A sleazy but ingenious criminal masterminds a heist at a sold-out sports arena. He hires a motley crew of henchmen, seduces the middle-aged head cashier, and plans some brutal ruses to elude... Read allA sleazy but ingenious criminal masterminds a heist at a sold-out sports arena. He hires a motley crew of henchmen, seduces the middle-aged head cashier, and plans some brutal ruses to elude the law. But he's his own worst enemy.A sleazy but ingenious criminal masterminds a heist at a sold-out sports arena. He hires a motley crew of henchmen, seduces the middle-aged head cashier, and plans some brutal ruses to elude the law. But he's his own worst enemy.
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I'm sure I saw some of this movie at a Fanex convention in the late 80s. Some of the camera work was interesting and creative. Cinematographer Fouad Said was the DP on the Cosby-Culp series ISpy after this movie and he is still with us at 92, as of this writing. The movie is super-amateurish in every way and poorly edited but for 20 grand, even for dollars in the early 1960s, Katcher could only do so much. The footage of stripper and the film's poster girl Georgia Holden is barely a measly 5 seconds. I'd have given her 20 minutes.
Aram Kacher co-writes, directs, stars and does the makeup in this cheap little caper film. He assemble a team, seduces the head cashier of a sports arena in an effort to rob it.
Perhaps he should have also been the sound engineer, because there was a lot of echo in the copy I looked at. The visuals were in poor shape, but that's all right because theactual robbery wasn't very interesting. It's the descent into petit guignol that the film had hinted at from the beginning that's the weak point of this movie, obviously intended for drive-ins and second features. I was surprised to find out that a lot of people involved had actual careers!
Perhaps he should have also been the sound engineer, because there was a lot of echo in the copy I looked at. The visuals were in poor shape, but that's all right because theactual robbery wasn't very interesting. It's the descent into petit guignol that the film had hinted at from the beginning that's the weak point of this movie, obviously intended for drive-ins and second features. I was surprised to find out that a lot of people involved had actual careers!
This is a bizarre but highly effective vanity project from a balding, thick-accented character actor named Aram Katcher. It's really a window on the sleazy late-50s/early-60s world of Mickey-Spillane-influenced misanthropy and a reflection of the disjointed, overblown independent filmmaking techniques characteristic of the period. Katcher's in-your-face non-style shows strong echoes of Blast of Silence, I the Jury and The Naked Kiss, and foreshadowings of Reservoir Dogs and The Usual Suspects. No masterpiece, but deserves a resurrection.
Aram Katcher, wrote, starred and directed himself (sort of) in this b movie that benefits from Los Angeles location shooting in its first half. It's always fun to see what a major city looked like so long ago. The movie itself is fun too, but not always for intended reasons. Katcher seems to be reading cue cards in an early scene where he recruits a cohort for a heist. He's never really convincing as an actor, but fortunately the movie is more interested in action. After romancing and taking an older woman for a hilarious beach romp,Katcher assembles his gang of three. They pull off the robbery, but Katcher has a nasty way to pay them off. He also has to deal with the older woman, who was a witness (very nasty!). Fleeing to Rio (all shown in stock footage), Katcher lives the high life, until an unexpected associate shows up one day for a wowzer of a finale.
Somewhat famous for a graphic acid-bath death scene,the violence is crudely done and not a single actor shows any real chops. But the movie was nearly impossible to see for long time and now that it's available it's worth a look for those drawn to it. (The Youtube print has severe cuts).
Somewhat famous for a graphic acid-bath death scene,the violence is crudely done and not a single actor shows any real chops. But the movie was nearly impossible to see for long time and now that it's available it's worth a look for those drawn to it. (The Youtube print has severe cuts).
I saw part of this B&W movie on TV back when I was a little kid in the early 1970's. It terrified me! I vividly remembered the bad guy throwing a guy in a vat of acid and burning him alive. Then a disguised woman shows up and says, "You always liked my legs. Here have one!" and then she kicked a prosthetic leg at him and shot him dead. Only recently was I able to find the name of the movie. Now I need to find a copy to watch. Anyone know where I can find it?
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- SoundtracksA Very Deep Blues
Written and performed by Jack Elton
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- A 117 colpo grosso a Los Angeles
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- Runtime
- 1h 7m(67 min)
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- 1.37 : 1
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