La secrétaire

I may be a jaded old cynic but from time to time a contemporary movie knocks me off my seat. Recently there's been quite a few -'May', 'Sympathy For Mr. Vengeance' and 'Auto Focus' immediately spring to mind. 'Secretary' is another recent gem. This is the most original romantic comedy (very black, mind you) I've seen in YEARS! And for something which deals with a lifestyle alien to me (dominance and submission) it's surprisingly touching, and even managed to get me to shed a tear or two. I had previously enjoyed Maggie Gyllenhaal's supporting roles in 'Donnie Darko' and John Waters' 'Cecil B. Demented' (she played Raven, the make up artist - "Pain is pleasure! Slavery is freedom! Suicide for Satan!' remember?), but her performance here is first class and is guaranteed to turn her into a major cult figure if not an actual genuine STAR. I confess that I now have a major crush on her to boot (I'm sure I'm not alone!). James Spader is also very, very good. While I admired him appearing in Cronenberg's 'Crash' a few years ago most of his other film choices have been safe ones and to be honest I'd pretty much given up on him as an actor. But it just goes to show what an actor is capable of with an innovative script and a supportive director. It's really difficult imagining any other two actors playing these roles any better. In the supporting cast Jeremy Davies also surprised me. I'd been getting a bit tired of his crazy shtick in previous roles, especially his extremely irritating performance in 'The Million Dollar Hotel', but he did a much more subtle job in this movie, and it really worked for me. This is my first experience with director Steven Shainberg but I was impressed. I now want to try and see his previous movie, the Jim Thompson adaptation 'Hit Me'. I also look forward to his next movie, because if 'Secretary' is any indication of his talent then he's sure to come up with something very special. Highly recommend.

'Secretary' deals with a daring and original subject and does this in an effective and funny way. Its subject is sadomasochism, its genre is a romantic comedy. The secretary is Lee Holloway (Maggie Gyllenhaal), who suffers from self-mutilation, her boss is Mr. Grey (James Spader), who seems the coldest man alive. When they are in the same room you feel that there is something there, they both feel it too. Since the movie opens with a certain S/M scene we already know that there is a point in the movie where the two must find each other and start the sadomasochism activities. I will not reveal how and when it happens, but the moment is great.

Saying too much about the story would spoil things. We laugh at the right times, which is a good thing. Considering the subject it is even hard to accomplish that since people who are not familiar with it laugh very easy when they see strange things. For most audiences the events will be strange. The original approach of the movie, the performances perfect for this movie, the funny moments and an ending that plays exactly as it should this is a good movie and one of the most original romantic comedies I have seen.

Maggie Gyllenhaal deserves an Oscar nomination for her brilliant portrayal of borderline psychotic, self-mutilating Lee Holloway, a former mental institution patient seeking to sustain herself - vocationally and emotionally - in a challenging world where she has few safe harbors. She comes from a messy family background although that alone can't explain her illness.

Learning typing, she gets a secretary's job with lawyer E. Edward Grey (James Spader, who also turns in a first-rate, nuanced performance). Grey refuses to have any computers in his very smart, expensive law office. Like many lawyers he's a perfectionist who abhors typographical errors but his obsession with perfection reflects more than an anal personality hitched to a law degree. His solo practice seems to thrive better than his self-control of a suppressed sexuality, awakened by Maggie at first unknowingly.

This is a film about what many consider to be deviant behavior (sado-masochism and bondage-discipline, not your usual Hollywood romantic fun and games) that most will concur is uncommon in the workplace. Director Steven Shainberg and his cast - and Gyllenhaal and Spader carry the film, forget the supporting actors - show Lee and Grey's rocky and developing relationship with candor, without condemnation and without exploitation. The lawyer and his secretary are sexualized in a way few have experienced and those who have don't talk to folks outside their circle.

This is a black comedy/a black drama. It either grabs or repels the viewer: there's no in-between. The resolution? Is it realistic or a cop-out? I'd love to hear from those able to comment from experience on IMDb's discussion board. But I have a feeling few will post reactions.

A very different film that I rate 8/10 on a personal scale where I value the deep and tortured acting projecting the absorbing conflict of this sexualized working (initially) relationship.

Secretary is the first of its kind - a very dark love story. First of its kind in that it deals with themes never seen before seen in mainstream Hollywood cinema - S&M, sexual dominance and submission.

Maggie Gyllenhaal is outstanding in a potential minefield of a role - she handles it with dignity and even provides some effective dark humour.

The story here is that her character, Lee, applies for a job as a secretary for the firm owned by James Spader's brilliant Mr Grey. However, Lee has a history of self-harm and masochism and Grey has a dominance complex along with a very sadistic streak. Combine these 2 in theory and you have 2 very happy people. But this is no ordinary love story...

Spader, as stated, is brilliant. He brings an icy steel to the troubled Grey, but also provides a touch of black humour which comes at some great moments to 'release the tension'.

For the themes supplied here you'd probably expect a lot of raunchiness - well there are sexual moments, of course, but there is nothing gratuitous, which is in itself an achievement and well handled.

Overall it's quirky, off-beat, and a little bit different.

Worth a view.

Lee Holloway is released from the mental institution on the same day as her sister's wedding and finds her family are just the same and it is not long before the urge to self-harm overcomes her. However in finding work as a secretary she looks to get more meaning in her days. She joins the one-man law firm of E. Edward Grey and enjoys the work even though he is a distinctly odd man. As their working relationship develops though, Edward's attitude becomes more and more dominant, eliciting an unexpected response in Lee.

Although it was sold off the back of the salacious material and offer of dark sexual comedy, Secretary is actually a nicely ambiguous character piece that looks at the development of a submissive woman and the conflicts within a man who takes pleasure from S&M. It is nowhere near as shocking as it was marketed, nor does it try to force things to the detriment of the characters. I wasn't sure what to expect but found myself easily taken into the film through the two characters because of how well written it was. I'm not into S&M and have no knowledge of that world but yet the film made the feelings and emotions of the characters easy to access and understand (and even if relating to them was beyond me, it was to its credit that the film never asked this of me). Shainberg's script deserves a lot of praise but his direction is also good in the way that he keeps much of the film ambiguous and intriguing.

The cast respond really well to this. I say "cast" as if it is group effort but it is really a double-hander from a talented pair. Spader is very good and manages to make a character out of what could easily have been a weak part of the film. He is convincing and has the complexity that one would associate with someone with an "unusual" fetish. Gyllenhaal is better as she develops her character across the film and seems to have totally understood who she is trying to be. Although their scenes were potentially challenging, their performances are strong enough to make them work well.

Overall then a film that is understandably select viewing with a subject that may put some off. However it is actually much more accessible than it appears at first glance because of how well the characters are written by Shainberg and realised by Spader and Gyllenhaal.