Tape

Shot on DV in one night at 'Tape' makes the viewer feel like a voyeur peeking into a motel room. It's set in a motel room where two friends reunite after 10 years (ironically Hawke and Leonard also appear together on screen more than a decade after their last film 'Dead Poet's Society') and have a private conversation that turns from the common catching up to unravelling secrets.

The entire movie is pretty much a conversation but it is a layered film with layered characters. The writing is brilliant. The editing it very tight. As the events unfold with clever twists, it becomes an intense human drama and a thrilling experience for the audience. While we are provided with sufficient background information on Amy and Jon, Vince remains somewhat of a mystery. His intentions remain for the viewer to interpret as there are hints that point in different directions. The hand-held camera mostly acts as hidden camera that lures the viewer to look into a private moment of these three character's lives. The swirling camera actually acts like a person itself, who's just sitting there while no one is aware of its presence. Once Linklater builds the tension, he sustains it and keeps the viewer engaged right through the end.

Being a conversational piece, it relies strongly on acting. The performances are solid. Ethan Hawke does a fine job of the (drug-induced) hyper but manipulative Vince. His character may be a bit ambiguous but he plays the part to the T. Robert Sean Leonard is adequate but in some places he seems a little lost. However, after Uma Thurman's entry, he is remarkable. Uma Thurman looks sensational with simple makeup. This is one actress who can look very plain when needed and supersexy when required. Her acting is excellent as she puts the pieces together while cleverly blindfolding the audience allowing them to figure out what happened.

While some people may feel confused at the end, it is very thought-provoking movie as one would try to figure out the puzzle. On the whole, 'Tape' takes us into a different territory that only a few Hollywood films have done. It has some great performances, good direction, brilliant writing and will very likely keep you glued to the screen.

Despite the fact that this film looks like it has been shot with a 500 dollar budget it is very worth while. Of course Uma Thurman and Ethan Hawke are somewhat famous actors, but they are not necessarily famous for their great acting skills. Yet in this cheap production, that has no tricks whatsoever to distract you from bad performances both are able to stand tall, as is Rovert Sean Leonard. Sure the film takes a bit getting used to, especially in the beginning when the actors have almost nothing to work with, but in the end the actors are what carries the film and they do so in a grandiose fashion. Some part of the credit has to go to the great dialog as well though, since the words that are spoken are able to grab you by the throat and keep you interested in figuring out what truth lies behind the talk. Nothing Linklater did was too spectacular, so I am sure any director could have pulled this one, but since Linklater was the one I must give him credit (and the rest of the cast and crew) for making such a good film.

8 out of 10

Tape is a really smart movie. It debats the ideas of principles and perceptions as your own perception is constantly changed as the story (or should I say dialogue) unfolds. This movie is filled with layers just like it's characters (Ethan Hawk is incredibly funny b-t-w)and the ending adds a superb twist. Don't worry about the somewhat overly artsy camera angles in the beginning, you get used to it (and even start to enjoy it).

TAPE is raw, an uncut diamond, about the weltschmerz induced by fading adolescence, dealing with the past and coming to terms with reality - in short and unsurprisingly: perfect and typical Linklater material.

"Tape" is not the best film of the year (in fact, it's not even director Richard Linklater's best film of the year), but it's a strong and intriguing movie experience all the same. Just three characters, one hotel room and a whole boiling pot of backstory. One could almost imagine Linklater, Hawke, Leonard (hey, isn't that Ethan Hawke's roommate 10 years ago in Dead Poet's Society?), and Thurman hanging out with a cool stage play and a DV camera and shooting the whole thing in one night. Don't get me wrong, there's nothing discardable or amateur about this film. But watch how the play, a simple story of old friends confronting old wounds, is transformed by the camera. The story is told in real time in a cramped room, but Linklater's over-cutting almost seems to extend time and space, creating a fully-realized world outside the hotel room walls without ever taking the camera outside. The performances are dead-on and suspense builds right under your nose. Rich and engaging.