Putting It Together

This show is my favourite DVD - I've had to buy a new one to replace the old one which I pretty much wore out. There are 2 reasons this is the best: 1) Stephen Sondheim. The best musical theatre writer in history. His music is original, unexpected and really beautiful. But his lyrics are what set him apart from the others. One of the other comments mentions that his lyrics are "inane". Sorry that's just wrong. How can the following quotes, all from Sondheim musicals, be described as inane?: "Slow, love, slow! Time's so fast. Now goes quickly, see, now it's past. Soon will come, soon will last. Wait!"; "The history of the world, my sweet, is who gets eaten and who gets to eat. How gratifying for once to know that those above will serve those down below." (from Sweeney Todd). "There's another national anthem, and I think it just began, at the ballpark. Listen hard!... There's another national anthem, folks, for those who never win, for the suckers, for the pikers, for the ones who might have been." (from Assassins). 2) Ruthie Henshall. I have never quite understood why she hasn't made the big impact in other media that she has on the London stage. Over here she is the First Lady of musical theatre, and something of an iconic national treasure. I've had the pleasure of seeing her on stage in 'Chicago', and without doubt she is the most fully-rounded performer I've ever had a chance to watch. She has a voice that one reviewer described as "turning through all the colours of the rainbow", she trained as a dancer and has a grace and litheness that is all her own, and she is a rare commodity in the musical business as a woman who can actually act. All I can say is, if a young and not-that-well-known actress from England can steal a show from under the nose of one of the most successful American comediennes in showbiz history (Carol Burnett), she's got something. For these two very important reasons, this show is superlative.

"Putting In Together" ,a tribute to the music and lyrics of the great Broadway writer Stephen Sondheim is so good,yet it only scratches the surface of his vast work. With the outstanding cast assembled for this review one wishes it could go on forever! It can't,but what we have are some wonderful actor/singers interpreting some of Sondheim's most brilliant songs.With a cast that includes Broadway Legend George Hearn, Comedianne Extrordaniare Carol Burnett and London's First Lady of The Musical Stage Ruthie Henshall you can miss. Hearn is dynamic and engaging,particularly in "Hello Little Girl","The Road You Didn't Take" and "Country house" (the latter sung and acted with Burnett). Burnett herself scores comedic high marks with "Could I Leave You" and "Ladies Who Lunch",in both of the songs she bring a unique blend of humor and pathos. The lovely,talented and sexy Ruthie Henshall sets the stage afire with "Sooner or Later" and her highly charged dance in the "Bang!" number. Bronson Pinchot and John Barrowman add their talented support as well. Sonheim's music works on so many levels..its introspective,touching,emotional and fun. This review is a great way to relive his work if you are a fan, or to get familiar with it if you are a newcomer. With a cast this good you can't go wrong!

If you are a fan of Carol Burnett (and you're not bothered by her scary, plastic-surgery face), if you like Bronson Pinchot, and if you don't mind prerecorded music (and heavily miked singing...), then by all means watch this program. I *hated* it! I was so disappointed. One longs for a live orchestra, band or pianist...and better singing! I wasn't thrilled that Perfect-Strangers-Balki was in it (and even more dismayed when he opened his mouth), and I was bitterly sad that George Hearn deigned to appear in this travesty. A performer like him shouldn't be in this!

There are however some pretty good extras: an interview with Ms. Burnett and an outtake (very hilarious! It was my favorite part.)

PUTTING IT TOGETHER was another valentine to the musical genius of Stephen Sondheim, the best composer working in the musical theater today. Nobody can craft a tapestry of words the way Sondheim can. This is maybe the 4th or 5th musical revue based on his music but this one is a little different because each performer is assigned a thumbnail character to base the songs on and the characters are supposedly at a cocktail party when the songs are performed. The cast is sublime, led by the incomparable Carol Burnett, a gifted actress and comedienne that a lot of people forget is an amazing singer and skillful musician. She puts her own stamp on Sondheim classics like "The Ladies who Lunch", "Getting Married Today", and "Every Day a Little Death", which she duets on with Henshall. Burnett commands the stage and when she is on, you don't notice anybody else, except maybe George Hearn, the ultimate interpreter of Sondheim, having played SWEENEY TODD and Ben in the concert version of FOLLIES. His rich baritone effectively serves songs like "The Road You Didn't Take" from FOLLIES, "Good Thing Going" from MERRILY WE ROLL ALONG and his duet with Harrowman, "Pretty Women" from SWEENEY TODD. Harrowman scores with a song cut from COMPANY called "Marry Me a Little" and Henshall shines performing two songs from the movie DICK TRACY...the Oscar winning "Sooner or Later" and "More", as well as "LOVELY" from A FUNNY THING HAPPENED ON THE WAY TO THE FORUM. But the biggest surprise for this reviewer was Bronson Pinchot, who I had no idea was so adept at musical comedy. He serves as narrator/host for the show and opens the show with a funny song, which I believe is also from FORUM, which instructs the audience on how to behave. He is very funny dueting with Burnett on "Everybody out to have a Maid" from FORUM and brings down the house with "Buddy's Blues" from FOLLIES. And Sondheim's five part arrangement of "Being Alive" from COMPANY is just spectacular. This show is not for everyone, but if you're a fan of musical theater in general and Sondheim in particular, this show is a must-see event.

Based on the 1998 Los Angeles production, this show ran for over 100 performances on Broadway.

Primarily a love-fest for Sondheim fans, this review was a big hit. From the authoritative baritone of George Hearn to the camp antics of Bronson Pinchot it's great fun.

There are many somewhat unusual numbers included amongst the justly famous ones. The opening number (Invocations and Instructions to the audience) comes from The Frogs, four of the five songs in the film 'Dick Tracy' are included, and a couple of numbers cut from 'A Little Night Music' are also present. Sondheim addicts will doubtless get great enjoyment from identifying what comes from where, so I won't go on. (It took me a while to get them all - my DVD does not have a listing!)

Carol Burnett is hilarious in 'Getting Married Today' and dramatically convincing in 'The Ladies who Lunch'. John Barrowman's stunning looks and equally stunning voice is put to good use in such numbers as 'Bang' – a duet with the glorious Ruthie Henshall – and 'Marry Me a Little'. Bronson Pinchot is a narrative link between scenes, and has his own moment of glory in 'Buddy's Blues', one of those tongue twisting numbers Sondheim revels in, executed with great panache.

The binding force in all this is, of course, George Hearn. Whether in solos, duets or just on stage listening (for example to Carol Burnett in 'Could I Leave You?' ) his presence is commanding and supportive.

There is not one part of this show that is less than totally enjoyable. All the extremely talented artists are having fun, and so are the audience. Join in.