Mullet

this movie was so terribly bad that just as my girlfriend and i were getting up to leave in total disgust... it ended. a thin plot, bad acting, lifeless characters, no action or startling developments, it was by far the worst movie i've seen in a long time.

i am familiar with the area that it was filmed in, and can't say that the characters portrayed are indicative of the locals... the locals are smarter, funnier, and far better company (and i dont live around there).

well may they say god save the queen, for nothing can save the australian film industry... if they keep turning out "quality" like this.

Not bad as far as it goes, but it needs an ending. It's appalling how many Australian films are made without one. The worst recent offender that I know of is "Russian Doll", but it's only the most naked example - and its very nakedness, when it is set next to "Mullet", almost looks like a virtue. At least "Russian Doll" doesn't have a first-person narrator musing about how hard it is to find endings in real life, and how all endings are also beginnings, and so on, in an attempt to justify the failing.

Still, there's ALMOST an ending, and apart from that there's a fair enough story with interesting characters (more because of the cast than because of the script). I like David Caesar's rather desperate attempts to come up with fish metaphors for what's going on - and the wonder of it is, he succeeds. For the record, though, mullet, the fish, isn't so bad as all that. What little flavour it has isn't unpleasant. (You wouldn't want to have it by itself, that's all.) Worthwhile in a small way, certainly nothing to be despised. Like the film. Hey! Another fish metaphor.

In my family people who don't face up to their responsibilities, who leave suddenly when confronted, are known as bolters.

My Aunt Mary, an extreme eccentric, was a bolter. A heart breaker and also a sudden breaker of leases, she'd turn up 500 miles away in another job if some man was getting too keen. She developed doin' the bolt into an art form. She managed that for 70 years!

Eddie (Ben Mendelsohn) in Mullet is a bolter. He's about thirty and has unexpectedly turned up in his small town. We find that he'd broken at least two hearts by leaving three years before and it seems that he's not too interested in changing his ways.

Eddie, known as Mullet, is selfish and spoilt but sufficiently self reliant to eak a living catching mullet in the local creeks while living alone in a clapped out caravan. He used to be a local rugby league star, destined for the big time in Sydney. But again he bolted.

Mullet is set in a small coastal town south of Sydney. The locals aren't particularly happy even if the town looks very pretty. Mullet is scenic.

His parents (Kris McQuade and Tony Barry) are malcontents who have formed an alliance based on not talking directly to each other. His brother (Andrew S. Gilbert) is a local cop and other friends include Tully (Suzie Porter) and Kay (Belinda McClory). Mullet's sister is played very nicely by Peta Brady.

In fact all of the performances are very good, its just a shame that they weren't able to grace a more worthy script.

Mullet is the third film from director David Caesar after Greenkeeping and Idiot Box. It's only about 90 minutes long but still seems to be padded by a profusion of meaningless set up shots that lead nowhere and a plot with far too little happening.

It's all well and good to establish a scene or a mood with panning shots but lit buildings and front yards only retain a limited appeal. Mullet does have a terrifically moody sound track from Paul Healy.

But it's as if the scriptwriter for Mullet had done the bolt, which is a little strange because David Caesar also wrote this muddy little piece.

3 Underwritten Flys out of 5.

. I did my best to like this film, and it has many good things. A reasonably tight script, a good smoldering performance from Ben Mendelssohn in the lead, fine supporting performances from Andrew Gilbert, Susie Porter, Tony Barry, Kris McQuaide and Belinda McClory, rugby league, nice countryside, stark, open, beautiful cinematography, and even a decent theme; what is there at the heart of the Aussie soul?

Well, mullet is a pretty dull fish, and this celebration of it, if that's the right word, just wasn't entertaining. The film even at 90 minutes dragged. Some contrived drama at the end came to nothing. The characters were understandable, if not likeable, but it really just amounted to pointing the camera at a group of country people and saying `tell us about the hollowness of your lives.' It is partly redeemed by a reasonably upbeat ending. It was like a film school piece made by someone with 10 years experience in the industry. It may have some resonance with Australians who have good attention spans (especially residents of Kiama), and is pretty to watch, but mullet like to swim in shallow waters, which this film never leaves.

Well, I never ate Mullet (an Australian fish living in muddy waters), but this movie didn't necessarily encourage me to try. I saw the movie in a festival in Germany without subtitling. So I thought (cause my Australian English is really not that good) I am somehow missing most of the jokes, but looking at the audience, maybe there were not so many to start with. The story is: A guy nicknamed Mullet comes back to his home village after he left for three years without saying good bye. In the meantime his brother married his ex girl-friend. The film now shows how the people react to him coming back. Most of them squarely tell him to bugger off again, but he doesn't understand why and refuses to change. I think I already gave this movie more story than it has. The characters are going nowhere so is the plot. The end comes out of the blue, very unsatisfying. The actors are o.k. but cannot save a weak script. Save your money for a good Australian beer at your local pub.