A community is terrorized by deadly stone gargoyles, which have been brought to life by a supernatural talisman.A community is terrorized by deadly stone gargoyles, which have been brought to life by a supernatural talisman.A community is terrorized by deadly stone gargoyles, which have been brought to life by a supernatural talisman.
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Poor on every level-effects,script and acting-this turgid flick sees a number of Australian actors,familiar to Uk audiences through daytime soaps,impersonating Americans (badly)and a Brit(slightly less badly)as they attempt to thwart demons released from imprisonment inside stone gargoyles shipped from Yorkshire to America as part of a museum exhibition It simply will not do.
This is a very bad movie, with B-grade Australian actors and a very bad script. The story is based in a small "American" town, which is so obviously Sydney, Australia! The Aussie actors attempt (poorly) American accents and their Aussie accents shine through often, especially Jesse Spencer's. Also, the attempts at making the cars appear like they're left-hand drives and driving on the "other" side of the road (ie the right-hand side of the road) is poorly done. I was embarrassed to be an Australian watching this crud!
I couldn`t fail to notice the very harsh comments CURSE OF THE TALISMAN is getting on this page . Okay I admit a film featuring stone gargoyles from ye olde England turning up in Australia with murder on their mind isn`t going to be a classic movie but there were two things I should point out to everyone
1 ) The lack of gore . So it`s a TVM therefore there`s restrictions , but regardless of why it`s a nice change to see a horror movie without arms and legs getting bitten off every five minutes
2 ) Praise the lord there`s no CGI . As far as I could see the gargoyle effects were achieved by stop frame animation . I hope to see this special effect reintroduced into all films that require it because I got fed up with CGI in nineteen ninety something
Oh and weren`t those gargoyles cute ?
1 ) The lack of gore . So it`s a TVM therefore there`s restrictions , but regardless of why it`s a nice change to see a horror movie without arms and legs getting bitten off every five minutes
2 ) Praise the lord there`s no CGI . As far as I could see the gargoyle effects were achieved by stop frame animation . I hope to see this special effect reintroduced into all films that require it because I got fed up with CGI in nineteen ninety something
Oh and weren`t those gargoyles cute ?
Oh dear, what a disaster.
So we have a bunch of gargoyles shipped over from Yorkshire. They have a talisman serving as the blue touch-paper. Use blood to light. The gargoyles break out into little beasties that will devastate a chosen town as some kind of retribution for collective sins. Spawned in Medieval times using black magic. Oh yes. And let nobody ask for any more detailed information than that, as we only spent 10 minutes on back story.
Billy from 'Neighbours' faffs about with his poor accent. Though I shall go easy on the lad. Aussie talk is English with a twang. US talk is a different twang coupled with over pronunciation. Still, Selina from 'Home and Away' manages quite well.
Oh, the film. Starts ok. Beastie gets free, whole movie plummets. It becomes slow, we all know what's going to happen. Scenes are crowbar'd in to explain stuff. Subplots are thin and awkward. Beastie vision is like looking through a pint of snakebite'n'black. Beastie will viciously wolf down sausages and cooked meat, but kills dogs with a slight graze of the belly and leaves them.
Just once in one of these movies I want a crazy character to rant and rave about totally implausible demon, and the other guy not spit on him and call him a drunk loony, but instead just randomly help him hunt his demon as they've got nothing better to do.
I shall blame the director for the excessive cheese factor towards the end. People just don't behave in the way that is filmed here. A mild recovery is made in the last 10 seconds, which makes me think the story was told from the wrong point of view.
The plot had potential, which is probably why it is now a movie. But it needed more thought and filling out. About 70% will laugh at it, 10% will love it. 20% will be checking the skies for flying... what's that.. aaaaggh.
So we have a bunch of gargoyles shipped over from Yorkshire. They have a talisman serving as the blue touch-paper. Use blood to light. The gargoyles break out into little beasties that will devastate a chosen town as some kind of retribution for collective sins. Spawned in Medieval times using black magic. Oh yes. And let nobody ask for any more detailed information than that, as we only spent 10 minutes on back story.
Billy from 'Neighbours' faffs about with his poor accent. Though I shall go easy on the lad. Aussie talk is English with a twang. US talk is a different twang coupled with over pronunciation. Still, Selina from 'Home and Away' manages quite well.
Oh, the film. Starts ok. Beastie gets free, whole movie plummets. It becomes slow, we all know what's going to happen. Scenes are crowbar'd in to explain stuff. Subplots are thin and awkward. Beastie vision is like looking through a pint of snakebite'n'black. Beastie will viciously wolf down sausages and cooked meat, but kills dogs with a slight graze of the belly and leaves them.
Just once in one of these movies I want a crazy character to rant and rave about totally implausible demon, and the other guy not spit on him and call him a drunk loony, but instead just randomly help him hunt his demon as they've got nothing better to do.
I shall blame the director for the excessive cheese factor towards the end. People just don't behave in the way that is filmed here. A mild recovery is made in the last 10 seconds, which makes me think the story was told from the wrong point of view.
The plot had potential, which is probably why it is now a movie. But it needed more thought and filling out. About 70% will laugh at it, 10% will love it. 20% will be checking the skies for flying... what's that.. aaaaggh.
"Curse of the Talisman" is an endurable but completely pointless made-for-TV occult thriller that suffers a little too much from script-stupidity and it causes you to laugh during sequences when you ought to be scared. I'm sure the director as well as the young & enthusiast cast members all had good intentions to make this film a fantastic career move, but the subject matter is just too vague and the whole production completely lacks memorable aspects. The clumsy special effects and lousy acting performances are forgivable, but what's up with all this illogical nonsense the characters do and say? OK, question
In case you are requested to illegally guard a statue in your basement and some kind of living creature crawled out of it, would just assume it's an ordinary bat and start feeding it, no questions asked?!? Well, nobody would except for young hero Jeremy Campbell, who then regretfully discovers that the animal is a portentous gargoyle, still on its ancient mission to destroy the world along with the rest of his species. Together with his equally dumb high school friends and a very implausible priest character, Jeremy has to prevent the gargoyle from awakening his stoned friends in the museum. The story already isn't very interesting and then it still features the same old, annoying clichés like high-school popularity contests, the romance between the geek and the babe, the hippie bookstore owner and the entirely pointless & blurry dream-sequences! Yawn!! There are some incredibly imbecile plot-twists (for example, the priest suddenly comes up with an alternate and equally efficient way to destroy the gargoyles after a million fruitless attempts to stop them) and the "horrifying" monsters are actually pretty cute. They look somewhat like Gremlins with wings and shiny red eyes. The acting performances are quite embarrassing but Sara Gleeson is real beauty.
Did you know
- GoofsWhile talking to his son about job options the father is reading a newspaper which is clearly "The Australian", an Australian newspaper not readily available in the US where this movie is supposed to be set.
- ConnectionsReferenced in Diminishing Returns: Deep Blue Sea (2018)
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