for putting the emphasis on the emotions rather than on the chase element of the plot (Stitch/Experiment 626 was created by a scientist in violation of the laws of his planet; when Stitch escaped, his creator and an "E-arth" expert were sent to bring him back) or on the potential for slapstick - though it's there and it's certainly used, the focus is purely on heart.

The realness of the movie means that "Lilo & Stitch" often feels like a live action movie that just happens to be drawn (at one point Stitch sees a 1950s SF movie on TV, and the movie in question is shown as a genuine film clip). Usually that's a bad thing if the 'toon in question strives to be realistic, but in this case there are so many elements that don't come naturally - seen any koala/dog hybrid-Elvis Presley wannabes on the beach lately? - that it still works. If there's a downside, it's that the scenes of the alien pursuers are for the most part almost a distraction... but even then the human element ups the involvement, with the added bonus of there being no real "bad guys" per se (yes, I said bonus - it's nice to see a Disney movie where there isn't a traditional black-hatted villain, just people doing their jobs).

And if all else fails, take into consideration the fact that it's also often genuinely funny; the fact that it never condescends to its audience; the fact that you actually have real Hawaiians (the voices of Tia Carrere and Jason Scott Lee) as key Hawaiian characters; and the fact that the songs used here actually have a purpose (to add dimension to our heroes - Lilo is a major fan of Elvis and tries to reach Stitch through the King), something many live-action movies often forget. "Lilo & Stitch" would be something worth seeing even if it wasn't a Disney film; seeing that it is... moving forward was always one of Walt's credos. It's encouraging to see that they're actually capable of following his ethos without the help of Pixar.

One major flaw though: in spite of the presence of Elvis, Wynonna and Alan Silvestri, the British release version has well-known song-murderer Gareth Gates slaughtering "Suspicious Minds" over the end credits. Thank heaven someone invented the "mute" button.